Vividly modeled apricots, green and red grapes are decoratively framed by vine leaves and bay leaves on a stone bench. The

19th century Italian Renaissance Revival style walnut pedestal table with three leaves, having a square top with canted

English School, 17th century portrait of a lady, possibly Lucretia Gray, wife of Edward Sealy of Bridgwater, in an 18th

A COLLECTION OF SEVEN ASSORTED PLASTER ARCHITECTURAL MOULDINGS19TH AND 20TH CENTURYComprising; three Ionic order wall

Hand bell in patina bronze, Italy, 17th century. Decoration in relief of vegetable interlacing and acanthus scrolls. Handle

Salome reaches for the head of Johannes d. Baptist standing on the silver bowl in front of her on a sideboard. This motif is

Pair of hunting Still Lifes — Italy, 17th century Wild boar's head laid out in a forest between fruit basket and vegetables

Cavalry battles became an autonomous genre of painting in the 17th century. This pair of pictures is characterized by a

Italian School (17th Century)oil on coppersize: 14 x 11 in.frame: 27 x 23 in.If you would like to receive more detailed

Italian School, 17th century, Manner of Felice Riccio or Felice Rizzo (Italian, 1540-1605), also known as Il Brusasorci,

Follower of Leandro Bassano (Italian, 16/17th Century)oil on canvassize: 29 x 42 1/4 in.frame: 34 x 49 in.The frame is

Portrait of man with raised arm, artist unknown, probably Italian, 16th/17th C. The work is in the manner of Francesco