1727 Ingeniosa Apis Giacinto Garcea Italian Grammar

1727 Ingeniosa Apis Giacinto Garcea Italian Grammar Latin Greek Barbarians An early 18th-century Italian textbook by Giacinto Garcea. This work, “Ingeniosa Apis” includes a variety of topics inclu

1808 NAPLES Napoli French Italian Grammar Dictionary Dialogue Goudar A rare early 19th-century French and Italian grammar dictionary. Written by Ludovico Goudar, this work includes translations of par

A New and Complete Italian Grammar, by Vergani, printed at London, 1818. Rare English edition, xxix, 284, [2]. Marbled boards and leather reback. Binding Very Good, internally Fine. Measures 4 x 6.5".

1720 Tuscan Language Dialect by Benedetto Buommattei Italian Grammar Tuscany Benedetto Buommattei was a 17th-century Italian grammarian known primarily for his book on the Tuscan language. While the T

1720 Tuscan Language Dialect by Benedetto Buommattei Italian Grammar Tuscany Benedetto Buommattei was a 17th-century Italian grammarian known primarily for his book on the Tuscan language. While the T

1688 French Italian Dictionary Grammar Language Veneroni Louis XIV France RARE Giovanni Veneroni’s “Methods of Italian Language” is a rare 17th-centurty Italian-French grammar dictionary. This b

After Giacinto Gimignani (Italian, 1606-1681) The Death of St. Francis Xavier Print. Frame size: 25 x 18.5". Painting size: 20 x 13". 'St. Francis Xavier Mourani'. Religious scene.

After Giovanni Domenico Tiepolo (Italian, 1727-1804) "Allegory of Justice" fresco in the Colleoni Chapel, Bergamo, Italy, 1913 oil on academy board signed lower right "F. Mancini" for Francesco Mancin

After old master Giacinto Brandi (Italian, 1623-1691) "Maddalena" oil on canvas religious painting depicting the penitent Mary Magdalene, late 18th century, Christie's label to verso, housed in a gilt

Pair of etchings of "Dwarves and Dogs", drawn by Giovanni Battista Tiepolo (Italian, 1696-1770) and engraved by his son Giovanni Domenico Tiepolo (Italian,1727-1804); signed in plate: "Jo. Bapta Tiepo

Lot 215 Domenico Cunego Italian (1727-1803) Hermes distributing putti hand colored gravure sight: 13 3/8 x 26 1/4 inches Provenance: From the Estate of Edward Bazinet

Giovanni Domenico Tiepolo (Italian, 1727-1804). Old Man with a Turban, 1757 (Succi 100). Etching. Collection stamp on the reverse. Measures 5.5 in. high x 4.25 in. wide (with mat 14 in. high x 11 in.

Francesco Bortolozzi (Italian, 1727-1815). "The Lady of Richmond" etching after Hans Holbein (German, c. 1497-1543), ca. 1795, from the series "Persons of the Court of Henry VIII" published by John Ch

Francesco Bartolozzi, Italian, 1727-1815. Three late 18th to early 19th century Sepia stipple engravings on paper after Cipriani. Neoclassical images of putti titled "Nature, "The Fine Arts" and "War"

Manner of Francesco Bartolozzi (1727-1815) Italian. Madonna and Cherubs, Ink, bears a Signature and Date 1764, overall 9.5” x 8”.

(lot of 2) Francesco Bartolozzi (Italian 1727-1815) Daphne engraving in colors artist identified lower right and After George Romney (British 1734-1802) ""Mrs. Jordan "" engraving with colors engraved

FRANCESCO BARTOLOZZI ITALIAN ENGRAVING HOLY FAMILY

Lot 212 Domenico Cunego Italian (1727-1803) The sacred putto hand colored gravure sight: 13 3/4 x 14 1/4 inches Provenance: From the Estate of Edward Bazinet

(Italian, 1727–1815) Five engravings: Studies of Hands, Feet, Ears and Eyes, 1786-1793, 8-1/8 x 12 in. (approximate sight each); matching modern frames, 18 x 21-7/8 in.

ASSORTED BRITISH AND EUROPEAN PRINTS, LOT OF FOUR, including a Francesco Bartolozzi (Italian, 1727-1815) engraving titled "Cupid & Psyche", published 1781 in London; and an Angelique Briceau (French,

Lot 144 Domenico Cunego Italian (1727-1803) Personification of love hand colored gravure sight: 13 1/2 x 10 inches Provenance: From the Estate of Edward Bazinet purchased from The O’Shea Gallery,

Francesco Bartolozzi (Italian, 1728-1815), after Giovanni Battista Cipriani (Italian, 1727-1783), hand-colored engravings depicting cherubic scenes, 7 1/2" x 18" image size, 16 1/4" x 26 1/4" framed.

Lot 211 Domenico Cunego Italian (1727-1803) Familiar of Eros hand colored gravure sight: 13 3/8 x 10 inches Provenance: From the Estate of Edward Bazinet

(1727-1794 Italian) "Arch of Septimius Severus", unframed 2-sheet engraving on laid paper, after painting by C. Clerisseau, artist name in lower right plate, approximate plate size 18 3/8" x 23 1/2",