Three New York Views by Members of Associated American

to include Central Park South and George Washington Bridge by Otto Wackernagel (1885-1969) and Central Park South by Nat Lowell (American, 1880-1956), etchings, each pencil signed lower right, all pub

Three New York scenes: Nat Lowell (United States 1880-1956) "Central Park South" etching, 1947. Windisch/Cole 907. Ed: 250 or fewer, as published by Associated American Artists, signed with pencil in

2 by Associated American Artists including 'Central Park South' and 'Fulton Market', each with attached labels verso, and 'New York Harbor 1909' from the New York Trust Co., all pencil signed, New Yor

Historical Staffordshire cut corner bowl. This particular form is nearly impossible to get with an American View, let alone three. Shows New York City Hall on the interior then Charleston Exchange and

etchings, each signed in pencil lower right, to include Silent Night, Dawn, and Winter Birch, each published by Associated American Artists, New York, and retains their label, matted, unframed. Sheet

Three etchings "Fodder", "Fall Plowing" and "Boy with Cow" (all unframed) Each signed and titled Publisher: Associated American Artists, New York "Fodder" 9 3/4" x 12 3/4" (plate)

ENGLISH TRANSFER-PRINTED AMERICAN VIEW HUDSON RIVER NEW YORK CERAMIC PLATES, LOT OF THREE, two with black and one with brown/sepia prints, having designs from the "Picturesque Views" series of the Hud

Nura Woodson Ulreich (1899-1950) An untitled composition of winged cow, 1949 Stonelain pottery, produced for Associated American Artists, New York. Stonelain Pottery was decorated by member artists of

to include Boats to Let and Conflict, lithographs, both signed in pencil lower right, both published by Associated American Artists, New York, and retain their labels, matted, unframed. Sheet Sizes 13

Mystery artist (American, 20th century) stoneware pottery art cityscape sculpture. Features a three dimensional view of Manhattan, New York City. Monogrammed on side "TL 1977 O.R." SHIPPINGHill Auctio

"The American Revolution: Three Views by Three Distinguished Historians" published by American Brands, New York: 1975, First Edition with an insert signed by the chairman and president of the American

In the style of William James Bennett (American / English, 1787-1844), late 19th / early 20th century. A group of three port view scene hand colored aquatints comprising of "City of New York From Broo

Harry Barton, Farm view. Harry Lang Barton was active/lived in New York. Harry Barton is known for illustration-book crime covers. Harry Barton was a member of the American Artists Professional League

The American Revolution: Three Views By Iirving Kristol, Martin Diamond, and G Warren Nutter. This was published by American Brands (New York) in 1975. The book is approx 6" x 3/4" x 10" and it weighs

One view by Archer of the State House in Boston, one view of New York by Valentine's and one of the River St. Laurence, Quebec. All framed and matted. Largest framed size: 15" ht. x 18.5" wd. From the

Richard Haas (American, b. 1936). Group of three lithographs including:"View, 55th and 5th Avenue," depicting a view of New York City buildings, ca. 1980. Pencil signed along the lower right

Edward Roper English/Canadian, 1857-1891 The American Fall from Goat Island, View Number Three, circa 1890 Signed with conjoined initials ERoper (ll) Oil paper laid to canvas 7 3/8 x 10 3/8 inches Pro

Charles Fazzino (1955- Present) New York, American, mixed media three dimensional hand embellished serigraph. Features the work titled; Steppin Out On Broadway. Depicts iconic imagery associated with

Three Etchings to include, Tanna Kasimir-Hoernes (Austrian/American 1887-1972) "Central Park New York City" edition 61/299 having Livingston Galleries label on verso 17"x12 1/2" "View of the Eiffel To

THREE FRAMED WORKS OF ART- Arthur Cohen (American, 1928-2012), 'stone and press', titled "Bridge Silhouette", a view of the Brooklyn Bridge with New York City beyond, signed, frame 15.5&quot

SIGNED LIMITED EDN. SIGNED LIMITED EDN. LITHOGRAPHS: 1- Gordon Grant (1875 - 1962): The Upper Bay- New York. NY, Associated American artists; 2- OTTO WACKERNAGEL (1885-1969): Fighting Moose. NY, Assoc

THOMAS HART BENTON The Race. Lithograph, 1942. 225x337 mm; 8x13¼ inches, wide margins. Edition of 250. Signed in pencil, lower right. Published by Associated American Artists, New York. A superb,

Thomas Hart Benton(1889-1975)"After the Blow", 1946Lithograph on paperFrom the edition of 250Signed in pencil in the lower margin, at right: Benton; Associated American Artists, New York, pub.Image: 9

GRANT WOOD February. Lithograph, 1941. 227x303 mm; 9x11¾ inches, full margins. Edition of 250. Signed in pencil, lower right. Published by Associated American Artists, New York. A superb impressi