SEVEN-PIECE PEWTER COMMUNION SET. Touchmarks for "

ASSORTED PEWTER PLATES, LOT OF SEVEN, comprising a five piece set with touchmark of "P & P" and with an anchor within a cartouche, and two examples marked "LONDON". 18th/19th century. 8" to 9 7/8" D.V

Beverly, Massachusetts, 1807-1856. Marked flagon (dented lid), 12.5"h. and three unmarked pieces. Baptismal bowl, 4"h. 10.5"d., paten, 10.75"d. and a double handled chalice, 7"h. Polished with minimal

Touch marks for Israel Trask (Beverly, Massachusetts, 1807 - 1856). Flagon, 12"h. and two chalices, 5.75"h. Polished with minor wear and a few faint dents.

Chinese paktong or pewter tea set, consisting of seven (7) pieces including one (1) teapot, one (1) covered bowl with pink Peking glass liner, one (1) creamer, one (1) open sugar, one (1) waste bowl,

Nineteenth century. Footed grease lamp, 4"h., lidded pitcher with three angel feet, 7.5"h., candlestick with grapeleaf around socket, 6.5"h. and four plates with English touchmarks, 9.75"d. Wear, scra

Modernist woman's jewelry, group of seven pieces, including silver, pewter, and silver-tone metal, comprising a Jorgen Jensen (son of Georg) 1960s "stoplight" pendant choker set with amethyst glass ca

Collection of (12) Pieces of 18th-19th c. Pewter, including: Set of (4) English Open Measures with stepped foot, half gill to pint, all with touchmarks, 2" to 4 1/2" high, small dents; English One Pin

Collection of Sixteen European or English Pewter Mugs, Comprising three lidded steins, "CF", "BD", and one marked indistinct; and two graduated sets of measures, one seven piece marked "J.R." {height

Stickley Seven Piece Set, to include a banded inlaid double pediment dining table, along with six Chippendale style chairs having ball and claw feet, table 46" 72" plus 4 leaves, 45" x 120".

Engine, tender, #40 display car, #101 freight car, #110 freight car, 205 & 41 passenger cars, various conditions, shows some wear

Late 20th century. Two glass topped end tables, 23"h. 27"w. 20"d., sofa 31"h. 73"w., ottoman, pair of chairs, 30"h. and small stand (reduced in height). Matching upholstery with additional pieces. Var

Seven Piece Set, Louis XIII Pattern by Hawkes​​​​​​​, (1) 6" Water Carafe, (4) 3.75" Cordials, (2) 3.5" Juice Glasses, All In Same Pattern, Strawberry Diamond

Seven piece set of cast metal and taupe vinyl wove outdoor patio furniture including four arm chairs, two adjustable recliners and a footstool

Seven piece set to include Jacobean style table (no leaves), and six ladder back chairs.

Older pewter communion set, found in local estate.

EARLY AMERICAN PEWTER COMMUNION SET CONSISTING OF TWO CHALICES AND A FLAGON, 10", 6.5"

Beautiful Seven piece set of low bowls by Mortlock’s in London. 9" diameter. One dish has crack across middle.

Seven Pieces Pewter WareGroup of seven pieces old pewter ware: petaled tazza; two dishes; gravy boat; stemmed cup; covered tea caddy; and hardstone-inset covered jar; D: 11" (tazza); Provenance: From

A TWO HUNDRED SIXTY-SEVEN PIECE SET OF REED & BARTON STERLING SILVER FLATWARE IN THE "FRANCIS I" PATTERN, TAUNTON, MASSACHUSETTS, INTRODUCED 1907, WITH CUSTOM MADE STORAGE CABINET, the multi-motif fla

A ONE HUNDRED TWENTY-SEVEN PIECE SET OF WALLACE SILVERSMITHS GILT AND STERLING SILVER FLATWARE IN THE "GOLDEN GRANDE BAROQUE" PATTERN, WALLINGSFORD, CONNECTICUT, AFTER 1991, the service for twelve com

AN ONE HUNDRED SIXTY-SEVEN PIECE SET OF R. WALLACE & SONS STERLING SILVER FLATWARE IN THE "GRAND BAROQUE" PATTERN, WALLINGFORD, CONNECTICUT, DESIGNED 1941, comprising twenty-four salad forks, sixteen

Seven piece set, all marked Tiffany Studios New York, including letter holder, 2044, 9 5/8 x 2 5/8 x 6 1/4" high; plus ink well with original glass liner, marked2046, 3 7/8" diameter x 3 1/8" high wit

A forty-seven piece set of blue cut to clear crystal having stemmed glasses, tumblers, plates, and bowls circa 1940. Provenance: From the original collection of the Maybrook mansion in Wynnewood, Penn

Eighty-Seven-Piece Set of Reed & Barton "Star" Sterling Silver Flatware, the pattern designed in 1960 by John Prip (1922-2009), Taunton, Massachusetts, comprising a dozen seven-piece place settings (o