Attributed to Giovanni Battista Lusieri (Italian, 19th

Giovanni Battista Costa (Italian, 19th Century). A watercolor scene of a castle in the mountains with guards. Signed lower right and dated 1869. Framed under glass. Mat opening: 20 x 13-1/2 in.

Attributed to Giovanni Milone (Italian, 19th Century) Chickens. Oil on canvas, signed lower right Canvas: 12" x 18.25" Frame: 17.5" x 23.5"

Attributed to Giovanni Battista Piazzetta (Italian, 1682-1754), Anguished Man, chalk and stumping on paper, sheet: 16"h x 11.25"w, overall (with matting): 20"h x 16"w. Provenance: Sotheby's New York:

A lot of two unsigned pen and ink wash/chalk drawings on paper, attributed to Giovanni Battista Crosato (Italian 1697 - 1756). Each depicting classical scenes with female figures. Information provided

Elders and Soldiers, Attributed to Giovanni Battista Gaulli (Italian, 1639-1709) 17th C. (Detto il Bacicco) unframed. Overall: Apx. 20"h x 15"w Sight: 11-1/2"h x 8-1/2"w Provenance. Property from a Pr

Giovanni Battista Piranesi (Italian, 1720-1778). 19th century etching on paper, Veduta dell' Anfiteatro Flavio Detto Il Colosseo, done from oiginal plate. Signed in the plate lower right. Titled and i

After Giovanni Battista Piranesi (Italian, 1720-1778), 19th century etching of the Roman ruins around the Piazza di Monte Cavallo, 17 1/2" x 23 1/2" sight, 20 3/4" x 26 1/2" framed.

Red chalk on paper. Featuring sketch of a woman with a child. Inscribed on verso with ink. Attributed to Giovanni Battista Tiepolo (1696-1770, Italian). 26 x 18.5 cm (10.25 x 7.25 inches). Provenance:

Attributed to: Giovanni Battista Salvi aka IL SASSOFERRATO (Italian, 1609-1685) Titled: “The Madonna” Medium: Oil on relined Canvas- 17th Century, Image Size: Height 26-3/8”in.; Width 20” in.

Giovanni Battista Piranesi (Italian, 1720-1778) etching. The 18th or 19th century Piranesi etching, Veduta di Piazza Navona Sopra le rovine del Circo Agonale is from the “Vedute di Roma”, which is

Piranesi, Giovanni Battista (Italian 1720 - 1778). View of the So-Called Temple of Concord with the Temple of Saturn, on the right the Arch of Septimius Severus. 19th c. Etching. Later printing. Signe

Ink on paper. Featuring a sketch portrait of a man. Signed G. B. Tiepolo on the lower left corner. Inscribed 1701 on the lower right corner of verso. Attributed GO giovanni Battista Tiepolo (1696-1770

GIOVANNI BATTISTA PIRANESI (Italian 1720-1778) AN ETCHING, "Veduta della Basilica di S. Lorenzo fuor delle mura, Piranesi F.," LATE 18TH/EARLY 19TH CENTURY, on laid paper, decent impression, complete

Plate size: 17.5" x 23", an intaglio impression, though it is not lifetime, and appears posthumous, most likely a plate from the late 19th century. Collection of Paul Paletti, Louisville, KY

After: Giovanni Battista Piranesi, Italian (1720-1778) "Al Signor Odoardo Knight Cavaliere Inglese" Engraving. Circa 19th century or early 20th century. Heavy foxing. Measures 29-1/4 x 17-1/4" W (sigh

Giovanni Battista Piranesi (Italian, 1720-1778). "Veduta della Facciata di dietro della Basilica di S. Maria Maggiore" etching, ca. mid 18th to early 19th century. A beautiful etching of the view of t

Pair of late 18th or early 19th century Italian architectural etchings after Giovanni Battista Piranesi (Italian, 1720-1778), the first titled 'Una della due Fornici di Stertinio nel Foro Boario,' the

After: Giovanni Battista Piranesi, Italian (1720-1778) "Al Signor Odoardo Knight Cavaliere Inglese" Engraving. Circa 19th century or early 20th century. Heavy foxing. Measures 29-1/4 x 17-1/4" W (sigh

A Group of Two Italian Engravings after giovanni battista piranesi, 19th century Larger 19 3/4 x 24 inches. Estimate $400-600

A Pair of Italian Engravings After Giovanni Battista Piranesi, 19th Century Each: 15 3/4 x 23 inches. Property from the Estate of Marge Ewers, Nashville, Tennessee

19th C. Mt. Vesuvius signed Giovanni Battista Watercolor. Signed lower left by well listed Italian artist Giovanni Battista (1858-1925). Giovanni Battista was active/lived in Italy. Giovanni Battista

After Giovanni Battista Salvi, called Sassoferrato (Italian 1609-1685), Italian School, 'The Madonna At Prayer' or 'Madonna In Sorrow', 19th century, oil on canvas, Old Master style painting depicting

2pc After Giovanni Battista Piranesi (1720-1778 Italian) Architectural Engravings 25''x35.5'' Sheets. Includes ''Vue de ce qui reste des Murs'' 1778 and ''Temple de Neptune a Pesto'' 1778. 19th centur

(Italian, 1578-1635) David with the Head and Sword of Goliath, unsigned, auction stencil verso "PB 363" possibly Parke-Bernet, 18th century or earlier, oil on canvas, 57-1/2 x 38-1/2 in.; 19th century