WATERFORD CHANDELEIR

Possibly Late Period, 600-300 B.C. A large limestone relief divided into three horizontal bands. The top band depicts two striding human feet, the middle shows a single row of hieroglyphs and the bott

19th century. The body of the snuff bottle is white jade and of teardrop form, with spinach jade to the neck in the form of leaves, with a jade stopper. Approx. 2 5/8 by 7/8 in., 6.8 by 2.3 cm.

The agate carving shows a jovial, bearded man with two red peaches slung over his back, fixed to a plastic base. Approx. 2 5/8 by 1 3/4 in., 6.9 by 4.5 cm.

The pendant finely carved in low relief openwork to show two chi dragons to the top, with scrolling clouds, additional dragons and a fret to the lower half, with two openwork handles to either side. A

Possibly late 19th/ early 20th century. Made by Chinese craftsman for the Indonesian Royal Household, the Lemari Palembang cabinet made from wood, lacquer, gold leaf and pigment; the bottom of piece c

The pendant is carved in openwork to show a vine wrapped around bamboo culms in a circular form, the vine forming stylized ruyi heads at the top and bottom, with a smaller hanging pendant to the cente

1912-1949. The vase with a long neck and a bottom-heavy body, with foliate scroll carved to the porcelain and various flowers painted to the body including chrysanthemum and peony motifs on a yellow-g

1986. The rare bronze sculpture shows Fernando Castro Pacheco's typical subject matter, a woman, shown seated on a stool with hands in lap, one of eight known bronze sculptures by the artist, mounted

Late Period, 600-300 B.C. The finely carved diorite figure of Harpocrates is wearing a tightly-fitted cap with cobra in front with curled side lock, with prominent facial details and smiling expressio

19th century. The Ainu "Attush" robe made from the inner bark of the elm tree with indigo dyed cotton applique and embroidery, accented with western trade velvet and buttons. Approx. 50 3/4 by 56 1/2

18th-19th century. The censer of Bombé form with an everted rim and two upright loop handles raised on three conical feet, the base with a six character Xuande mark. Approx. 3 3/4 by 5 1/2 in. diam

Mixed media and acrylic paint lithograph on paper, framed. A unique variant in his "blushing beauty" series, signed "Max" in the pigment to the upper left, with certificate of authenticity. The piece

The vases of yuhuchunping form, each with a gold lacquer ground and hand painted mountainous landscapes with pagodas and a man seated in the foreground, on carved lacquered stands with marks to the ba

The cast bronze image of Napoleon wearing a hat, long coat and boots, carrying a sword, with "A. C. Harron A2372" to the base and a stamp reading "Bronze Garanti Au Titre L.V. Deposee." Approx. 20 by

19th century, Qing dynasty. The light blue glazed vase enameled in red with a meander containing lotus flowers alternating with Buddhist emblems to the body, the neck encircled by an applied carved dr

Early 19th century, Edo period, Ukiyo-e style, Japanese. Oban woodblock print, ink and color on paper. Kuniyoshi's "Chusenko Tei Tokuson (Ding Desun)" is part of "The 108 Heroes of the Popular Water M

The vase with an everted mouth above ribbed neck and smooth bulbous body with a raised band around its equator, covered with a light celadon blue-green glaze that stops at the edge of the tall foot ri

The bowl with a wide mouth and straight body resting on four ball feet, decorated with repousse foliate scroll borders to the mouth and bottom, with eight quatrilobed panels encasing dancers around th

The rosewood stand with three tiers, decorated with pierced key-fret border to the base, six faux bamboo culms supporting each platform and further ornamentation carved in openwork, on six carved feet

The garment hook inlaid in precious metals to show a dragon, the reverse with silver inlaid button. Approx. 5 1/4 in., 13.5 cm. Provenance: From the collection of a prominent American military officia

The bowl decorated with repousse geometric and foliate scroll borders to the rim, with figures in high relief to the body and a stylized leaf border to the bottom, with a chased image of Buddha to the

Qing dynasty. The two qilin with a bright blue glaze are shown seated and smiling open mouthed. Each approx. 10 1/2 by 11 1/2 in., 26.7 by 29.3 cm.

Late Period, 600-300 B.C. A faience amulet of Mut (or "mother," in many ways regarded by the Egyptians as the great "world mother" and mother of the pharaohs) depicted striding, wearing the double cro

Ink and color on paper, mounted to silk scroll. The painting of figures in a mountainous landscape, with inscription and three seals. The painting approx. 31 3/8 by 12 3/4 in., 79.8 by 32.5 cm.