James McBey THE BRIDGE BY NIGHT (HARDIE 232) Drypoint,

Hardie, Martin, ''Etchings and Drypoints from 1902-1924 by James McBey'', P & D. Colnaghi & Co., London, 1925, with an original etching by artist as the frontispiece, no. 425 of a limited edition of 5

A Miscellaneous Collection of Thirty Books and Librettos Pertaining to the Arts (Fine Art, Theater, Opera and Poetry), Including James McBey's 'Etching and Drypoints, from 1902-1924' (London: P&D Coln

James McBey (Scottish 1883-1959)- ''Gerona'' (Hardie and Carter 213)- etching, 1923, signed and annotated XXX in pen and ink, edition of 76, paper slightly age toned. 7 3/8 x 12 7/8''

Hardie, Martin, ''Etchings & Dry Points - from 1902 to 1924 by James McBey'', P. & D. Colnaghi, London, 1925, original etching by the artist ''Self Portrait with Model'' is present but has been detach

Two (2) World War I Works on Paper, including James McBey, Kerr Eby. 1st item: James McBey (United States/United Kingdom, 1883-1959) drypoint etching on paper titled "Beersheba November 1917" depictin

James McBey (British 1883-1959)- ''Artist and Model'' (Hardie and Carter 223)- etching, 1925, signed in pen and ink, edition of 500, published as frontispiece to catalogue raisonne by Hardie and Carte

(Scottish, 1883-1959) La Fava, or Santa Maria della Fava, 1925, XLII, signed lower right, "James McBey", signed in plate, "McBey, Venice, October 1925", drypoint etching on blue green antique laid pap

James McBey (Scottish, 1883-1959). An original antique watercolor painting on paper. A cityscape with river and a profusion of architectural elements including bridge, buildings, clock tower, and othe

James McBey (Scottish, 1883-1959). “The Torpedoed Sussex Beached at Boulogne” - c. 1916, drypoint etching, signed and dated in plate lower right, inscribed and signed to lower margin. Provenan

Drypoint etching, "The Torpedoed Sussex Beached at Boulogne", 1916. Pencil signed lower right and numbered #12. Dramatic scene of the beached vessel. 8.5"h x 15.5"w sight and 15.5"h x 22.5"w framed

(Scottish, 1883-1959) London Bridge, 1954, unsigned, inscribed, watercolor and ink, 10 x 19-1/8 in.; unframed Provenance: Estate of the Artists James McBey and Marguerite McBey, London, England; by de

James McBEY (1883-1959): "A Flood in the Fens". Etching on laid paper, 1922. Ref: Hardie 209. Total edition of 76. Signed and numbered in ink. Plate size: 12 1/4 x 6 3/4 inches.

James McBey (1883-1959, US/UK) framed and matted watercolor titled "Philadelphia 1939" a bridge over the Schuykill. 12" x 16.5" ss / 19.5" x 24" oa

Three framed etchings of landscapes, etchers include James McBey, Sidney Tushingham and Regnauld Larasin, details include: James McBey (Scottish, 1883-1959), "Flood in the Fens", 1922, drypoint etchin

Artist: McBey, James (American/British, 1883 - 1959)á Title: Mersea; Sunset Date: c. 1924 Medium: etching and drypoint and pencil on paper Dimensions: image: 8.25 x 14.25 Edition: Trial Proof I

BRIDGE, etching, signed in ink and inscribed “C", image 6 x 10 ", full margins, framed with glass, faint discoloration lower left margin, otherwise in apparently good condition.

James McBey (British 1883-1959)- ''Portrait of Lessing J. Rosenwald'' (Hardie and Carter 266)- etching, 1930, signed and annotated XXXVI in pen and ink, dedicated 'For Bill Ravdin / With Kindest regar

Signed and Titled 18.75" x 16.5" in the frame, 11" x 7.75" just the Art

"Manhattan Bridge at Night"; c. 1988; Oil on Canvas; 24" x 30"; Signed Lower Left; Framed.

McBey, James (British, 1883 _ 1959). The White Palace (Venice). September, 1925. Drypoint etching, signed and numbered by the artist in lower margin, dated in plate. 18 _ x 12 _. Fine.

James MacNeil Whistler (American, 1834-1903) The Little Putney Bridge, Etching and drypoint in black ink on cream laid paper, c. 1879, with the butterfly monogram, Image-5 3/16" x 8 1/8", has margins,

James Abbott McNeill Whistler etching with drypoint on paper "Vauxhall Bridge", located in central London on the River Thames as it would have appeared before construction in 1904-1906, label on verso

James Abbott McNeill Whistler (American, Lowell, Massachusetts, London, 1834-1903). "The Bridge, Santa Marta." Etching and drypoint, from the Second Venice set, a series of twenty-six etchings depicti

James Abbott McNeill Whistler (American, 1834-1903), etching and drypoint, circa 1871, "Old Hungerford Bridge" (Kennedy 76), the sixth of sixteen etchings from the "Thames Set," signed in plate lower