Clark Stewart (California, 20th century)

UNTITLED, wood construction with inset glass, a signature not found, overall 32 ¾ x 22 x 5-7” depending on installation.

A magnificent large painted and glazed ceramic vase with side handles, with artist’s cypher stamp, 23 x 12 ½ x 10”.

IMPRESSIONIST BOATS, oil painting on canvas, signed lower left, 25 x 30”, frame 31 x 36”.

QUEEN OF HEARTS, cold-painted and patinated cast bronze sculpture, signed, numbered 12/30, size 27 x 16 x 11” including base.

AT MISSION CREEK, acrylic painting on linen signed lower right, 15 x 30”, frame 21 x 36”.

PEACH BLOSSOM II, 2004, acrylic painting on canvas, signed and dated and titled on verso, 48 x 36”, unidirectional.

June Carey DESERT LANDSCAPE, oil painting on Masonite, signed lower right, 20 x 30”, frame 28 ¼ x 38 ¼”; Lee Logan DESERT LANDSCAPE, oil painting on canvas, signed lower left, 20

STEEL RAINBOWS (Green), 2002, powder coated metal sculpture, signed and dated and titled, 15 ¼ x 23 x 9”.

UNTITLED, 1978, acrylic painting on paper, signed and dated lower right, image 23 x 21”, sheet 29 ½ x 25 ½”, frame 33 ½ x 29 ½ with glass. Provenance: acquired directly from the artist by the

BALLERINA, 1989, oil painting on canvas, signed and dated lower right, 24 x 18”, frame 30 ½ x 24 ½ x 2 ½”.

ARTIST’S TOOLS: FOUR SMALL CANS OF PENS, PENCILS AND PAINT BRUSHES, 1986, each a painted and glazed ceramic, three cans signed and dated underneath, cans approximately 4” tall, eight brushes longe

ARTIST’S TOOLS: TWO CANS OF PAINT BRUSHES, 1985, each can contains eight brushes, each a painted and glazed ceramic, one can signed and dated underneath, longest brush 13 ½”. Provenance: Acquired

TACTILE VISIONS BLUE, 2006, acrylic painting on canvas with metal overlay and tinsel, signed and dated and titled on verso, 52 ¼ x 52 ½ x 2 ½”

TWO BOOT, 1990, acrylic painting on canvas, artist’s label on verso, 48 x 24”.

ARTIST’S TOOLS: TWO CANS OF PAINT BRUSHES WITH SCISSORS AND TUBES OF PAINT, 1987, each a painted and glazed ceramic, cans 5” tall each, one can signed and dated underneath, twelve brushes longest

FOUR MEN IN A FIELD, gelatin silver print, signed and numbered 1/30 in pencil on verso, 16 x 20”. Note: Cooper is a well-respected still photographer for Scorsese, Spielberg & Tarantino, amongst oth

FUNDAMENTES, 2005, color digital print, signed and dated and titled and numbered 1/20 in ink, sight 30 x 44”, frame 44 x 58”.

SEASCAPE AT DUSK, oil painting on canvas panel, signed lower left, 12 x 16”, frame 15 ½ x 20 ½”.

THE BRIDE, gouache on paper, signed upper right, 3 ½ x 6 ¾”, frame 9 x 12” with glass. From the collection of a Beverly Hills art maven and museum donator.

LANDSCAPE, oil painting on canvas board, 19 ¼ x 26”, frame 25 ½ x 32 ¾ x 2 ½”.

PERSEPHONE, cast paper sculpture, possibly signed on verso, 43 x 29 x 8", in Lucite box frame, otherwise in apparently good studio condition. Provenance: De Vorzon Gallery.

TWO FIGURES RED AND PURPLE, acrylic painting on paper, signed on verso, 15 x 11 ¼”, frame 20 x 17” with glass.

VENETIANO; ITALY, one painted film and one color giclee, the first signed and dated, sight 18 ¼ x 18 ¼”, frame 31 x 31”; giclee sight 24 x 24”, frame 34 ½ x 34 ½&

TACTILE VISIONS MAGENTA, 2005, acrylic painting on canvas with raised metal overlay, signed and dated and titled on verso, overall 53 ½ x 59 ½ x 2 ½”.