William Kent 1964 Leave the Moon Alone 57x37 Poster

18th Century, in the manner of William Kent, carved gilt wood frame comprising shell finial, foliate leaf and ribbon, lower cherub mask, oval center mirror. The family purchased in the 1920's from a N

From The Philadelphian. Carved wood. Gilt. Eagle figural. Marble top. Iron brackets on back. 32" h x 43 1/4" w x 20 3/4" d.

SUPERB GILT WOOD CENTER TABLE POSSIBLY BY WILLIAM KENT. RETAINING ITS ORIGINAL MARBLE TOP. INCREDIBLE CARVING THOUGHOUT. CARVED IN THE ROUND. EXCEPTIONAL DETAIL IN THIS PIECE! FROM OLD SOUTHER ESTATE.

William Kent (English, 1685-1748) manner double dolphin console table, the rectangular inset pink breccia marble top set within a rounded cornice, supported by fully carved twin out-turned dolphin sup

Wall mirror in the style of William Kent, architectural crest, center medallion and foliate scroll medallion. Beveled glass mirror bordered in mahogany veneer, foliate gilt wood outer frame. Lower cre

Georgian William Kent style carved giltwood console, 19th century, having a variegated marble top, above the apron with Greek key frieze, centered with a figural medallion, flanked with lion head moun

Large-face clock in wooden case, dial signed. 14 inches diameter overall

A George II Giltwood Marble-Top Pier Table in the Manner of William Kent Mid-18th Century Height 31 x width 41 1/2 x depth 21 1/2 inches. Provenance: Kentshire Galleries Ltd., New York, 1991 (with cop

A pair of unusual English carved and gilt gesso owl wall brackets probably early 19th century, perhaps in the manner of William Kent (British, 1685-1748) the gadrooned circular plateau tops supported

James Bearden (b. 1964) Moon Shelter sculptural cabinet Des Moines, Iowa, 2017 steel with 24K gilt and polychrome finish welded signature JB to top of base 17"w x 17"d x 60"h

In the manner of William Kent, 20th century; antiqued rectangular mirror plate, within foliate carved surround cresting broken pediment with carved foliage and egg and dart, central plumage, 56 1/2 in

Carved and Stripped Pine and Marble-Top Console 19th century, in the manner of William Kent, the conforming white marble top over a foliate-carved molding and modified Greek-key frieze, raised on legs

Rare George II mahogany architectural bookcase with parcel gilt fluted pilasters, attributed to William Kent. PROVENANCE: From the Estate of Elizabeth Boone Gertz, Dallas, Texas. From the Collection o

Manner of John (1718-1765) / Thomas Vardy (1751–1788), and William Kent (1685-1748), carved giltwood bench or daybed in the George II taste, having a canted-form, red velvet upholstery with two bols

Monumental Continental giltwood and marble topped console table and mirror in the manner of William Kent (English, 1685 - 1748), the mirror frame having a pierce carved crest centering a foliate carto

Regency-Style Bleached Fruitwood and Marble-Top Side Table 19th century, in the style of William Kent, the rectangular marble top with a molded edge, above a conforming lattice-carved frieze centered

20th century, in the manner of William Kent; compartment with shelves enclosed by arched glass panel doors in upper case, two long drawers in base, red ground with gilt Chinoiserie decoration over all

The jade is delicately carved, the sense of layering is strong, and the overall carving of Fulu Shou is made of the palace shape, and the original base was a small leaf rosewood moon-hugging base. The

Oil on board of strawberries marked on vero strawberries by Skilling. Possibly William Skilling 1862-1964 framed size 35" x 29"

TWO SILVER AND OBSIDIAN HUMMINGBIRD NECKLACES, WILLIAM SPRATLING, CIRCA 1964-67 Each designed as a stylized hummingbird pendant, one with an obsidian body and silver wings, one of silver with sapphire

Roy Lichtenstein (American, 1923-1997). "M-Maybe he became ill and couldn't leave the studio [poster]". Original color silkscreen. 1979. Signed in red crayon, lower right. Edition unknown, presumed sm

MORGAN THE PIRATE - 1961, LOOKING FOR LOVE - 1964, WALT DISNEY MOON SPINNERS - 1964, THE MAN WHO UNDERSTOOD WOMEN - 1959, ALFRED HITCHCOCK MARINE - 1964, MOVE OVER DARLING - 1964 & MARY MARY - 1963: A

mother of pearl, gilder's clay, and moon gold leaf on panel in twelve panels Overall: 8'8" x 18'6" Provenance: Commissioned for a Private Collection (a Michael Smith installation), with copy of invoic

dial signed "Joseph Taylor, York, PA, No. 102", arched and painted dial with moon phase, leaf and berry spandrels, brass eight day movement, set in figured cherry waisted case with scrolled pediment a