Felicien Rops etching and drypoint

Felicien Rops- ''La Parabole du Semeur''- etching and drypoint, ca. 1875, as published in 'L'Artiste', minor handling creases throughout. 6 1/2 x 4 1/2''

Felicien Rops (Belgian, 1833-1898) 2 Works: 1) Frontispice des Ouvres Inutiles ou Nuisibles, drypoint etching. Size: 18" x 12", 46 x 30 cm (sight), 20" x 14", 51 x 36 cm (frame); 2) Le Demon de la Coq

FELICIEN ROPS (BELGIAN, 1833-1898), ETCHING ON PAPER, H 10.5", L 6.25", "OEUVRES INUTILES OU NUISIBLES" An engraving on paper titled "Oeuvres Inutiles Ou Nuisibles" by Felicien Rops. Signed to the low

Felicien Rops (Belgian 1833-1898)- ''Basturds de la Society par Joseph Prudhomme Photographe a Paris''- etching. 8 x 6 1/4''

Felicien Rops (Belgian 1833-1898)- ''Bonne Hollandaise''- etching, 1876

Felicien Rops etching and aquatint circa 1870. Title/subject "The Peeler". Approx. 10" x 7.5". Yellowing, small tears to far left, see images.

Etching by Felicien Rops. Doctor Filleau, 1882 Sight is 9 1/2" x 11 3/4" Frame is 17 1/2" x 21 3/4" Condition, scratches and scuffs to frame, some marks on matting and border of etching.

DIMENSIONS APPROX 20x26x0.1CM.

Felicien Rops (France) 1833-1898. Tesson humain. Etching and soft-ground, c. 1890. Exteens 627. Ed: Unknown. Probably fewer than 100. Printed in red/brown ink on a full sheet of China (?) paper. 58 x

Lot 44 Fèlicien Rops Belgian (1833-1898) Sans Illusion etching on paper sight: 4 3/4 x 6 1/4 inches frame dimensions: 16 3/4 x 16 3/4 x 1/2 inches, wood frame with glazing Provenance: Property fr

This is an original etching by French artist Felicien Rops. The title is: La Femme Au Trapeze, this etching has an image size of 7 1/2X4 1/2 inches. Plate signed lower left corner of the image. Printe

Felicien Rops (Belgian, 1833-1898), 'La Greve', signed l.c., etching, 18 by 14cm, framed

La Modernite, 1883, Of a woman holding a platter with a man's head on it, Drypoint Signed in plate Image: 8 x 5.5 in.; Frame: 17 x 14 in.

Etching, early proof before letters, image size:7 1/2X5 1/2", unsigned.

Armand Rassenfosse (France) 1862-1934. Devil's Disciple. Drypoint and aquatint, c. 1920. Ed: Unknown. Uncommon. Bears a Felicien Rops signature in red crayon, l.r. Printed in black ink on cream laid p

Felicien Joseph Victor Rops, (Belgian, 1833-1898), La Femme a la Fourrure Debout, etching, signed in the margin, 6.75" x 5"

KATHE KOLLWITZ GERMAN, 1867-1945), ETCHING, DRYPOINT & AQUATINT, 1899, H 11", L 12", "AUFRUHR" ("REVOLT"):Signed in pencil lower right. Numbered 7/50 lower left. Framed.

REMBRANDT VAN RIJN (1606-1669), ETCHING & DRYPOINT, 4TH & FINAL STATE, H 4", W 6", "THE ANGEL DEPARTING FROM THE FAMILY OF TOBIAS":Plate signed and dated 1641; framed; references: B., Holl.. 43; H. 18

ETCHING & DRYPOINT "TRIUMPH OF MORDECAI" IN VERSO REMBRANDT VAN RIJN , 1641 (6 1/2" X 8 1/4" SIGHT SIZE

Felicien Rops (1833-1898), a study of a female head, oil on canvas on panel, 20 x 21 cmSigned and dated to the bottom right corner.

This is a vintage signed etching and drypoint print from artist Bernard Buffet (French, 1928 - 1999). An exclusively figurative artist, his works can be seen in the collections of the world's leading

Gene Kloss (American, 1903 - 1996), "Corn Husking - Taos Pueblo" c. 1960, etching / drypoint, edition 49/50, pencil signed along lower border, (Kloss, 481), framed and matted behind glass, wear consis

James Abbott McNeill Whistler (American, 1834-1903) "La Vielle Aux Loques", from "Twelve Etchings From Nature". Signed in the plate lower right, noted within the plate "Imp. Delatre Rue St. Jacques 71

Louis Icart reproduction "Lady with Peacock" etching & drypoint copyright notice upper left 1925 29" x 24"