Jose Lozano (b. 1959) California Mexico

BLUE AND GREEN ETHNIC DRESS, 2000, acrylic painting with graphite on paper, signed and dated and titled on back of frame, sight 12 ½ x 6 ½â€. From the collection of Gaby Stuart. Provenance: P

FOOLS 4 LOVE, 2014, acrylic painting and pencil on carved wood heart, signed dated titled lower verso, 21” tall with base.

UNTITLED, 1997, painted and welded metal sculpture, signed and dated, 44 ½ x 40 x 10 ½”, approximately 30 lbs. From the UCLA Medical Center Art Program, funds to benefit their ongo

ARC, 1996, painted metal sculpture, signed and dated on verso, approximately 18 x 36 x 14” in horizontal position. From the Ellie Gorman Estate.

MY ILLUSTRIOUS LIFE IN THE LAND OF EDEN, 2009-11, oil painting on canvas, signed lower left, 48 x 60”, signed and titled and dated on stretcher bar, frame 58 x 70 x 3”. Illustrated in &#82

ESTA ES SOLO PARA MI, 1988, watercolor on paper, signed and dated lower right, site 17 ¾ x 23 ½”, framed. Leovigildo studied at Maximino Javier’s Rufino Tamayo Fine Arts Workshop.

QUE MIRA, 1988, oil painting on un-stretched canvas, signed and dated center left, signed and titled on verso, image 31 ¼ x 23 ½”. Leovigildo studied at Maximino Javier’s Rufino Tamayo Fine Arts

EL MAYOR DOMO, 1988, watercolor on paper, signed and dated lower left, site 10 ¾ x 14 ¾” framed. Leovigildo studied at Maximino Javier’s Rufino Tamayo Fine Arts Workshop.

Juan Jose Asencio (B. 1959) Torso. Patinated bronze sculpture. Signed, numbered 1/1 and dated 96 along the side Total height: 20 1/4"

UNTITLED, 1980, watercolor on paper, signed and dated lower right, sheet 22 x 15”, framed with glass. Leovigildo studied at Maximino Javier’s Rufino Tamayo Fine Arts Workshop.

LOS BURROS EN EL TEATRO, 1990; ESPIRITUS, 1985, two watercolors on paper, each signed and dated lower right, 11 x 15" & 10 1/4 x 14". Leovigildo studied at Maximino Javier’s Rufino Tamayo Fine Arts

UNDERWATER SELF-PORTRAIT, watercolor on paper, signed lower right, 22 x 23”, frame 33 ¼ x 34 ¼” with glass.

LOS FISGO ES DEL PANTEON, 1987, watercolor on paper, signed and dated lower right, 22 ½ x 30 ¼”. Leovigildo studied at Maximino Javier’s Rufino Tamayo Fine Arts Workshop.

LA COMPARSA, 1991, color etching with hand-coloring?, signed and dated in pencil and inscribed P/C 1/4, plate 12 3/4 x 19 1/4", full margins; CAMINOS DEL JUGUETERO, 1993, etching signed and dated in p

LA MUERTA DE LOS PESCADOS, 1987, watercolor on paper, signed and dated lower center, 22 ¼ x 18”. Leovigildo studied at Maximino Javier’s Rufino Tamayo Fine Arts Workshop.

ASUSTANDO AL SAN RUDO; SE LE BOLTEO AL NAHUAL, 1988, two watercolors on paper, each signed and dated, 15 x 11". Leovigildo studied at Maximino Javier’s Rufino Tamayo Fine Arts Workshop. (2)

PESA DILLAS DEL BECADOR, 1987, watercolor on paper, signed and dated lower right, titled on verso, 24 x 18". Leovigildo studied at Maximino Javier’s Rufino Tamayo Fine Arts Workshop.

Description: A punk style mixed media work with pop art elements. Title: Wall Flower Subject: Punk Type: Mixed media with collage Materials: Paper Markings & Inscriptions: Signed & dated Date: 1989 Ma

Title: Stampede Subject: Punk Type: Mixed media with collage Materials: Wove paper Markings & Inscriptions: Signed & dated bottom right Date: 1989 Maker: Cassandra Lozano (American, B. 1959) Descripti

Description: A punk style mixed media work with pop art elements. Title: Chain Linked Subject: Punk Type: Mixed media with collage Materials: Paper Markings & Inscriptions: Signed & dated Date: 1989 M

ROBERTO MARQUEZ(B.1959) MEXICO, O/C WITH MIXED MEDIA(WITH HEMP ROPE AND MARKETRY PRINTED PAGES FROM MADAME BOVARY), MEASURES 72"X 60", DEPICTS 2 MALE FIGURES, 1 HOLDING A BRUSH AND PAINTING HIMSELF BE

Bedia, Jose (Cuban, b. 1959), Amistad, 1994, lithograph printed in colors, 15 x 22.5 inches, pencil signed, dated, titled, and inscribed W.P. along the lower margin , unframed.

Bedia, Jose (Cuban, b. 1959), Jibaro, 1994, lithograph printed in colors, 15 x 22.5 inches, pencil signed, dated, titled, and inscribed W.P. along the lower margin , unframed.

Jose Bedia (Cuban, b. 1959) "De Prisa," 1995, pencil signed and dated, numbered: 60/100, the full sheet, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, publisher. Lithograph