John Cotton (1868-1931) Californian

John Wesley Cotton (1868-1931) Color Etching & Aquatint "Ceremonial Cave, Rito de los Frijoles" c1922. Signed. Excellent condition. 20”w x 16”h. Frame 29”w x 25"h. Spend $7500 or mor

John Wesley Cotton (American 1868-1931)- Bruce Canal- aquatint in colors, ca. 1920, signed and annotated ' No. 12' in pencil, good condition. 10 3/4 x 14 5/8''

JOHN WESLEY COTTON (CANADIAN/AMERICAN, 1868-1931) LANDSCAPE PRINT, color etching with aquatint on paper, a beautiful depiction of a forest interior, untitled, numbered 20 of 50 lower left margin, penc

Two Canadian Etchings. John Wesley COTTON (Canadian American, 1868-1931):"Church in the Mist (Quebec?)". Etching on simile Japan wove paper. Signed in pencil. Plate 7 3/4 x 6 3/4 inches. Charles Walte

on masonite, image area 10 1/2" X 8 1/2" plus frame, well listed artist, 1868-1931......John W. Cotton of Glendale is one of those artists of other birth who, having served his apprenticeship elsewher

LANDSCAPE WITH TALL TREES & BUILDINGS, color aquatint etching, signed in pencil, image 13 x 8 ", full margins, framed with glass, some discoloration lower left margin, otherwise in apparently good con

CATHEDRAL IN DISTANCE, etching, signed in pencil, plate 7 x 6 ", full margins, framed with glass, in apparently good condition.

John Wesley Cotton (1869-1931) & Emil Jacobi (1953-1918) Collotype "Shepard with Flock on a Path c1915. This is a collotype print after an original etching by the artist. The artist who copied this pr

John Wesley Cotton (Canadian/American 1869-1931)- etching and drypoint, 1918, signed and dated in pencil, another impression of the print was exhibited at the Chicago Society of Etchers, 1918, also at

John Wesley Cotton (Canadian/American 1869-1931)- ''Carmel Mission''- etching, signed in pencil, slight cockling to paper. 2 3/4 x 3 7/8''

I puri, 1918 grafite e oro su carta da lucido, cm 26,4 x 19,4_x000B_Firmato in basso a sinistra: A. Wildt 1918 preceduto dall€™iscrizione: Distintissima Signora Malvina Minerbi_x000B_Titolo in alt

A George III Sterling Silver Two-Handle Armorial Tray John Cotton and Thomas Head, London, 1792 Bearing the marital arms of De Cetto and Burrowes, in commemoration of the marriage of Auguste Baron de

VALLEY FALL, circa 1960, oil painting on canvas, 48 x 48 ½", framed. Provenance: Gump's Gallery, San Francisco.

MAN ON BALCONY, 1963, oil painting on Masonite, signed and dated lower right, 11 7/8 x 10 ¼â€, framed. From the collection of Yale Udoff. Provenance: Felix Landau Gallery, Los Angeles.

SEAT OF AUTHORITY, oil painting on Masonite, signed lower left, 23 x 15", framed, a few small surface scuffs visible at certain angles in raking light, otherwise in apparently good studio condition.

BOY SLEEPING AT TABLE, 1962, oil painting on canvas, signed and dated lower right, dedicated on verso, 28 ¾ x 28 ¾â€, framed, Provenance: Felix Landau Gallery, Los Angeles.

KNIGHT, oil painting on Masonite, signed lower right, 25 x 24", framed, in good studio condition.

BAR EXAM; THE JUDGE, two, each a color Giclee print, signed and titled in pencil, numbered 55/550 & 58/550, images 11 x 14” & 8 x 10”, both with full margins and framed with glass, both in apparen

MANNY, MOE & JACQUES; HONEYMOONERS, two, each an etching, signed and titled in pencil, numbered III/XXX & H.C. 27/30, images 8 x 8 ” & 6 x 9”, both with full margins, both with Martin Lawrence bli

HER HONOR; NOLO CONTENDRE, two, each an etching, each signed and titled and inscribed artist’s proof in pencil, images 6 x 9” & 5 x 7”, with full margins and framed, both in apparently good cond

SHOWTIME, color Giclee print, signed and titled in pencil, numbered 83/550, image 14 x 30 ”, full margins, framed with glass, condensation ripples apparently to matting only, otherwise in apparently

(2) Otto Goetzke (1868 - 1931) Etchings of Women. Signed in lower margin. Image sizes: 9.5 x 7 inches, 7.5 x 11.5 inches.

MAY IT PLEASE THE COURT; YOUR WITNESS, two, each a color Giclee print, signed and titled in pencil, numbered 757/950 & 125/550, images 16 x 20” & 12 x 15”, both with full margins and framed with g

UNTITLED (The Jury); PROCESS SERVER, two, each an etching, signed and titled in pencil, the later titled, an Hors commerce and an artist’s proof, both aside from numbered editions, images 8 ½ x 12�