Guy Dill (b. 1946) Californian

UNTITLED, color lithograph, signed in pencil, numbered 109/250, image 16 ½ x 16”, full margins, framed with glass, in apparently good condition.

UNTITLED, color lithograph, signed and numbered 53/250 in pencil, image 16 ½ x 16 ¼”, full margins, frame 27 x 27” with Plexiglas.

Guy Dill (American, b. 1946), "Notes from Campus Gates", 1992, lithograph, pencil signed, published by Lawrence Edition, 35"h x 48"w (sight) Provenance: Property from a major corporate collection, NY

Guy Dill (American, b. 1946) Drawing #2, 1979 watercolor and pencil on paper 25 5/8 x 40 inches. Provenance: Joyce Hunsaker and Associates, Los Angeles

Guy Dill, lithograph, 1992, Guy Dill (American, b. 1946), "Notes from Campus Gates", lithograph, pencil signed, published by Lawrence Edition, 35"h x 48"w (sight) Provenance: Property from a major cor

SISSONE, cast bronze sculpture with silver finish, signed and numbered 5/8, size 35 1/2 x 21", on swivel base, overall 40 1/4" tall.

COURSING CHEETAHS, 1996, cast bronze sculpture with patina, signed and numbered 29/75 lower center backside, 39” long, 18” tall and 12 ½” wide, mounted to marble base overall 21” tall.

HARLEQUIN, 1988, cold painted bronze sculpture, signed and dated and numbered 8/40, size 12 ¼ x 12 ½ x 6 ½” including stand, in good studio condition.

ELENA, cast bronze sculpture with patina, signed and numbered 635/950, on swivel base overall 20" tall.

US OPEN (Golf), cast bronze sculpture with patina, signed and numbered 58/100 lower center, 25” tall and 24 ½” wide, mounted marble base overall 29” tall.

SLEEPING WOMAN, 1997, cast bronze sculpture with patina, signed and dated and numbered 44/150 lower right 27” long, 13” wide and 8 ¾” tall with marble base.

DREAMS, cast bronze sculpture with patina, signed and numbered 28/175 front underneath, 24” long, 12” wide and 7” tall including marble base.

VOLCANIC EQUINOX, 1991, color screenprint, signed and dated in pencil, numbered 98/100, sheet 20 x 49 ”, printed by Jeff Wasserman with his blind stamp lower right, framed, in apparently good condit

BIG BLUE, pigment, cement and glass on wood, 60 x 96 x 2 ”, purported studio glass crack upper left, otherwise in good studio condition. Provenance: acquired directly from the artist by present owne

UNTITLED, 1988, pigment, cement and glass on wood in two parts, approximately 30 x 77” overall, in good studio condition. Provenance: Doris Sosin Art Resources acquired directly from the artist.

UNTITLED GREY, pigment and cement on wood, signed and dated April 1975 on verso, 32 x 48”, in good studio condition.

BIBS, pigment, cement and glass on wood, 48 x 48 x 2 ½”, in good studio condition. Provenance: acquired directly from the artist by present owner.

UNTITLED, cement, pigment and glass on wood construction, 19 ¼ x 68 x 2 ¼”, in good studio condition. Provenance: acquired directly from artist by previous owner.

Jean-Guy Schnobb, "Lumières de fin du jour" (end of day lights), oil on canvas, signed and dated 2005 lower right, titled and signed on the stretcher verso, 36" x 48".

UNTITLED, 2003, steel sculpture, signed and dated on verso, 4 ½ x 9 x 1”, in good studio condition.

UNTITLED, pigment, cement and glass on wood, 30 x 20 x 1 ”, in good studio condition. Provenance: acquired directly from the artist by present owner.

UNTITLED, 1982, pigmented cement and glass and on wood, signed and dated on verso, 48 x 108”. Note: Although very large, of more manageable weight than usual works by Dill of this size. Provenance:

UNTITLED, a pair of pigmented cement and glass wall sculptures on wood, each 9 x 7 1/2 x 1 3/4". (2)

UNTITLED, pigmented cement and glass on wood, 5 x 24”, securely framed with glass, probably signed on verso as usual, in good studio condition.