Richard Ballard, Loire, Aquatint Etching

Richard Haas (American 1936- )- ''Minneapolis Dusk''- aquatint and etching in colors, 1993, signed, dated, titled and numbered 33/65 in pencil, very good condition. 23 x 16 3/4''

RICHARD DIEBENKORN (USA, 1922-93), ETCHING & AQUATINT, 1986, #7/60, H 12 1/2", W 21", 'FOLSOM STREET VARIATIONS I':Black. Signed and dated "RD 86", numbered 7/60. Paper size 25" x 33". Black variation

RICHARD DIEBENKORN (USA, 1922-93), ETCHING & AQUATINT, 1986, #7/35, H 19 1/2", W 30", 'FOLSOM STREET VARIATIONS II':Grey. Color etching and aquatint. Numbered 7/35. Paper size 26 1/2" x 40", in shades

Original etching/aquatint by Richard Smith, titled "Wild Life". Pencil signed and dated 1985 lower right, and numbered 18/35 lower left. Large landscape, sight seen approx. 34" x 24".

Group of ten prints on wove paper after drawings by Claude Lorrain, circa 1774. All imprinted at bottom "From the Original Drawing in the Collection of the Duke of Devonshire". Includes plate numbers:

Group of ten prints on wove paper after drawings by Claude Lorrain, circa 1774. All imprinted at bottom "From the Original Drawing in the Collection of the Duke of Devonshire". Includes plate numbers:

Group of ten prints on wove paper after drawings by Claude Lorrain, circa 1774. All imprinted at bottom "From the Original Drawing in the Collection of the Duke of Devonshire". Includes plate numbers:

Richard Haas, etching with aquatint, Richard Haas (American, b. 1936), "Minneapolis Dusk", 1993, etching with aquatint, pencil signed, dated, titled, and numbered (64/65), 30"h x 22"w (sheet), 33"h x

Etching in Aquatint Signed Richard Linder 1/12 (1980-1978) . Measures about 11"x13"

Framed Richard Haas Brooklyn Museum Etching 33/180. A beautiful etching and aquatint by Richard Haas (American, b. 1936), of the venerable facade of the Brooklyn Museum, that is framed in gold wood wi

Louis VALTAT (1869-1952): "Woman Seated" / "Femme Assise" (French title). Etching and aquatint on Richard de Bas laid paper. Signed in pencil. Bearing a RAR red monogram stamp on the verso (not in Lug

Pablo Picasso (1881-1973) LA CÉLESTINE (CRAMER 149) Seven etchings and aquatints, 1971, on Richard de Bas laid paper with La Célestine watermark, with added signature and number 21/50 in pen

Artist: Richard Haas, American (1936 - ) Title: Minneapolis Dusk Year: 1993 Medium: Etching with Aquatint, signed and numbered in pencil Edition: 65 Image Size: 23 x 16.5 inches Size: 30 x 22.5 in. (7

CAM from Field & Stream Series (Tyler 527: RS61), 1981, color aquatint etching and lithograph on Arches paper, signed and numbered A/P 5/12 (artist’s proof) in pencil, aside from the edition of

Richard Diebenkorn (1922-1993) American, Original Etching, Aquatint and Drypoint 1/60 printed in colors on Rives BFK wove paper.Abstract geometric piece in primary colors. Titled “Red Yellow Blu

Jill Flink, etching, aquatint, "Sugar Lift", landscape with trees, North Carolina artist, this work with exhibition label on back "The Gallery of Contemporary Artists, Winston-Salem, NC, June 1, 1968,

Artist: Richard Anuszkiewicz, American (1930 -2020) Title: Summer Suite (Red with Gold IV) Year: 1979 Medium: Intaglio Etching and Aquatint on Somerset, Signed and numbered in pencil Edition: 95 Image

Richard RANFT (1862-1931): "The Flee" / "La Puce". Aquatint and etching printed in brown ink on laid paper. Signed and titled in the plate. Plate size: 10 3/4 x 7 3/8 inches.

RICHARD THOMPSON (American b 1945) A PRINT, "Dreamer at Dawn," 1982, color aquatint and etching on paper, signed and dated in pencil L/R "R. Thompson 1982," titled L/L and numbered 2/18 center. 17 3/4

Robert Motherwell (1915-1991) At the Edge (Engberg & Banach 345), 1984 Aquatint, lift-ground etching and aquatint on Auvergne à la Main Richard de Bas handmade paper, signed in pencil and numbere

Alexander Calder The Devil (CONSTANTIN TACOU PORTRAIT) etching and aquatint in colors, printed on Moulin Richard de Bas paper, signed in pencil by the artist, circa 1975.

MAN RAY L'A (Lettre A). Color aquatint and etching, 1971. 400x494 mm; 16x19½ inches, full margins. Signed and numbered 14/100 in pencil, lower margin. Published by Richard Binder Editeur, Brussel

The Landing on the Latium Coast Medium: etching and aquatint (after the drawing). Engraved by Richard Earlom (1742-1822) after Claude le Lorrain. From Claude Lorrain's Liber Veritatis, this is Plate 1

M.Richard (American, 20thc.) Untitled Abstract, etching and aquatint on paper, signed in pencil lower right, numbered 3/10, matted and framed Dimensions: 12 x 9 in. Image size, 18 x 15 in. As framed.