Springer (1873-1963) American Bishop

William Seltzer Rice (American, 1873-1963) The Landmark woodblock signed and titled in pencil and with the artist's tree chopmark 4 1/2" x 6"

William Seltzer Rice (American, 1873-1963), "Almond Orchard," woodcut in colors, pencil signed lower right, titled lower left, image: 7"h x 9"w, overall (framed): 17"h x 19"w

William Seltzer Rice (American 1873-1963) ""The Totem-Alaska "" woodcut in colors pencil signed lower right titled lower left image: 7.5""h x 6.5""w overall (with frame): 19.5""h x 18""w

William Seltzer Rice (American 1873-1963) ""Big Trees in Snow "" woodcut in colors pencil signed lower right titled lower left image: 10.75""h x 12""w overall (with frame): 13.5""h x 14.5""w

William Seltzer Rice (American, 1873-1963) Sierra Crags color woodcut signed and titled in pencil 7 3/4" x 5 3/4"; matted and framed: 22 3/8" x 20"

**First Time At Auction** William Seltzer Rice (American, 1873-1963). "Moonlight Eucalyptus Trees" color woodblock, ca. 1920. Signed and titled in pencil below image. A stunning color woodblock by Art

William S. Rice (American 1873-1963)- ''Distant View, Ransom's Quarry, Oakland CA''- watercolor on paper, c. 1915, signed ''W. S. Rice'' lower right, rough along bottom edge. 10 7/8 x 17''

William Seltzer Rice (American, 1873-1963), "Through the Eucalyptus Grove," woodblock print in colors, pencil signed lower right, titled lower left, image: 8.25"h x 10.25"w, overall (framed): 15.25"h

William Seltzer Rice (American, 1873-1963) Camellia woodblock signed and titled in pencil 6" x 6"

William Seltzer Rice (American, 1873-1963) Low Tide — Estuary woodblock signed and titled in pencil 7 1/2" x 9"

William Seltzer Rice (American, 1873-1963) China Lily woodblock signed and titled in pencil 6" x 6"

William Seltzer Rice (American, 1873-1963) Sierra Summits, circa 1930 woodblock signed and titled in pencil 5 1/2" x 6 1/8"

William S. Rice (American 1873-1963)- ''San Leandro Creek, Canyon Eucalypt''- watercolor on paper, 1912, signed ''W. S. Rice'' in ink lower left, titled and dated in ink on verso. 8 7/8 x 11 5/8''

William Seltzer Rice (American, 1873-1963) Pastoral color woodcut titled and signed in pencil 4 3/4" x 4 1/4" Catalog Note: William Seltzer Rice not only gained national recognition for his printmakin

William Seltzer Rice (American, 1873-1963), Lake Tahoe, watercolor on paper, signed lower left, sheet: 7.5"h x 5.5"w, overall (with frame): 15.25"h x 13.5"w

WILLIAM S. RICE (American, 1873-1963), "Bridge at Aberfoyle Scotland," woodblock print, (approximate dimensions - image: 9 x 12 1/8 inches, sheet: 9 5/8 x 12 1/2 inches), titled lower left and signed

William S. Rice (American 1873-1963)- ''Early Morning Melrose''- woodcut, signed and titled oin pencil, window from mat. 7 1/4 x 9 3/8''

William S. Rice (American, 1873-1963) Contra Costa Hills, near Alamo Watercolor on American Watercolor paper 11-1/4 x 15 inches (28.6 x 38.1 cm&rpar

William Bishop Owen Jr. American (1895-1963). Titled 'Mandalay' Oil on masonite panel c.1950 Measures 18.75" x 32.75" x 2.5" overall Notes: Abstract oil painting by William Owen, signed lower left. Ho

William Bishop Owen Jr. American (1895-1963). Titled 'Three Pears' Oil on stretched canvas Dated 1950 Measures 29.55" x 24.5" x .75" overall Notes: Signed lower right, and signed, titled and dated ver

Richard Bishop, American (1887-1975). 5 etchings of various ducks by Bishop that were commissioned by Ethel and Edgar Queeny for Christmas Cards. Years include 1963, 1964, 1967 and 2 without dates. Al

Peter Nielsen(1873-1965) oil on canvas. Near Bishop Peak - San Luis Obispo. Signed lower right and inscribed with title on reverse; 28in. X 35in.(image), 35.5in. X 41.5in.(framed)

Peter Nielsen; American Oil Near Bishop Peak Signed.Peter Nielsen(1873-1965) oil on canvas. Near Bishop Peak - San Luis Obispo. Signed lower right and inscribed with title on reverse; 28in. X 35in.(im

Pair of brown thrashers on wooden bases, Joseph Rumuald Bernier (1873-1951) Biddeford, Maine. ‘Bernier the Lumberman’, as he was known, was mentioned in Richard Bishop’s 1974 book ‘American Fo