Cut Overlay Sunflower, Vine & Punties Lamp

American. 1860-1870. Cut overlay stand lamp featuring a green cut to clear pyriform font with a sunflower and vine design and a row of oval punties. Brass connector, ribbed brass stem and double step

Boston and Sandwich Glass Company Cranberry Overlay Oil Lamp circa 1860. Cranberry and Ruby cut to clear with punties Morrish windows and gilded band of vine and leaves on marble and brass. Period bur

Fancy Victorian Oil Lamp. Latticino stripe font with cut overlay punty stem lamp stand with clear pyriform font with spiraling white threads, a emerald cut to clearstem. White opaque square base. E. M

CUT OVERLAY PUNTY KEROSENE STAND LAMP, amethyst overlay to colorless pyriform font, bright yellow-green No. 1 base with gilt decoration highlights, brass connector, No. 1 fine-line collar. Fitted with

CUT OVERLAY PUNTY KEROSENE STAND LAMP, amethyst to colorless compressed pyriform font, stamped-brass stem and single-step marble base, No. 1 fine-line collar. Fitted with a period brass double-tube bu

CUT OVERLAY PUNTY KEROSENE STAND LAMP, cobalt blue to colorless, brass ribbed stem, double-step marble base with stamped-brass ornamentation, brass connector, No. 2 fine-line collar, colorless wafer c

CUT-OVERLAY PUNTY KEROSENE STAND LAMP, sapphire blue to colorless pyriform font, five rows of small punty cuts, raised on a brass fluted stem and double-step marble base with stamped brass ornamention

CUT OVERLAY PUNTY AND PANEL KEROSENE STAND LAMP, emerald green to colorless pyriform font, brass ribbed columnar stem and double-step marble base with cast-brass ornamentation, cast-brass connector, N

CUT OVERLAY PUNTY AND OVAL KEROSENE STAND LAMP, ruby to colorless pyriform font with pinched waist, pale slate blue with light marbling No. 1 base, brass connector, No. 1 fine-line collar. Third quart

CUT OVERLAY PUNTY AND OVAL KEROSENE STAND LAMP, blue to colorless, inverted pyriform font with wafered peg, raised on a tall reeded brass standard and double-step marble base, No. 1 fine-line collar.

CUT DOUBLE OVERLAY PUNTY AND PANEL KEROSENE STAND LAMP, bright rose to white to colorless pyriform font, clusters of five punties alternating with V-grooves and over a band of panels, brass stem, doub

CUT OVERLAY PANEL AND PUNTY KEROSENE BANQUET STAND LAMP, green to colorless pyriform font, raised on a matching cut punty, elongated panels, and vesica stem, and double-step alabaster base with gold-p

CUT OVERLAY PUNTY AND OVALS KEROSENE BANQUET STAND LAMP, cobalt blue to colorless pyriform font, raised on a matching punty-cut stem and double-step marble base with gilt-brass ornamentation, brass co

CUT-OVERLAY PUNTY, OVALS AND PANELS KEOROSENE STAND LAMP, deep olive green to colorless pyriform font, raised on a brass reeded standard and double-step marble base with stamped brass ornamentation, w

CUT DOUBLE OVERLAY PUNTY AND PANEL KEROSENE STAND LAMP, colorless to rose to opal, compressed urn-form font with a very faint etched squiggly pattern, waisted stem, brass connector, brass base, No. 23

CUT DOUBLE-OVERLAY PUNTY AND OVAL KEROSENE STAND LAMP, rose to opaque white to colorless pyriform font with gilt scrolling decoration, two rows of punty cuts and a lower band of oval cuts, raised on a

CZECH REPRODUCTION CUT-OVERLAY SPIKED QUATREFOILS AND PUNTIES PAIR OF PEG LAMPS, red application to colorless, each cylindrical form with columns of alternating spiked quatrefoils and punty cut, separ

Fancy Victorian Oil Lamp. Cut overlay stand lamp. Opaque white cut to ruby large windows between punties font, alabaster/clambroth stem, single-step marble base. Holmes, Booth & Haydens Brilliant No.

CUT OVERLAY GEOMETRICAL KEROSENE STAND LAMP, ruby to clear pyriform font, double-bands in a grid pattern over small punties pattern, opaque white Baroque base with gilt decoration, brass connector, co

CUT OVERLAY FLORAL KEROSENE STAND LAMP, ruby to colorless pyriform font, large six-petal daisies and trefoil petals over small punties, brass stem, double-step marble base with stamped brass ornamenta

CUT OVERLAY TULIP KEROSENE STAND LAMP, white to translucent ruby pyriform font with additional stylized panel and punty cuttings, opaque black Baroque base with gilt decorated bands, brass connector,

CUT OVERLAY FLORAL KEROSENE STAND LAMP, opaque white to colorless pyriform font, floral and punty decoration, starch blue Baroque base with gilt tracing, brass connector, No. 1 brass collar. Boston &

ASSORTED CUT OVERLAY GLASS KEROSENE STAND LAMPS, LOT OF TWO, comprising an English Dietz pink to white to colorless Punty and Panel, and a white to cranberry quatrefoil tall stand lamp with a transluc

Ruby Overlay Cut to Clear Oil Lamp circa 1860. with quatrefoils, stars and punties. Fluted brass base and marble base. With period burner, engraved shade, prisms and chimney. Ht. 23 1/4 in. The lifelo

Double Pink Overlay Oil Lamp New York. Mid 19th century. Pink cut to white cut to clear stem with punties and gold highlights. Period burners and engraved shade. Ht. 29 in. James D Julia Auctions, Inc