After Joshua Reynolds,

Sir Joshua Reynolds, P.R.A. (1723-1792), Portrait of Mr. and Mrs. Sylvanus Grovesoil on canvas (lined), unsigned, circa 1753, retaining exhibition labels and identification notes to the verso of each,

Sir Joshua Reynolds (British, 1723-1792). Portrait of a Lady, possibly Lady Charlotte Johnston [Johnstone], oil on canvas, unsigned. Bust length portrait of a Lady wearing dark red cloak edged in ermi

English Edition with Portfolio, Sir Walter Armstrong, Sir Joshua Reynolds First President of the Royal Academy, with seventy-eight photogravures (portfolio has these 78 prints, encased) and six lithog

After Sir Joshua Reynolds, P.R.A. (British, 1723-1792) "The Age of Innocence" oil on canvas 19th century, unsigned, artist and title stenciled on frame, after the ca. 1785 painting now conserved (but

The Bird - Cage" - Girl with bird in hands seated next to a birdcage, in a wooded landscape. Of antique age. Typed reference on verso. Craquelure. 29" X 24" (40" X 35"). More pictures upon request."

MANNER OF JOSHUA REYNOLDS, PORTRAIT OF JOSIAH WEDGWOOD (BRITISH 1730-1795) , oil on canvas 77 x 64 cm (30 1/4 x 25 1/4 in.) framed dimensions: 91 x 77.5 cm (35 7/8 x 30 1/2 in.)

Studio of Sir Joshua Reynolds RA (1723 - 1729) Mrs Richard Bennett Lloyd Sketch for the final version at Waddeston Manor Oil on canvas C. 1776 Property of a Gentleman Dimensions: (Canvas) 47 in (H) x

Sir Joshua Reynolds, after(United Kingdom, 1727-1788)Sophia, Viscountess St. Asaph and her SonEnglish School Portrait, 18th Century or laterOil on canvasCanvas: 56 1/4 in. x 44 in.; Frame: 71 1/2 in.

Edward Seymour, 9th Duke of Somerset, Together with examination and treatment report dated 1980, Oil on canvasImage: 48 x 33 in.; Frame: 54 x 41 in. Carved gilt wood frameCondition: No apparent flaws,

18th century school of Sir Joshua Reynolds portrait of Lady Ridley, ca. 1770. Oil on canvas. Framed. Old reline. Craquelure with all over craquelure inpaint. Non offensive. Sight: 30 x 25in. Overall:

This lot consists of Hand painted Landscape oil on canvas painting dated to the 18th-19th century. The lot depicts a British landscape ,horses and people in the style of Thomas Gainsborough. The paint

After Joshua Reynolds (1723-1792) British. "Collina (Lady Gertrude Fitzpatrick)", Oil on Canvas, Inscribed on a label on the reverse, Unframed, 55" x 44".

After JOSHUA REYNOLDS (British 1723-1792) "Portrait of Christina Baroness Donoughmore" Oil on canvas. 50 x 40 inches; Frame: 61 1/4 x 51 inches. Unsigned, annotated verso with information on the sitte

attributed REYNOLDS, Joshua, (English, 1723-1792): Study for a portrait of John Dunning, Lord Ashburton, seated with black robes and long wig, Oil/Canvas, no visible signature, older auction label and

Attributed to Joshua Reynolds, British, 1723 - 1792, portrait of the Duke Marlborough, oil on relined canvas, possibly signed indistinctly lower right, 53 1/4 x 39 inches

Manner of Sir Joshua Reynolds, 'Woman with Blue Sash', late 18th-early 19th century, oil on panel, depicting a portrait of a seated woman in a white dress with a blue sash, apparently unsigned, in a g

AFTER SIR JOSHUA REYNOLDS BY V. GREENSIR WILLIAM CHAMBERSMezzotintPublished, London 178048 x 37cm (18¾ x 14½ in.)Together with two mezzotints, the first AFTER THOMAS PHILIPS R.A., BY N. SCHI

ARTIST: AFTER Joshua Reynolds (British, 1723 - 1792) NAME: Cymon and Iphigenia YEAR: circa 1842 MEDIUM: oil on canvas CONDITION: Restretched. Four punctures/small tears. Some paint losses. Some craque

After Sir Joshua Reynolds (1723-1792) oil on canvas Portrait of the Artist as a Young Man 28" x 24"

Portrait of William Murray, Earl of Mansfield by Sir Joshua Reynolds 1723-1792. British school. Nicely framed, estate fresh. 28" wide, 34" tall.

Oil On Canvas Laid On Board Portrait Of Sir Joshua Reynolds A Possible Self Portrait #41. Frame Measure 32" X 29", Sight 21" X 25". This Collection Was Donated By A Private Collector To The One Human

ANTIQUE EARLY 19TH CENTURY PAINTING. Possible the work of Sir Joshua Reynolds Very finely painted. This is an early work. There has been some previous restoration done relined. SOME WARE. Damage to th

(British, 1723-1792) Study for The Snake in the Grass (Love Unloosing the Zone of Beauty), 1785, oil on paperboard, 7-7/8 x 6-3/4 in.; gilt wood and composition frame, 13-3/4 x 12-1/2 in.ÿ Provenance

After Sir Joshua Reynolds P.R.A. (British, 1723-1792), Girl Leaning on a Pedestal, or The Laughing Girloil on canvas (lined), unsigned, early 19th century, presented in a later frame. Stretcher size 3