Barry Shields painting Pittsburgh Hillside with Traffic Light

Shields, Barry (Contemporary American, Western Pa.), Pittsburgh Neighborhood with Herron Hill Water Tower, gouache on matboard, 22 x 22 inches, signed lower right, framed measuring 29 x 29 inches.

Shields, Barry (Contemporary American, Western Pa.), Church in Pittsburgh, circa 1990, oil on canvas, 11 x 14 inches, signed lower right, framed in a custom gilded gold leaf frame measuring 14.5 x 17.

Shields, Barry (American, Contemporary) industrial steel mill scene, Pittsburgh, oil on paper, measuring 16.5 by 31 inches, in a wood frame measuring 24 by 38 inches.

Shields, Barry (Contemporary Pittsburgh), Howard on Perch, gouache on paper, 4 x 4 inches, signed lower right, framed in oak frame measuring 10 x 10 inches

Shields, Barry (Contemporary American, Western Pa.), Stadium Lights and House Pittsburgh, circa 2000, gouache on paperboard, 37 x 30 inches, signed lower right, framed 49 x 41 inches,

Shields, Barry (Contemporary American, Western Pa.), Forward Avenue, 2005, oil on canvas, signed lower right, 40 x 30 inches, Provenance: Concept Art Gallery, with thin maple strip frame

Includes 2 80 semaphores; 99N traffic signal, shield on light hood removed; 83 crossing signal, head fatigued; 69 crossing sign, c5; rest show moderate playwear with intact castings, C6

Oil on canvas painting by Pat Martin, born 1934, an American artist and lecturer. The artwork is an absrtact composition of womans knees and a traffic light. Signed by the artist, dated 1972, titled B

Watercolor on paper of an urban street scene with bridge and traffic light, signed illegibly lower right and dated '63.

Painting signed lower right "Barry," depicts houses nestled into a hillside in a yellow, red, and blue color scheme. 24 inches height, 20 inches width sight. 29.5 inches height, 25.5 inches width fram

Hoefs, Klaus (German, born 1961), Untitled, circa 2012 abstracted figure in landscape, mixed media on paper, apparently unsigned, from the collection of a Pittsburgh Corporation, 16.5 x 23, light mapl

ARTIST: Ernest Lawson (New York, Connecticut, Canadian, French, 1873 - 1939) NAME: Hillside Landscape MEDIUM: oil on canvas CONDITION: Very good. Minor craquelure. No visible inpaint under UV light. W

Beautiful 18" shade painted with autumn foliage, both obverse and reverse painting on chipped ice finish, on original three light bronze base, 24" high.

ARTIST: Jerry Malzahn (Texas, Arkansas, born 1946) NAME: Bluebonnet Landscape - Hillside (titled on verso) YEAR: 2003 MEDIUM: oil on board CONDITION: Very good. No visible inpaint under UV light. SIGH

ARTIST: Milbie Benge (California, Texas, born 1948) NAME: Bluebonnet Landscape - Spring Hillside MEDIUM: oil on canvas CONDITION: Excellent. No visible inpaint under UV light. SIGHT SIZE: 30 x 24 inch

ARTIST: Oszkar Glatz (Hungarian, German, French, 1872 - 1958) TITLE: Boy and Girl on Hillside MEDIUM: oil on canvas CONDITION: Relined. Minor craquelure. No visible inpaint under UV light. Minor damag

Nesbert, Vincent (Pittsburgh/American, 1898-1976) After Manet's Olympia, oil on canvas measuring 25 by 45 inches, in an elaborate frame measuring 35 by 53 inches. Provenance: Gas Light Club, Pittsburg

John Stobart (American 1929- )- ''Pittsburgh: Water Street by Gaslight in 1899''- off-set lithograph after painting 1993, signed and numbered 335/850 in pencil, light struck, linear pencil mark and in

Traffic light works, each color alternates after a few seconds to the next color. Overall height is approximately 86 in.

Aaron Bohrod (American, 1907-1992) The Traffic Light, 1934 oil on masonite signed Aaron Bohrod and dated (lower left) 19 ¼ x 24 inches.

Barry (Twist) McGee (American, b. 1966), "If Only the Jukebox Took Tears" 1991, oil and wax on canvas, signed and dated verso, overall (canvas/unframed): 72"h x 42.25"w. Exhibition History: Southern E

Carlos Almaraz (Mexican-American, 1941-1989). Oil on board painting titled "Traffic in Red," 1985, depicting an abstract expressionist rendering of traffic on a high, overlapping bridges speeding over

Erle Loran (American, 1905-1999). Liquitex on stretched canvas painting titled "Light Operator," depicting a kinetic, large format industrial-themed modernist painting, 1968. This is signed

Large David Tutwiler (American, Indiana, 1952 to date) train painting entitled "Light in the Canyon" a view of the Durango & Silverton Narrow Gauge Railroad in the days of steam power. The work is dat