ATTRIBUTED TO WILLIAM R. FREEMAN (1820-1906)

Attributed to William R. Hollingsworth, Jr. (American/Mississippi, 1910-1944) , "Birdhouse", oil on board, unsigned, 10 in. x 8 in., framed

Attributed to William R. Hollingsworth Junior, it does not have a COA. Medium: watercolor, 28 x 22 inches, still life, 1910 - 1944. Provenance: private owner. Biography: 1910 - 1944. William R. Hollin

Attributed William Edward Frost, R.A. (English, 1810-1877), A Young Womanoil on canvas (lined), unsigned, presented in a gilt frame with gallery plaque. Stretcher size 22 x 18 in.; Frame dimensions 27

Seven Volumes, Complete, Illustrated in color. Albert Gallatin Mackey and William R. Singleton, Copyright 1898 & 1906. Bound in blue cloth with embossed gilt spines and cover design. Overall good, Att

Modern work attributed to William Marks (American, Detroit, 1906 - ?) oil on Masonite, a view of the Lodge Freeway in Detroit, a very colorful impressionistic view of cars and trucks moving through th

ATTRIBUTED TO WILLIAM HEMSLEYUnited Kingdom, 1819-1906ìChildren at Schoolî. Unsigned. Identified and titled on label verso.Oil on board, 7î x 8.5î. Framed 10î x 11.5î.

Attributed to Walter Heath-Williams (British, 1835-1906) Life in the Country, a Rural Landscape oil on canvas 25" x 32"

Attributed to William Wallace Armstrong (Canadian/Irish, 1862-1906), "Mt. Shasta," circa 1885, oil on canvas, unsigned, gallery label (Adamson-Duvannes Galleries, Los Angeles, CA) affixed verso, overa

attributed to SAMUEL FINLEY BREESE MORSE (American 1791-1872) A PAINTING, "Lady with Black Mobcap," 1820, oil on canvas, signed in monogram and dated L/L, "R.Q.M. 1820." 28" x 22 1/2"

Anthony, Susan B. (1820-1906) Photographic Portrait with Clipped Signature. Silver print by Ellis signed in the print [likely William Shewell Ellis (1876-1931)], taken circa 1900; signature clipped fr

Attributed to William Hollingsworth Jr., no coa, private collection, medium: watercolor, measurements: 37"WX29"H framed, mint condition Biography: William R. Hollingsworth Jr. was an American watercol

Circa 1810, likely Piedmont Virginia. The table and box having the exact same period signed hardware marked WJ and attributed to William Jenkins of Birmingham, England (working 1805-1820). The table h

An impressive Renaissance Revival carved oak tall case clock, the case attributed to R.J. Horner & Co., New York, NY, with works by Winterhalder & Hofmeier, Schwaerzenbach, Black Forest, Germany, reta

Attributed to William Barraud (British, 1810–1850) Showing a Horse Signed 'Barraud' bottom left, oil on panel 18 7/8 x 26 7/8 in. (47.9 x 68.3cm) PROVENANCE: Private Collection, Maryland.

Attributed to William Aikman (Scottish, 1682-1731)Portrait of a Gentleman, Bust-LengthOil on canvas, framed in the oval (with 'Hay & Lyall, 2 Market Street, Aberdeen' stretcher label)30 3/8 x 24 1/2 i

Attributed to William James Hubard (English, 1807-1862) Portrait Miniature of a Gentleman Inscribed on verso, "Taken at the Hubard profile Gallery St. Peters Norwich," watercolor on paper, framed. (3

Oil on canvas laid down onto artist board, unsigned. Attributed to William Pierce Stubbs (1842-1909) 24 inches H x 36 inches W sight, 26.5 inches H x 38 inches W overall.

Young girls playing in a stream. William Collins (1788 - 1847) was active/lived in United Kingdom, England. Collins is known for Landscape and genre painting. Oil on panel. Circa 1820. Panel: 7 x 9 in

Attributed to William James Hubard (British/American, 1807–1862) 19th Century Silhouette 1820-1840. Gold highlights, birdseye maple frame. Framed 7 x 6 Hubard Gallery label on reverse. (CHECK??

Sir William Beechey, R.A. (Britain, 1753-1839). This oil painting on canvas depicts a portrait of a well-dressed, seated woman. The gilt frame bears a plaque with Beechey's name, though the work is un

William Collins, R.A., fisherman’s return, oil on canvas, 25 x 30 inches. Titled and attributed to the artist on a brass plaque on the frame.

Antique duck decoy, attributed to William Heverin, marked, painted wood, lead weighted, 16". Antique duck decoy, attributed to R. Madison Mitchell, unmarked, painted wood, lead weighted, 15.5".

Attributed to William Camp (1773-1822, active 1801-1822), circa 1820. The piece having a tall back with carved backrest leading down to handsomely shaped side railed ending in rosettes atop turned and

Combe, William. The Tour of Dr. Syntax, three volumes, illustrated by Thomas Rowlandson with 79 color aquatints, fourth edition, London, R. Ackermann, circa 1820. Leather bound with raised bands and g