Judgement of Paris with 1928 Lagonda by Henry C Pearson

Artist: Henry C Pearson Title: Judgement of Paris with 1928 Lagonda Year: 1980 Dimensions: 28.5in. by 21in. Edition: From the limited edition of 150 Suite: American Portfol

Henry Pearson (1914 - 2006) ink on postcard, untitled. Depicting sail boats with sunset. 20th century. Good condition, housed in gold tone frame. Measures 3 1/8" x 5 3/4". Frame measures 7 1/2" x 9 3/

Henry Charles Pearson (American, 1914-2006), color lithograph depicting a red circle filled with black lines to create a wave pattern, numbered "88/175" and signed l.l., 27" x 27" sheet size.

"Pearl Harbor: Final Judgement" by Henry C. Clausen, Special Investigator for the Secretary of War, and Bruce Lee, Published by Crown, 1992. Stated First Edition, First Printing with digit '1' present

Rouffé Malaceine Crème de Beauté, original poster printed by Imp. et Publicité Rouffé, Paris c. 1928 - 4 x 2.5 mProvenance: The vendor's mother in law picked them up in Paris in 70s whe

Daniel Vertangen (Dutch, 1598 - 1681/84), "The Judgement of Paris," oil on canvas, showing the moment when Paris chooses Aphrodite as the recipient of the golden apple over Athena and Hera. 22.5" H x

French Telephone Switchboard, c. 1928 Grammont, Paris. Mahogany case, 10 intercom lines, original labels (Mademoiselle, Billard, Femme de Chambre, Chauffeur, Salle de Gens, Office, Cuisine, Lingerie,

Stéréodrome Métallique 6 x 13 cm, c. 1928 Etablissement Gaumont, Paris. Series stereo viewer for stereo slides of 6 x 13 cm, focusing lenses with adjustable ocular distance, with 5 magazines. Stér

French "Les Roses" No. 2047A Loudspeaker, c. 1928 Brunet & Cie, Paris. "The Roses" speaker in wrought iron, translucent membrane (with tear), surrounded by aluminum ring, impedance 2000 ohms, height 1

ARTIST: Hank (Henry C) Richter (Arizona, 1928 - ???) TITLE: Cowboy at Rodeo MEDIUM: oil on board CONDITION: Very good. No visible inpaint under UV light. ART SIZE: 16 x 12 inches / 40 x 30 cm FRAME SI

A colorful oil on canvas painting of a Paris street lined with shops by Henry Rogers (20th c.). Artist signature at the bottom right corner, nice dark wood frame. Piece measures 23" x 27 1/4", 15 1/2"

French "Lepaute Electrique" Electric Table Clock, c. 1920 By Henry Lepaute, Paris. With permanent magnet and electric coil, 3 V, metal base and posts, dial Ø 4 1/3 in., no glass dome. Elektrische

Heading: Author: Séguy, E.A. Title: Papillons - cover proof Place Published: [Paris] Publisher: Date Published: [c. 1928] Description: Illustration by E.A. Seguy on Norman

ANDRE GISSON (1928-2004) Paris Street Scene, c. 20th century Oil on artist panel board 6" x 9" Signed by Andre Gisson in the lower left

Henry Botkin (American, 1896-1983) "Lemons & Apples". Paris, 1928. Watercolor. Signed 'Botkin' (lower right). 12 1/4" x 15". A Private Upstate New York Institution.

Column Sundial by Henry Robert, c. 1850 France, with printed credit: "A PARIS, HENRY ROBERT, HORLOGER, AU PALAIS-ROYAL NO. 164", boxwood cylinder, paper scale, folding nickel-plated brass gnomon, heig

Captain C. Devereaux Venus in India or Love Adventures in Hindustan, Vol II, Paris 1928. Morocco leather cover, gilt lettering, marbled end papers. 302pp Measures Approx.: 7.75" x 5.5" x .75".Domestic

A lot of seven gas shades from a large brass and crystal gas light. Provenance: From the Reception Room of the Henry C. Gibson house, 1612 Walnut Street, Philadelphia, PA circa 1870; demolished 1928.

After Roland Paris (1894-1945, French), "The Aesthete," c. 1928, Art Deco cold painted bronze and carved figure, modeled as a comical figure grasping a sunflower, on a domed base stamped "Roland Paris

scene depicting Henry IV entering Paris, signed "C. Kiffert", inscribed "Entus A Henri IV A Paris" and marked "Chateau Du Tuileries" on verso. 20" dia

Raoul Dufy, color aquatint, c. 1928, Raoul Dufy (France, 1877-1953), "Fete Nautique" (Ginestet/Pouillon 649), pencil signed and numbered 57/200 lower left margins, etched by Jacques Villon, Paris, pub

Ermanno Nason, 'Omaggio a Henry Moore', c. 1974, Ermanno Nason (Italian, 1928-2013), sand-blasted fume glass, for Vetreria Gino Cenedese, etch signed and dated to underside, 8"h x 18"l x 4"w Provenanc

18th c., height 4.5 inches, diameter 10.25 inches. Hairline to rim.

Robert Mallet-Stevens, Chair, c. 1928, H. 83 x 43.5 x 53.5 cm. Made by Écart International, Paris. Tubular metal, sheet metal, painted black. , Fiell, 1000 Chairs, Cologne 1997, p. 181.