JAMES ABBOTT MCNEILL WHISTLER (Massachusetts/England/France, 1834-1903), "Arthur Haden", 1859.,

JAMES ABBOTT MCNEILL WHISTLERMassachusetts/England/France, 1834-1903"Longshoremen", 1859. Glasgow's fourth state of four. A very good, richly-inked impression with strong contrasts. Glasgow

James Abbott McNeill Whistler (American, 1834-1903) The Music Room, 1859 etching and drypoint 5 3/4 x 8 1/2 inches. Literature: Glasgow 39 Provenance: Arthur Ackermann & Son, Inc., Chicago, 1928

James Abbott McNeill Whistler (American, 1834-1903) Billingsgate, 1859 etching signed and dated in plate edition of 8 5 7/8" x 8 3/4" Literature: For a similar illustrated example of this edition, se

James Abbott Mcneill Whistler, American, 1834-1903, "Drouet," 1859, etching, signed in plate Dimensions:9 x 6, framed 17 x13 Property from the Estate of Mary Erlanger

James Abbott McNeill Whistler, (American, 1834-1903), Billingsgate, 1859, etching, 6" x 9"

After James Abbott McNeill Whistler (American, 1834-1903), Annie Haden, drypoint etching, plate signed and dated lower left, overall (with frame): 19.5"h x 15.5"w

JAMES ABBOTT MCNEILL WHISTLER (American 1834-1903) "Bibi Valentin", 1859 drypoint etching on Japanese laid paper with margins (from the second and final state), sheet: 7.5 x 10.375 inches; overall wit

JAMES ABBOTT MCNEILL WHISTLER (Am./Br. 1834-1903) "Billingsgate"1859 Black ink on laid paper, unframed 6 1/4" x 9" sight, 11" x 14" matted Signed l.c. Private Collection Readfield, Maine

James Abbott McNeill Whistler (1834-1903) Soupe a Trois Sous, 1859, Etching on laid paper, state 1. Collectors stamp on verso. Sheet dimensions: h: 8 x w: 10 1/3 in. H: 6 W: 8 7/8 in. Kennedy 49.

JAMES ABBOTT MCNEILL WHISTLER (American, 1834-1903). Reading by Lamplight, circa 1859, Etching and drypoint, printed in black ink on likely fine ivory oriental laid paper. Plate signed lower right in

James Abbott McNeill Whistler (American, 1834-1903), etching on paper "Billingsgate", 1859, signed and dated in plate, 6" x 9" pl, 9-1/16" x 12-3/4" sheet, very good condition

James Abbott McNeill WHISTLER (1834-1903): "Annie (Portrait of Annie Harriet Haden)". Etching on wove paper, 1858. Refs: Kennedy 10; Mansfield 8; Glasgow 7. Signed in plate and with the etched annotat

Framed drypoint etching on paper, "Billingsgate," signed in plate Whistler (James Abbott McNeill Whistler, United States, 1834-1903), dated in plate 1859, from the Vincent Price collection for Sears R

After James Abbott McNeill Whistler (American, 1834-1903), Thames Police (Wapping Wharf), 1859, etching, plate signed and dated lower right, image: 6"h x 8.75"w, overall (with frame): 15.75"h x 18.75"

JAMES ABBOTT MCNEILL WHISTLERMassachusetts/England/France, 1834-1903"La Mere Gerard". Etching, 4.5" x 3.5". Framed 13.25" x 11.25".

JAMES ABBOTT MCNEILL WHISTLERMassachusetts/England/France, 1834-1903Chelsea Shops, 1888. On cream laid paper with the letters OWP & AOL watermark (Spink 219). William Weston Gallery Ltd. gallery label

JAMES ABBOTT MCNEILL WHISTLERMassachusetts/England/France, 1834-1903"The Model Resting", 1870. Eleventh state of 11. Indiscernible trimmed proprietary watermark.Drypoint on buff laid paper,

JAMES ABBOTT MCNEILL WHISTLERMassachusetts/England/France, 1834-1903"St. James Street", 1878. Published by Vanity Fair, London.Lithographic transfer in sepia ink printed on laid paper, sheet 12" x 7.5

James Abbott McNeill Whistler (1834-1903)Annie, SeatedEtching and drypoint, circa 1858-1859, a good impression of MacDonald's final state (of 3), printing with plate tone on thin Chinese laid paper, p

James Abbott McNeill Whistler (1834-1903) BILLINGSGATE; THE LITTLE PUTNEY (GLASGOW 51; 187) Two etchings and drypoints, 1859 and 1879, the first Glasgow's ninth state, the second Glasgow's third state

James Abbott McNeill Whistler (1834-1903) GREENWICH PARK (KENNEDY 35; GLASGOW 41) Etching and drypoint, 1859, on thin laid paper, Glasgow's third state of three, with good margins, framed. Plate 5 1/8

James A.M. Whistler, Thames Set etching #9, 1859, James Abbott McNeill Whistler (American, 1834-1903), "The Lime Burner" (Kennedy 46), one of sixteen drypoint etchings from the Thames Set, on cream la

James A.M. Whistler, Thames Set etching #13, 1859, James Abbott McNeill Whistler (American, 1834-1903), "Thames Warehouse" (Kennedy 38), thirteenth of sixteen etchings from the Thames Set, on cream la

James Abbott McNeill Whistler RBA ( 1834 – 1903) etching of " Billingsgate" on cream paper, framed. Signed and dated on the plate, this is a high-quality clear impression preserved on well for age,