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FAILE - TELE ANGELES

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FAILE - TELE ANGELES
Item Details
Description
FAILE (b. 1975)

Tele Angeles, 2013

Screenprint and acrylic on Heavyweight Archival paper.

19-1/4 x 12-1/4 inches (48.9 x 31.1 cm) (sheet)

Ed. 7/250

Signed in pencil along lower edge, numbered in pencil to reverse.

Published by the artist.


FAILE (Pronounced "fail") is a Brooklyn-based artistic collaboration between Patrick McNeil (born 1975) and Patrick Miller (born 1976). Since its inception in 1999, FAILE has been known for a wide-ranging multimedia practice recognizable for its explorations of duality through a fragmented style of appropriation and collage.


While painting and printmaking remain central to their approach, over the past decade FAILE has adapted its signature mass culture-driven iconography to an array of materials and techniques, from wooden boxes and window pallets to more traditional canvas, prints, sculptures, stencils, installation, and prayer wheels. FAILE's work is constructed from found visual imagery, and blurs the line between "high" and "low" culture, but recent exhibitions demonstrate an emphasis on audience participation, a critique of consumerism, and the incorporation of religious media, architecture, and site-specific/archival research into their work.

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FAILE - TELE ANGELES

Estimate $1,500 - $2,000
Nov 13, 2021
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Starting Price $500
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0247: FAILE - TELE ANGELES

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Est. $1,500 - $2,000Starting Price $500
ArtMeetsStreet x Walk With Sally Street Art
Nov 13, 2021 2:00 PM EST
Buyer's Premium 25%

Lot 0247 Details

Description
...
FAILE (b. 1975)

Tele Angeles, 2013

Screenprint and acrylic on Heavyweight Archival paper.

19-1/4 x 12-1/4 inches (48.9 x 31.1 cm) (sheet)

Ed. 7/250

Signed in pencil along lower edge, numbered in pencil to reverse.

Published by the artist.


FAILE (Pronounced "fail") is a Brooklyn-based artistic collaboration between Patrick McNeil (born 1975) and Patrick Miller (born 1976). Since its inception in 1999, FAILE has been known for a wide-ranging multimedia practice recognizable for its explorations of duality through a fragmented style of appropriation and collage.


While painting and printmaking remain central to their approach, over the past decade FAILE has adapted its signature mass culture-driven iconography to an array of materials and techniques, from wooden boxes and window pallets to more traditional canvas, prints, sculptures, stencils, installation, and prayer wheels. FAILE's work is constructed from found visual imagery, and blurs the line between "high" and "low" culture, but recent exhibitions demonstrate an emphasis on audience participation, a critique of consumerism, and the incorporation of religious media, architecture, and site-specific/archival research into their work.

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