FRUITEE-JUICEE - ABBOTT

Circa 1950. Very, very rare. Oranges and lemons placed into a beautiful chromed cylinder change to orange juice and lemonade. Finely crafted and detailed metal-work. Supplied with all necessary cylind

(Massachusetts/England, 1834-1903) San Biago, 1879/80, state IX/IX (K. 197), from [Twenty-six Etchings], Messrs. Dowdswell and Dowdswell, Publisher, London, 1886, signed in pencil on tab with butterfl

Mary Abbott (American, 1921-2019), Untitled, Oil on canvas, Signed "Abbott" lower right,13" x 18", Framed, Overall-20" x 25"

Berenice Abbott (American 1898-1991) ''New York at Night''- gelatin silver print, 1932, signed in pencil on the mount, later impression. 36 x 28 5/8''

ABBOTT HANDERSON THAYER (AMERICAN, 1849-1921) OIL ON CANVAS, H 24", W 16" GIRL WITH FLOWERS:Signed upper left and framed. For a high resolution photo CLICK HERE

Abbott Fuller Graves (American/Massachusetts, 1859-1936), "Jamaica", oil on canvas, signed lower right, pencil-inscribed "#32610" on stretcher, titled on "Vose Galleries of Boston" label on backing bo

(Massachusetts/England, 1834-1903)  The Barber's (K. 271), 1886-1888, signed in pencil on tab with butterfly cypher, etching and drypoint on laid paper, 6-1/2 x 9-3/8 in. (plate) 6-1/8 x 9-1/2 in

James Whistler, American (1834-1903). Black and white etching of his mother sleeping titled 'Whistler's Mother' mounted in chrome frame and signed 'W 56' lower right corner. Measures 15 3/8"H x 17.75"

Berenice Abbott (American, 1898-1991) New York at Night, 1932, later impression, gelatin silver print, pencil signed lower right, image: 13.75"h x 10.75"w, overall (with frame): 25"h x 21.25"w

Title: Annie Seated. James Abbott McNeill Whistler (1834-1903) was an American artist active during the American Gilded Age, and based primarily in the United Kingdom. He eschewed sentimentality and m

ABBOTT FULLER GRAVESMassachusetts/Maine, 1859-1936Mending the dress. Signed and dated lower left "Abbot Graves 95".Oil on canvas, 32" x 46". Framed 37" x 51".

Fine early impression with artist butterfly mark upper left, titled "The Balcony Venice", image size 11.75" x 7.75", matted and framed under glass, remnants of original label on reverse. Condition app

(Lowell, 1834 - Londra, 1903) Quindici disegni raffiguranti personaggi e paesaggi diversi Tecnica mista su carta, cm 22X34 (il maggiore) FIFTEEN DRAWINGS ATTRIBUTED TO JAMES ABBOTT MCNEILL WHISTLER (1

''The Open Sea'', Normandy coastal with boats offshore, signed with artist's butterfly monogram lower right, titled on a partial gum label affixed verso, oil on wood panel, 5.75'' H x 11.5'' W, est: $

James Abbott McNeill Whistler (American, 1884-1903) "Long Lagoon". Etching and drypoint, printed in brown ink on paper. From the "Second Venice Set" published in 1886. With Whistler's emblematic butte

BERENICE ABBOTT Penn Station, Interior. Silver print, 1936 (printed 1970s). 324x270 mm; 12¾x10 inches, printed to the sheet edge, the mount 508x406 mm; 20x16 inches. Signed in pencil on mount, lo

James Abbott McNeill Whistler (1834-1903) The Riva, No.1, from The First Venice Set (Kennedy 192; Glasgow 229) Etching and drypoint, 1879-1880, on laid paper, Glasgow's final fourth state, signed with

ARTIST: Abbott Fuller Graves (Massachusetts, Maine, 1859 - 1936) NAME: Woman Looking into Mirror MEDIUM: oil on canvas. Canvas applied to board CONDITION: Very minor craquelure. Minor flaking. Minor d

ARTIST: Abbott Fuller Graves (Massachusetts, Maine, 1859 - 1936) NAME: Woman Playing Piano MEDIUM: oil on canvas. Canvas applied to board CONDITION: Some craquelure. Some flaking. One small inpainting

''Offshore, Dieppe '', Normandy coastal with boats offshore, signed with artist's butterfly monogram lower right, titled on a partial gum label affixed verso, oil on wood panel, 5.75'' H x 11.5'' W, e

William Mark Fisher American, 1841-1923 Portrait of James Abbott McNeill Whistler Oil on board 12 1/2 x 7 1/2 inches Provenance: M. A. McDonald, New York C Property from the Collection of Helen Sonnen

Newsstand, East 32nd Street and Third Avenue, Manhattan, November 19, 1935 Gelatin silver print on photographic paper, dry mounted, under glass From the edition printed circa 1979 by Todd Watts Sig

-1903). Etching and drypoint on laid paper. "Bead-Stringers". 1879-1880. Signed in pencil with butterfly on tab. Charles Dowdeswell collector's monogram verso. Pace Prints label affixed to v

Abbott, Henry Antiquities of Rome London: Baldwin, Cradock, and Joy, 1820. First edition, large folio (57.6 x 41.6cm), contemporary half calf (front board gilt-lettered 'Charleton' and with gilt calf