Charles E. Burdick: Charging Bulls 1963 Acrylic/Canvas

CHARLES BURDICK Abstracted Bulls Lithograph, inscription to lower right reads ‘Burdick’, subject charging bulls, measures 15 1/2 x 28 3/4 inches, wooden frame, surface wear to frame, professionall

CHARLES BURDICK Abstracted Bulls Lithograph, inscription to lower right reads ‘Burdick’, subject charging bulls, measures 15 1/2 x 28 3/4 inches, wooden frame, surface wear to frame, professionall

Charles Edward Burdick (American, 1924-2016), mixed media on board depicting Daphne, her fingertips already sprouting leaves as she begins to transform, and Apollo, crouching in pursuit of the hapless

Charles Burdick (American, 1924-2016), "Blue bull," oil on masonite, signed lower right, "Burdick." Image: 9" H x 13.75" W; frame: 14" x 18.5".

- COTTERELL H.H., « Older Pewter », Charles E. Tuttles Company, 1963  We associate 7 various monographs and catalogs about silver and pewter

Western Americana and Native American history (thirty volumes)Lot includes thirty volumes: 1. The Phantom Bull. Charles E. Perkins. illus. Edward Borein. Boston: Houghton Mifflin, 1932. first edition.

CHARLES BURDICK INK DRAWING OF BULL -17.5" X 21" APPROX TO FRAME- VERY GOOD CONDITION-DP121521

(THE NEW YORKER) CHARLES E. MARTIN (1910-1995) Modern Art Eggs in a Basket.Cover art. Cover for The New Yorker published April 13, 1963. Watercolor, gouache, and charcoal on paper. 432x305 mm; 17&#188

Oil on canvas painting signed to lower left Burdick. Depicting a stylized white horse and red bull. Housed in a gilt wood frame. 29.5 inches height, 39.5 inches width. 29.5"H x 39.5"W Measurements: 29

Charles Burdick (American, 1924-2016) Unicorn, Satyr, and Woman on a Bull. Acrylic on board, signed lower right 13" x 10 1/2" Frame: 20 1/4" x 16 1/4"

Charles Burdick (American, 1924-2016) Two Works. Including 'Satyr with Unicorn' and 'Woman on a Bull', both acrylic on board, signed lower right and left Larger: 8 1/2" x 13" Frame: 16 1/4" x 20 1/4"

Charles Burdick (American, 1924-2016) Unicorn, Satyr, and Woman on a Bull. Acrylic on board, signed lower right 13" x 10 1/2" Frame: 20 1/4" x 16 1/4"

"Bull", watercolor on paper. Signed lower right. Dimensions: Frame: H 21.5" x W 26.5" Sight: H 13" x W 18" Condition: Minor signs of age.

Framed painting, created with oil paint and ink. The painting features an abstract depiction of a a man hunting a bull. The painting is signed.

Color etching of two bulls fighting on a bright red background with white acid spots and lines. Signature in the plate on lower right. Sight size: 21.40”L x 8.25”H. Frame size: 27.75&rdquo

including a pair of Sheffield pierced compotes, 1963, maker E. Viners, a Birmingham sugar bowl, 1930, maker Charles Weale, an egg-form trinket box, London, 1958, maker Alfred Dunhill, a Birmingham cry

John Charles Maggs (1819 - 1896) England Title: The Bull & Mouth Aldersgate Street City. E.C Print Measure 10 3/4"in H x 16 3/4"in W Known for: Coach, horses and carriage scene genre painting, city an

AFTER E. F. LAMBERT (British, 1790 - 1846). "The Age" Brighton Coach at the "Bull & Mouth", Regent Circus, Piccadilly, Coloured aquatint engraved by Charles Hunt and printed by J. Moore. - 24" x 31";

Numbered 2 of 100. 12" long, 5" wide on plaque. In 1963 Joe De Yong—Charles M. Russell’s only protégé—wrote a tribute to Earl E. Heikka, "What has received far less attentio

6 1/2" by 5" by 4 5/8". Title is Black Bear. In 1963 Joe De Yong Charles M. Russell's only protege wrote a tribute to Earl E. Heikka, "What has received far less attention than deserved is the wholly

6 1/4" by 4 7/8". Very nice grouping. In 1963 Joe De Yong—Charles M. Russell’s only protégé—wrote a tribute to Earl E. Heikka, "What has received far less attention than deserved is the wholly

22 1/2" by 21 7/8" in shrink wrap. In 1963 Joe De Yong—Charles M. Russell’s only protégé—wrote a tribute to Earl E. Heikka, "What has received far less attention than deserved is the wholly un

23 7/8" by 16 1/8" in shrink wrap. In 1963 Joe De Yong—Charles M. Russell’s only protégé—wrote a tribute to Earl E. Heikka, "What has received far less attention than deserved is the wholly un

24" by 16 1/4" in shrink wrap. In 1963 Joe De Yong—Charles M. Russell’s only protégé—wrote a tribute to Earl E. Heikka, "What has received far less attention than deserved is the wholly untrai