Lucebert, (Dutch, 1924-1994), Vrouw met Huisspoke, 1968

Lucebert (Dutch, 1924-1994). Abstract mixed media on paper, signed bottom right "14 VIII '65 Lucebert". With inscription at center left, "San Royne". [Art: 30 1/2" H x 20 1/2"; Frame: 38" H x 27 3/4"

Lucebert (Dutch, 1924-1994) Drawing No. 3A, 1962 ink on paper signed Lucebert and dated (lower center) 8 1/4 x 10 5/8 inches. Provenance: Marlborough Fine Art Ltd., London Acquired from above in 1967

JEAN LUCEBERT (Dutch, 1924-1994), Abstract Figures, 1950, mixed media on board, (Approximate dimensions - board: 38.75 x 27 inches, framed: 41 x 29.25 inches); signed and dated lower right. Condition:

Oil on canvas, framed. Featuring a portrait. Signed lucebert. on the lower left corner. Attributed to Lucebert (1924-1994, Dutch). 42.7 x 42.5 cm (16.81 x 16.73 in), Framed: 53.3 x 53.3 cm (20.98 x 20

(Dutch, 1924-1994) signed and dated l.l. Lucebert '89. Sight size: 12-1/2"h x 17-1/2"w Overall: 18-1/4"h x 23-1/4"w Provenance: Property from a Private New York and Italy Collection

Hand painted (6) tile tableau, Dutch canal scene with figures, attributed to Leendert Hakker (The Hague 1885-1968), after Johannes Christiaan Karel Klinkenberg (Dutch 1852-1924), SLR Rozenburg L.H., c

Nena Saguil (1924 - 1994) Peace & Plenty signed and dated 1950 (lower left) oil on board 25 1/2" x 19 1/2" (65 cm x 50 cm) PROVENANCE;Acquired from Ramon Villegasby the present owner, c. 1990s. Like h

Nena Saguil (1924 - 1994) Poésie de nuit (Poetry of the Night) signed and dated Paris 1956 (lower right) oil on canvas 36 1/4" x 28 3/4" (92 cm x 73 cm) PROVENANCEAcquired at auction from the Socie

Hugo Yonzon, Jr. (1924 - 1994) Triptych of Philippine Country Life: a) Sabungeros b) Vendors c) Rice Planter a.) signed and dated 1955 (lower right) oil on plywood a.) 54 1/6" x 17 7 /8" (138 cm x 45

Blue Cosmos signed and dated 1964 (lower right) watercolor on paper 24 3/4" x 18 3/4" (63 cm x 48 cm) PROVENANCE A gift from the artist to the present owner For the greater part of her artistic life,

PROPERTY FROM THE JOSE ZAIDE COLLECTION Barong-Barong signed (lower right) oil on canvas 16 1/2" x 22" (42 cm x 56 cm) PROVENANCE: Acquired directly from the artist by the present owner The image of t

Luce Turnier (Haitian 1924-1994) Portrait of a Woman, 1949 Oil on canvas, framed Signed and dated u.r., "Collection of Mary-Leigh Call Smart" label on verso 34 5/8" x 19 5/8" actual, 38 3/4 " x 23 3/4

This is a vintage Steuben art glass sculpture titled "Enigma" designed by artist Donald Pollard (American, 1924-1994). Donald Pence Pollard was born in Bronxville, New York, on September 3, 1924. He s

Fredrik Kayser (Norway, 1924-1968), Pair of Model 711 Teak Lounge Chairs1950s, later pink upholstery, floating style seat, shaped strap form arms, rounded tapered legs, labeled "Vatne Mobler". 32 x 26

(Czech, 1924-1968) signed in pencil l.c. "Vladimir Boudnik" dated 1965. Overall: 15-3/4"h x 26-1/2"w Sight: 8-3/4"h x 19-1/2"w

VLADIMIR BOUDNÕK (Czech 1924-1968) 'Untitled', 1960 structural graphic monotype, sight: 6.75 x 9.25 inches; overall with frame: 13 x 15.25 inches, signed and dated in pencil along the bottom of th

(Czech, 1924-1968) signed in pencil l.r. "V. Boudnik" dated 1960. Overall: 14-1/4"h x 11-1/4"w Sight: 9-1/4"h x 6-1/2"w

VLADMÕR BOUDNÕK (Czech 1924-1968) "The Bat", 1966 (from the series Variations on Rorschada) structural graphic monotype, sight: 11.5 x 14.5 inches; frame: 18.25 x 20.25 inches, signed and date

Luce Turnier (Haitian, 1924-1994). An original oil painting on board. Painted in a modernist Expressionist style, a figural portrait of a gentleman, possibly Laurent Fabius (French, born 1946), Prime

Steuben crystal bowl designed in the 1950s by American glassmaker Donald Pollard (American, 1924-1994). A classic and timeless piece of crystal. Bowl has a flowing pattern in an oval shape. Set on a d

Teos, milles võib näha Ülo Soosteri kaudset mõju. See avab sümbolistlik- poolabstraktsete teoste rea Malini 1950.aastate lõpu-1970.aastate alguse loomingus. Paremal keske

1960.aastate lõpust tugevneb järjest sürrealistlik suunitlus I.Malini loomingus ning 1970.aastate teiseks pooleks kujunes välja mingi teine kummaline kvaasireaalsus, mis kütke

Ilmar Malin lõpetas ERKI 1954.aastal ning esines juba 1950.aastate teisel poolel tugevate portreedega, mis sageli näitasid inimest harjumuslikus miljöös (“Ain Kaalep”,

Loodusmotiivid omandavad Ilmar Malinil juba 1960.aastate teisel poolel sümbolistliku tähendusrikkuse ja sürrealistliku varjundi. Sageli võib tema töödel näha linde,