N. Sowell dry-point etching Cathedral of St. John 1925

Two(2) drypoint etchings. Morning on the St. Johns, Florida. Painted and etched by Thomas Moran, N.A., 6in. X 8.75in.(image size); The Edge of the Swamp. Painted by W.L. Picknell, etched by Peter Mora

Charles M. Capps (1898-1981) St. John's 1971 The drypoint etching from an edition of 125 prints is signed by the artist in pencil below the image lower right, titled lower left. Image measures 7 x 8 w

John Mac Gilchrist (American 1893-1977)- ''Spirit of St. Louis''- etching and drypoint, 1929, signed and titled in pencil, edition of 100. 8 x 9 7/8''

John Taylor Arms (American 1887-1953) The Crown of Normandy, St. Ouen, 1928, drypoint etching, second state, signed and dated in pencil lower right margin and titled in pencil lower left margin, matte

Fletcher 164; Spanish Church Series #5

John Taylor Arms (1887-1953) Second State (The Crown of Normandy, St. Ouen) 1928 The drypoint etching signed by the artist in pencil below the image lower right, titled lower left. As shown in 'Church

Drypoint etching. Fall Plowing. Pencil signed J.E. Costigan N.A. and inscribed with title; 8.75in. X 13.25in.(image size with margins)

Drypoint etching. Farm Family. Pencil signed J.E. Costigan N.A.; 9.5in. X 11.25in.(image size with margins)

John Taylor Arms (American 1887-1953) ''U.S.S. Columbia under Construction at the New York Shipbuilding Corporation, Camden, N.J. Arms'' (Fletcher 390)- etching and drypoint, 1945, signed and dated in

Morris Topchevsky (1899-1947)Two works:"Medicine Man"Etching and drypoint on wove paper, watermark PMSigned and titled in pencil in the lower margin: M. TopchevskyPlate: 8.25" H x 5.5&q

Rembrandt van Rijn (Dutch, 1606-1669). Peter and John Healing the Cripple at the Gate of the Temple, 1659. Etching and drypoint on laid paper. *Gallery label on verso: N.Y. Kleemann Galleries 1659 HIN

EDWARD T. HURLEYOhio, 1869-1950“Fountain Square, Cincinnati”. Signed in pencil “E.T. Hurley - A-N-A”.Dry point etching, 8.75” x 11.75” to the plate line. Framed 20.75” x 15.75”.

Armin Landeck, 1939 "11 West 11th St." etching & dry point, pencil signed, edition of 100, 9 3/4"x 12 11/16" image, 13 15/16"x 18 3/8" paper size

(Scottish, 1883-1959) La Fava, or Santa Maria della Fava, 1925, XLII, signed lower right, "James McBey", signed in plate, "McBey, Venice, October 1925", drypoint etching on blue green antique laid pap

John Watson Benson, Etching, Dry point, signed, approx 16" x 20"

JOHN MARIN (AMERICAN, 1870-1953), ETCHING AND DRYPOINT, 1913, PLATE SIZE: H 12 3/4", W 10 1/4", "WOOLWORTH BUILDING #2:Pencil signed (within the plate mark); signed, titles and dated in the plate; ins

"Charleston Spire (St. Philip's Church), drypoint & etching, pencil signed with snail monogram lower right, titled on label verso from Arnould Gallery of Marblehead, Mass. Housed in black stick frame,

Artist: Rembrandt van Rijn Title: The Beheading of John the Baptist Year: c. 1640 Dimensions: 5in. by 4in. Edition: From the rare limited edition Medium: Origin

Francis Alys (b. 1959), drypoint etching with collage and opaque white, "The Modern Procession", one figure holding a Museum of Modern Art Queen's ticket and another holding a MOMA sign, N.Y.C. June 2

Robert Rauschenberg (1925 - 2008), St. John the Divine Cathedral print 199, lithograph in color on woven paper, pencil signed numbered and dated Rauschenberg 40/175 93. 35 3/4" x 25 1/2".

Robert Rauschenberg, color lithograph, 1993, Robert Rauschenberg (American, 1925-2008), "St. John the Divine Cathedral ", on wove paper, pencil signed, dated and numbered 39/175 along bottom, framed w

Rowland Langmaid (British, 1897 - 1956) St. Paul from the Thames, Dry Point Etching, Signed lower right. Blind stamps on left. Framed dimensions: H: 18 3/4 x W: 14 1/2 in. H: 10 3/4 W: 7 3/4 in. The a

Limited edition dry point etching on handmade paper by J.D. Mayhew (California, 1925-2004). Etching depicts aquatic scenes on the backs of three women / mermaids. It is numbered lower left 81/150, tit

Louis Icart (French, 1888-1950) Sur Le Divan dry-point and etching in colors on paper Signed in pencil Louis Icart lower right. Copyright 1925. by Le Graveurs Modernes 194 rue De Rivoli, Paris. Number