Pierre Thiriot color lithograph on paper

Pierre Thiriot color lithograph on paper, "Colette Andris", Choppy Imp. Melingue Paris, ca. 1922, sight size 46" x 31", frame size 50" x 34 1/2"

"La Baignoire," 1946, after Pierre Bonnard Color lithograph on paper under glass; Louis Carre, Paris, pub. Edition 28/80; signed and initialed in the stone only: Bonnard / PB; numbered in pencil in

Pierre Soulages (French, b. 1919) "Composition #3" 1957. Color lithograph on paper. Signed (lower right) numbered edition 13/60. Rivière 4 26 1/8 x 19 7/8 in. Anderson Gallery, Buffalo, New York. D

Alechinsky, Pierre (Belgian, b.1927), Untitled Abstract, c.1970s, color lithograph on paper, signed and numbered 5/90 in pencil at bottom, printer's chop lower right, full sheet 22 x 17 inches, floate

PIERRE ALECHINSKY (BELGIAN, B. 1927), COLOR LITHOGRAPH, C. 1970, IMAGE: H 25", W 17", "LONDRES 1970":Image: 24 3/4" x 17 1/2"; published by London Arts (has embossed chop mark in the Rives paper); pen

NU ST. GERMAIN (Maeght R.7), color lithograph on Arches paper, numbered 211/400 in pencil, published by Maeght Editeur with blind stamp lower left, sheet 35 x 21 ¾”; LA MARCHANDE Dâ€��

Original color lithograph on Fabriano paper. Number 66 of 200, lower left. Spanish title - Madre Superiora. Artists signed and dated lower right. Suite: Fernando Botero Sequence by Pierre Restany. Exc

Pierre Auguste Renoir (1841 - 1919). Les Sirenes (Mermaids). Antique color lithograph on Japon Imperial paper after the original painting by hand pulled by Auguste Clot (French, 1858–1936). Sig

Pol Bury 1922 Haine-Saint-Pierre - 2002 Paris 19 Disques entre deux obliques Color lithograph and aquatint on paper; H 655 mm, W 495 mm; signed lower right ''Pol Bury''; numbered lower left ''38/75''

Pol Bury 1922 Haine-Saint-Pierre - 2002 Paris Douze Batons en éventail sur un disque Color lithograph and aquatint on paper; H 655 mm, W 495 mm; signed lower right ''Pol Bury''; numbered lower left

PIERRE-AUGUSTE RENOIR (French 1841-1919)Baigneuse debout, en pied - 1896Lithograph in color on laid paperFrom the edition of 100, with the justification text printed lower right, printed b

Zao Wou-Ki (Zhao Wuji, French/Chinese, 1920-2013) Untitled, No. 207 Lithograph in colors on arches paper. Signed (lower right) and numbered 17/125. Printed by J. Desjobert, published by Pierre Houtot,

Lithograph in colors on wove paper, 1964, unsigned, apart from the final edition of 30. 14 1/4 x 22 in. (sheet), unframed. Literature: see Mourlot 412; Cramer 90. Provenance: The artist; Pierre Matiss

Medium: multi-stone color lithograph (after the original Bonnard lithograph). Printed in Paris on Renage paper in 1952 by the Mourlot atelier, in faithful recreation of the original. According to the

Medium: multi-stone color lithograph (after the original Bonnard lithograph). Printed in Paris on Renage paper in 1952 by the Mourlot atelier, in faithful recreation of the original. According to the

Medium: multi-stone color lithograph (after the original Bonnard lithograph). Printed in 1952 on Renage paper at the Mourlot atelier in faithful recreation of the original. According to the publisher,

Medium: multi-stone color lithograph (after the original Bonnard lithograph). Printed in 1952 on Renage paper at the Mourlot atelier in faithful recreation of the original. According to the publisher,

Medium: multi-stone color lithograph (after the original Bonnard lithograph). Printed in 1952 on Renage paper at the Mourlot atelier in faithful recreation of the original. According to the publisher,

Medium: multi-stone color lithograph (after the original Bonnard lithograph). Printed in Paris on Renage paper in 1952 by the Mourlot atelier, in faithful recreation of the original. According to the

Medium: multi-stone color lithograph (after the original Bonnard lithograph). Printed in Paris on Renage paper in 1952 by the Mourlot atelier. The full sheet (including margins) measures 12 1/4 x 9 3/

Medium: multi-stone color lithograph (after the original Bonnard lithograph). Printed in Paris on Renage paper in 1952 by the Mourlot atelier, in faithful recreation of the original. According to the

Medium: multi-stone color lithograph (after the original Bonnard lithograph). Printed in 1952 on Renage paper at the Mourlot atelier in faithful recreation of the original. According to the publisher,

Medium: multi-stone color lithograph (after the original Bonnard lithograph). Printed in Paris on Renage paper in 1952 by the Mourlot atelier, in faithful recreation of the original. According to the

Medium: multi-stone color lithograph (after the original Bonnard lithograph). Printed in 1952 on Renage paper at the Mourlot atelier in faithful recreation of the original. According to the publisher,