SOUTH THOMASTON, MAINE SAMPLER & SILHOUETTES - Sherman

"History of Thomaston, Rockland and South Thomaston, Maine, from their First Exploration, A.D. 1605; with Family Genealogies" by Cyrus Eaton, in two volumes, Hallowell, Masters, Smith & Co., Printers,

(4) FRAMED BATH, MAINE SAMPLERS - All early 19th c., wool on linen, from the Gage family, with family history on back, including: Lois Hovey Gage (1817-1876), done at age 8, alphabet and four line sen

Full-Sized Violin by D.A. Hamilton of South Portland, Maine (who was also a painter), with label marked 1926, s/n 29, Cremona pattern, finely crafted from rampant tiger maple, beautifully carved scrol

RARE MAINE SAMPLERDated 1824"Wrought by Mary Plimpton Aged 8 years ... Under the instruction of Mrs. Amanda Pratt". Accompanying provenance note indicates it was sewn at a schoolhouse on Tinkers Islan

RHETT STURMANVermont, b. 1946Christmas Cove, South Bristol, Maine. Initialed lower right “R.S.”.Oil on canvas, 34” x 72”. Framed 43.5” x 81”. Dimensions: Oil on can

Scoter, Gus Wilson, South Portland, Maine, 2nd quarter 20th century. Slightly forward head pose with carved eyes and inlayed neck seat. Slight relief wing carving. Measures 15.75" long. Notes: Decoy

Collection of Nine Beatrix Sherman (American, 1894-1975) Silhouettes, depicting standing gentlemen, some inscribed in the margins, one signed, sheet size from 11-1/4" x 7" to 12" x 5-1/2". All glazed

Harrison Bird Brown (American, 1831-1915). Ostensibly titled "Picnic at Snow Falls - South Paris, Maine" to the verso on a pair of gallery labels, including R.H. Love Galleries, Chicago.Ê A finely ex

English, unmarked, attributed Ralph Wood one with pipe and one with cup. Some losses to glaze. 10"h x 4-3/4"w x 6"d Provenance: Property from the Estate of Robert K. Johnson of Maine and South Carolin

A Cypriot Bichrome Ware Amphora Circa 8th-6th Century B.C. Height 14 inches. Property from a New Jersey Private Collection Provenance: Thomaston Place Auction Galleries, Maine, 23 August 2014, Lot 387

Collection of Ten Silhouettes, attributed to Beatrix Sherman (American, 1894-1975), all with inscriptions in the margins, unsigned, sheet size from 11" x 5-3/8" to 11-1/4" x 6-5/8". All glazed, float-

(South Carolina, 1899-1971) Original silhouette titled, "Carefree Days In The South Carolina Low Country." Very nicely rendered example. The work is titled lower left and signed lower right. Silhouett

(South Carolina, 1899-1971) Original cutout silhouette of whitetail deer in the Carolina lowcountry. Signed lower right in the work. Some yellowing but overall good condition. W 13 5/8" H 10 3/4" fram

(South Carolina, 1899-1971) Original cutout silhouette of rabbit hunter with his hounds in the Southern lowcountry swamp. Signed in the work lower right CR. Good overall condition throughout. H7 W5" w

Autographed silhouette of Mayor Thompson by Beatrix Sherman, also having a profile silhouette en verso, M.M. Thompson was the mayor of Niagara Falls, NY Paper silhouette, signed with pen 11" x 6" back

(South Carolina, 1899-1971) Original hand cut silhouette titled "Medicine Mill." Depicting moonshiners in the low country of South Carolina. Signed lower right and dated 1961. Good overall condition,

(South Carolina, 1899-1971 Original cut out silhouette titled, "Yuh Skut Too High!" signed and dated 1969. Good overall condition with only minor lift. H3 1/4" W2 1/4" (image only) H9 3/4" W7 3/4" (wi

"The Pantry", 1969, watercolor on paper, signed lower right, titled and dated on Nicholas Wyeth of Cushing, Maine label, also with labels from Special Exhibition at Boston Museum of Fine Arts & a 1973

"Boatman Delivering Goods on the South Fork Shenandoah River, Virginia", c1850s, oil on canvas, unsigned, depicting cattle at a fork in the river, single boatman hauling material downstream, mountain

"Marin Island No. I, Small Point, Maine", 1926, watercolor on Arches paper laid to board, signed lower right, label verso from the Portland Museum exhibition "Maine Moderns: Art in Seguinland, 1900-19

"Indian Blood", oil on clayboard, unsigned on face, titled on Freemans label verso, and inscribed by the artist: "Indian Blood, for Melonie, Aug 9, 1998, Port Clyde, Maine, with chemistry, Bo". Housed

Monumental Maine winter havesting lumber scene with cabins, oil on linen, signed on stretcher, housed in grey painted molded frame, OS: 45 1/2" x 55 1/2", SS: 40" x 55", some craquelure.

"The Pirate Flag", on "Benner Island, Maine" letterhead, 1999. Inscribed around painting: and with complete letter on another sheet framed back to back, double-glazed. The front reads "Bless you alway

Fisherman's Shanty near Blackhead, Monhegan, Maine, storm rising, oil on canvas, initialed on boulder lower right, housed in the original monumental gilt deep cove gesso frame, OS: 47" x 32", SS: 20"