CUT DOUBLE-OVERLAY MOORISH WINDOWS BANQUET LAMP,

CUT DOUBLE OVERLAY MOORISH WINDOWS KEROSENE STAND LAMP, opaque cobalt blue to opaque white to colorless pyriform font, ribbed, brass stem and double-step marble base with stamped brass ornamentation,

CUT DOUBLE OVERLAY MOORISH WINDOW AND TREFOIL COLOGNE BOTTLE, deep blue to white to colorless, pyriform with punties cut around the shoulder ring and foot, tall panel-cut neck, factory-polished flange

CUT OVERLAY MOORISH WINDOWS KEROSENE STAND LAMP, white to ruby pyriform font, with gilt decoration highlights, translucent jade green Baroque base with gilt decoration bands, brass connector, No. 2 fi

Cut Overlay Moorish Windows Kerosene Pedestal Lamp. White to ruby pyriform font, brass stem and marble base. Attributed to Boston & Sandwich Glass Co. (and others), circa 1860-1880. 18"h. overall incl

ASSORTED PATTERN KEROSENE STAND LAMPS, LOT OF FOUR, comprising three cut overlay examples, including a white to ruby Moorish Windows, a white to colorless Washington, and a ruby to colorless floral ex

CUT OVERLAY PUNTY AND OVALS KEROSENE BANQUET STAND LAMP, cobalt blue to colorless pyriform font, raised on a matching punty-cut stem and double-step marble base with gilt-brass ornamentation, brass co

CUT OVERLAY QUATREFOIL AND SPIKED OVALS KEROSENE BANQUET STAND LAMP, cobalt blue to colorless pyriform font, raised on a matching spiked quatrefoil with elongated cuts stem, and double-step marble bas

White Cut to Blue Overlay Oil Lamp circa 1860. White overlay on powder blue opaline with Moorish window pattern base. With period burner, engraved shade, and chimney. Ht. 25 3/8 in. The lifelong colle

CUT OVERLAY PANEL AND PUNTY KEROSENE BANQUET STAND LAMP, green to colorless pyriform font, raised on a matching cut punty, elongated panels, and vesica stem, and double-step alabaster base with gold-p

CUT OVERLAY MOORISH WINDOWS COLOGNE BOTTLE, white to colorless, square sharp-shoulder form with pattern repeated twice on each side, panel-cut shoulder and neck, factory-polished flanged mouth, and fl

BOHEMIAN CUT OVERLAY MOORISH WINDOW AND QUATREFOIL SALT AND PEPPER SHAKERS, LOT OF TWO, opaque white to translucent blue, tall shouldered form, period lids, polished pontil marks. Second half 19th cen

CUT OVERLAY THUMBPRINT BANQUET LAMP, cobalt blue to colorless urn-form font, four rows of thumbprint cuts to the font and eight large panel cuts to the flat shoulder, period No. 3 collar, raised on a

European. 1860-1880s. Glass, brass. Rose cut to white cut to clear. Brass connector. Mottled marble stem and base with colours of rose and white. Brass feet, white ball shade. #1 chimney signed "Royal

CUT DOUBLE OVERLAY HOURGLASS WINDOW AND PUNTY COLOGNE BOTTLE, deep blue to white to colorless, waisted form with panel-cut neck, oval-cut neck ring, and flanged mouth, raised on a slight foot with pol

American. 1860-1880. These types of lamps were made by Boston & Sandwich Glass Co., Sandwich, Massachusetts and other manufacturers. The maker of this lamp is unknown. Glass, brass, marble. Ruby cut t

American. 1860-1880. These types of lamps were made by Boston & Sandwich Glass Co., Sandwich, Massachusetts and other manufacturers. The maker of this lamp is unknown. Glass, brass, marble. Ruby cut t

CONTINENTAL CUT-OVERLAY AVENTURINE DECORATED BANQUET LAMP, orange/amber to colorless, compressed ovoid font with paneled diamonds motif, knop connector with a slightly tapering stem, cut-scalloped tra

American. 1860-1880. Glass, brass. Blue cut to white cut to clear font with two rows of punties and four quatrefoils. Brass connector, white milk glass base. #1 early lip chimney; #1 Jones burner. Thu

An unusual example of a well known pattern, this Moorish Windows has an extra cut added to the middle part of the fancy windows. The colours contrast well and it displays on a typical brass and marble

CUT DOUBLE OVERLAY PUNTY AND PANEL KEROSENE STAND LAMP, bright rose to white to colorless pyriform font, clusters of five punties alternating with V-grooves and over a band of panels, brass stem, doub

CUT DOUBLE-OVERLAY PUNTY AND OVAL KEROSENE STAND LAMP, rose to opaque white to colorless pyriform font with gilt scrolling decoration, two rows of punty cuts and a lower band of oval cuts, raised on a

CUT DOUBLE OVERLAY PUNTY AND PANEL KEROSENE STAND LAMP, colorless to rose to opal, compressed urn-form font with a very faint etched squiggly pattern, waisted stem, brass connector, brass base, No. 23

A pair of 20th century cased glass banquet lamps. White overlay with cut to clear decoration and Gilded accents with matching globe shades on a stepped Marble base with cast Brass fittings. Some wear

19thc double cut overlay Sandwich blue glass oil lamp, electrified. Total height 29". ------------------------------------------------------------------------------------------------------------------