
FAILE - UNTITLED - LARGE ORIGINAL
FAILE Sale History
View Price Results for FAILEDiscover Similar Items




Description
Untitled, 2005
Acrylic and spray paint on wood.
32 x 14 inches (81.3 x 35.6 cm)
Signed and dated in pencil to reverse.
Very minor abrasions to the extreme edges.
FAILE (Pronounced "fail") is a Brooklyn-based artistic collaboration between Patrick McNeil (born 1975) and Patrick Miller (born 1976). Since its inception in 1999, FAILE has been known for a wide-ranging multimedia practice recognizable for its explorations of duality through a fragmented style of appropriation and collage.
While painting and printmaking remain central to their approach, over the past decade FAILE has adapted its signature mass culture-driven iconography to an array of materials and techniques, from wooden boxes and window pallets to more traditional canvas, prints, sculptures, stencils, installation, and prayer wheels. FAILE's work is constructed from found visual imagery, and blurs the line between "high" and "low" culture, but recent exhibitions demonstrate an emphasis on audience participation, a critique of consumerism, and the incorporation of religious media, architecture, and site-specific/archival research into their work.
Buyer's Premium
- 25%
FAILE - UNTITLED - LARGE ORIGINAL


0028: FAILE - UNTITLED - LARGE ORIGINAL
Lot Passed
•0 BidsLot 0028 Details
Untitled, 2005
Acrylic and spray paint on wood.
32 x 14 inches (81.3 x 35.6 cm)
Signed and dated in pencil to reverse.
Very minor abrasions to the extreme edges.
FAILE (Pronounced "fail") is a Brooklyn-based artistic collaboration between Patrick McNeil (born 1975) and Patrick Miller (born 1976). Since its inception in 1999, FAILE has been known for a wide-ranging multimedia practice recognizable for its explorations of duality through a fragmented style of appropriation and collage.
While painting and printmaking remain central to their approach, over the past decade FAILE has adapted its signature mass culture-driven iconography to an array of materials and techniques, from wooden boxes and window pallets to more traditional canvas, prints, sculptures, stencils, installation, and prayer wheels. FAILE's work is constructed from found visual imagery, and blurs the line between "high" and "low" culture, but recent exhibitions demonstrate an emphasis on audience participation, a critique of consumerism, and the incorporation of religious media, architecture, and site-specific/archival research into their work.