JOHN BIGGERS

John Biggers 1924-2001 Brown Family (Family of Six) Lithograph printed in brown on cream wove paper 1986 signed, titled, dated, and numbered 27/50. Provenance: The collection of Faith Grobman, NJ.

JOHN BIGGERS (1924 - 2001) Untitled (Mural Study). Crayon and graphite drawing on thin white board, circa 1974. 737x584 mm; 29x23 inches. Signed, dated "July, 1974" and inscribed "all good wishes to..

John Biggers1924-2001CONTRIBUTION OF NEGRO WOMEN IN AMERICAN LIFE AND EDUCATION1993color lithograph on paper12 x 35 inches (image)full marginssigned, dated and numbered in pencil by the artist,

Broken Stone, 1966, Lithograph, Ed. 2/16, 18 1/2" x 25", SLR, Unframed. Foxing outer margins.

John Biggers1924-2001Star Gazers1988offset lithograph on wove paper21 x 12-1/4 inches (full margins)dated in pencil 88, dated in the block 85, titlednumbered 94/100, A

John Biggers Our Grandmothers by Maya Angelou 1994five lithographs on handmade paper in cloth-bound folio 23 h × 18.25 w × 1.25 d in (58 × 46 × 3 cm) Signed and numbere

John Biggers1924-2001Our Grandmothers IV1994lithograph on cream wove paper24 x 18 inches (full sheet)signed and numbered

John Biggers (1924-2001)Our GrandmothersThe complete book, 1994, comprising five lithographs, each on handmade HMP wove paper, together with the title, colophon and text pages by Maya Angelou, signed

THE TORTOISE AND THE HARE RACE, lithograph, signed in pencil, numbered 52/200, sheet 15 x 19 ”, creases and handling creases, smudges and accretions, speckling and small spots, otherwise in good con

JOHN THOMAS BIGGERS (American/Texas 1924-2001) A PRINT, "Dau Fuskie (The First Race Between the Turtle and the Hare)," 1998, lithograph on paper, signed and dated in pencil L/R margin, "John Biggers

John Thomas BiggersAmerican, (1924-2001)Family Ark, Triptych, 1992color offset lithographinitialed and dated on the reverse, unframed.

John Thomas Biggers (American/Texas, 1924-2001) "Old Spanish Trail Market, Houston, Texas", 1970 lithograph signed, titled, dated and inscribed lower right to the family of his friend and fellow artis

After - John Thomas Biggers, .The drawing is done in the well-known style of John Thomas Biggers.He was an African-American muralist who rose to fame after the Harlem Renaissance and towards the end o

Untitled (silhouettes), woodcut, 21 5/8 x 18 1/4 in (54.9 x 46.3 cm), signed lower right and verso, ED 3/40 Condition:All condition information is available by contacting Trinity at 860-677-9996 or em

John Anansa Thomas Biggers (1924–2001) was an American muralist and painter known for his significant contributions to African American art and his commitment to depicting the history and experience

Attributed to John Anansa Thomas Biggers, no coa, private collection, medium: crayon and graphite, measurements: 27"h x39"w framed, mint condition Biography: Biggers was an African-American muralist d

4 are near-new condition without box. Various scales. Biggers one appear to be 1/16th scale.

John Van Range Company pot is marked and has an iron handle and is 4 quart capacity. Tea kettle is not marked and is slightly bigger.

Bigger Than The Both Of Us - Daryl Hall & John Oates Vinyl Album. The vinyl is in good used condition. it is slightly scratched, It measures 12". S1 Serial No. APL1-1467-A-11S & S2 Serial No.APL1-1467

The Linemen, 1968 Oil on canvas Signed lower right: Ernie Barnes; signed, dated, and inscribed, verso; titled by the artist by repute 19.75" H x 23.75" W Provenance: Fred Jones, commissioned from

Swirl of Sounds - The Ghost in the Banyan Tree, 1976 Acrylic on canvas Signed and dated: © Baber; signed and dated again, and titled, verso: Alice Baber 95.5" H x 72" W Provenance: Property of

Untitled, 1949 Oil on canvas Initialed and dated upper center: HS; signed twice and dated verso: Hassel Smith 55.25" H x 72.25" W Provenance: Andre Emmerich Gallery, New York, NY The New Arts, H

1961, Stutgart, West Germany Body No. 121040-10-01173; Engine No. 1210181101; Chassis No. 121040-10-017745; Mileage shows: 38,777 Black exterior with black leather interior, 1.9L/4 inline four-cylin

Circa 1860s, finely woven of cream, brown, indigo blue and cochineal-dyed red wool, of banded design with floating bars to the central and outer bands, 4'8.5'' H x 6'0'' W, est: $10,000/15,000 Note: D