Isaac Faulkner Bird (British, 1800 - 1861)

Frederick Polydore Nodder ( Britain English England 1751 - 1800 ) Natural History Colored Engravings Subject Birds Collection Lot Ornithology Plate Number # 43 46 47 50 53 79 86 214 216 217 233 277 In

Frederick Polydore Nodder ( Britain English England 1751 - 1800 ) Natural History Colored Engravings Subject Birds Collection Lot Ornithology Plate Number # 83 102 207 212 222 223 224 228 231 232 240

Date: ca. 3000 - 1800 BC Materials: Terracotta Dimensions: 108mm h x 85mm w - 216.3grams Provenance/Additional Information: From an old British collection, aquired from a private collector in London,

(British, 1679-1749) T. 14, The Rice-bird, 1771-1810, wove paper with "J. Ruse 1800" watermark; T. 29, The Fieldfare, 1754 edition, on laid paper with "IHS Ivillidary" watermark, from The Natural Hist

probably British, two religious verses separated by band of carnations over brick house, fenced yard, birds and trees, signed "Emma Evans/1800/Aged 11 Years", floral border, silk on linen, later gilt

Arthur John Elsley (British, 1861-1952) Love at First Sight signed and dated 'Arthur J Elsley/ 1907' (lower left) oil on canvas 107 x 143cm (42 1/8 x 56 5/16in). Footnotes: Provenance</

William Henry Margetson (British, 1861-1940), Untitled (The Letter), oil on canvas, signed lower right, canvas (sight): 40"h x 24"w, overall (with frame): 45.25"h x 29.25"w

ARTIST: James Wilson Carmichael (British, 1800 - 1868) NAME: Seascape with Sail Ship MEDIUM: oil on canvas CONDITION: One tear 2 1/2" long. Some craquelure. Some small scattered inpaintings/touch ups.

John Wilson Carmichael (British, 1800-1868) Harbor Under a Looming Storm oil on canvas unsigned 23 1/2 x 35 1/2 inches. Property from a Private Collection, Palm Beach, Florida

(British, 1800-1880) The Love Letter, signed lower left "C. Lees 1856" with possible original label inscribed and signed by artist verso stretcher, oil on canvas, 36 x 28 in.; gilt wood and compositio

HERBERT ARNOULD OLIVIER (BRITISH 1861-1952)ON THE ITALIAN RIVIERA, A SKETCHOil on canvas laid on board35.5 x 50.5cm (13&#190; x 19&#190; in.)Provenance:The artist and by descent through his family

Dame Ethel Walker A.R.A. (British 1861-1951) The Faun and Women in the Forest partial paper label with inscription (to reverse), oil on paper laid on canvas (136cm x 89cm (53 1/2in x 35in)) Provenance

John Wilson Carmichael (British, 1800-1868), Maritime Sceneoil on canvas (lined), 1845, signed and dated at lower right, presented in a later gilt frame with linen liner. Stretcher size 16 x 23 in.; F

John Wilson Carmichael (British, 1800-1868), Maritime Sceneoil on canvas (lined), 1850, signed and dated at lower left, framed. Stretcher size 18 x 30 3/4 in.; Frame dimensions 30 x 42 1/2 in. From th

HERBERT ARNOULD OLIVIER (BRITISH 1861-1952)AN URN ON A PEDESTAL IN A GARDENOil on canvas laid on board31.5 x 47cm (12&#188; x 18&#189; in.)Provenance:The artist and by descent through his family

Henri Carnier (British, 1800-1868) Constantinople and Streets in Cairo (two works) oil on wood each signed  H Carnier (lower left); respective titles inscribed in pencil (verso) Each: 12 1/2 x 7 1/8

Attributed to John Wilson Carmichael (British, 1800–1868) On the Thames Bears signature 'J.W. Carmichael' on bottom stretcher verso; also titled on bottom stretcher verso, oil on canvas 10 1/4 x 14

HERBERT ARNOULD OLIVIER (BRITISH 1861-1952)A VIEW OF AN ITALIAN TOWN, POSSIBLY ASOLOOil on canvas laid on board35 x 48.5cm (13&#190; x 19 in.)Provenance:The artist and by descent through his family

ARTIST: Frederick Waters Watts (British, 1800 - 1862) NAME: Landscape - The River Stour (titled on verso) MEDIUM: oil on canvas CONDITION: 1" scratch by the middle upper edge. Some craquelure. Few sma

Alfred Hitchens (British, 1861-1942) Galatea by the Spring of Acis, 1897, Oil on canvas, Signed lower right. Titled on label on verso, with artist's name, address and marked No. 3. Reeves and Co Londo

HERBERT ARNOULD OLIVIER (BRITISH 1861-1952)A FORMAL GARDEN, POSSIBLY KEWOil on canvas laid on board27 x 42.5cm (10&#189; x 16&#189; in.)Provenance:The artist and by descent through his family

John McLeod (British, 1800-1871) "The White Thoroughbred", 1847 oil on canvas signed and dated lower right. Presented in an antique giltwood frame. 16-1/8" x 22-1/8", framed 19-1/4" x 25-1/2" Provenan

J. PRIOR (BRITISH c. 1800)  Westminster, Windsor, Richmond and Lambeth (a set of four views) Oil on canvas  12 x 20 cm (4 3/4 x 8 in)  (4)

In mahogany with upholstered seats. H: approx. 36".