CUT OVERLAY WASHINGTON PATTERN STAND LAMP

ASSORTED PATTERN KEROSENE STAND LAMPS, LOT OF FOUR, comprising three cut overlay examples, including a white to ruby Moorish Windows, a white to colorless Washington, and a ruby to colorless floral ex

Massachusetts, mid 19th century. Cranberry cut to clear font in the "Washington" pattern. Brass tooled column and white marble base. Base has edge flakes. 7.75"h. From the collection of the late Chris

ASSORTED PATTERN KEROSENE STAND LAMPS, LOT OF FOUR, comprising a cut overlay ruby to colorless example, opaque white No. 1 base; a cut and engraved free-blown pyriform font with brass stem and single-

CUT-OVERLAY STARS, QUATREFOILS, AND PRISMS PRESENTATION KEROSENE STAND LAMP, opaque white to colorless, large pyriform font with a complex pattern including quatrefoils, ovals, prisms, and stars, rais

CUT OVERLAY GEOMETRICAL KEROSENE STAND LAMP, ruby to clear pyriform font, double-bands in a grid pattern over small punties pattern, opaque white Baroque base with gilt decoration, brass connector, co

CUT DOUBLE OVERLAY PUNTY AND PANEL KEROSENE STAND LAMP, colorless to rose to opal, compressed urn-form font with a very faint etched squiggly pattern, waisted stem, brass connector, brass base, No. 23

Cranberry "Washington" Overlay Oil Lamp circa 1860. Deep cranberry glass cut to clear with Washington pattern on an opalescent white glass base. period burner and shade. Ht. 22 3/4 in. Eldred's, East

Fancy Victorian Oil Lamp. Cut overlay stand lamp. Opaque white cut to ruby large windows between punties font, alabaster/clambroth stem, single-step marble base. Holmes, Booth & Haydens Brilliant No.

American. 1860-1880. These types of lamps were made by Boston & Sandwich Glass Co., Sandwich, Massachusetts and other manufacturers. The maker of this lamp is unknown. Glass, brass, marble. White cut

American. 1860-1880. These types of lamps were made by Boston & Sandwich Glass Co., Sandwich, Massachusetts and other manufacturers. The maker of this lamp is unknown. Glass, metal. White cut to clear

1860-1880. Glass, brass, marble. Cranberry cut to clear font with a geometric design, brass connector, brass stem, 2 step marble base with brass accents. Brass prong burner, #2 big bulge chimney. Smal

American. 1860-1880. These types of lamps were made by Boston & Sandwich Glass Co., Sandwich, Massachusetts and other manufacturers. The maker of this lamp is unknown. Glass, brass. White cut to colou

1860-1880. Glass, brass. Cut single overlay kerosene stand lamp with colourless font with ovals and punties decorated with prisms, rose cut to ruby overlay stem, brass connector, marble base. Prong bu

CUT OVERLAY ELECTRIC STAND LAMP, amber to colorless, cylindrical stem with elongated cut, three-step base with cut ovals, modern socket mechanics. Fitted with a paint-decorated bell-form gas shade dep

American. 1860-1880. These types of lamps were made by Boston & Sandwich Glass Co., Sandwich, Massachusetts and other manufacturers. The maker of this lamp is unknown. Glass, brass, marble. Opaque whi

American. 1860-1880. These types of lamps were made by Boston & Sandwich Glass Co., Sandwich, Massachusetts and other manufacturers. The maker of this lamp is unknown. Glass, brass, marble. Ruby cut t

American. 1860-1880. These types of lamps were made by Boston & Sandwich Glass Co., Sandwich, Massachusetts and other manufacturers. The maker of this lamp is unknown. Glass, brass, marble. Ruby cut t

CUT OVERLAY PUNTY KEROSENE STAND LAMP, amethyst overlay to colorless pyriform font, bright yellow-green No. 1 base with gilt decoration highlights, brass connector, No. 1 fine-line collar. Fitted with

CUT OVERLAY TULIP KEROSENE STAND LAMP, white to translucent ruby pyriform font with additional stylized panel and punty cuttings, opaque black Baroque base with gilt decorated bands, brass connector,

CUT OVERLAY PUNTY KEROSENE STAND LAMP, amethyst to colorless compressed pyriform font, stamped-brass stem and single-step marble base, No. 1 fine-line collar. Fitted with a period brass double-tube bu

CUT OVERLAY PUNTY KEROSENE STAND LAMP, cobalt blue to colorless, brass ribbed stem, double-step marble base with stamped-brass ornamentation, brass connector, No. 2 fine-line collar, colorless wafer c

CUT-OVERLAY PUNTY KEROSENE STAND LAMP, sapphire blue to colorless pyriform font, five rows of small punty cuts, raised on a brass fluted stem and double-step marble base with stamped brass ornamention

American. 1860s. Dietz & Co., New York. Glass, brass, metal. Cranberry cut to colourless font with gold trim of leaves and vines, 3 rows of punties, brass connector. Figural stem of a wolf and a beave

CUT OVERLAY QUATREFOIL KEROSENE STAND LAMP, white cut to jade green pyriform font, starch blue Baroque base, brass connector, No. 2 fine line collar. Fitted with a period set-up comprising a