Margaret Milnes (1908-1998) Venetian School, Pen ink,

Venetian School, 16th Century The Last Supper bears signature and number 'Tintoretto 15/6' (lower left) black chalk, pen and brown ink, heightened with white chalk on brown paper, on a François R

Venetian School, 18th C. Sight size: 3-1/4"h x 2-5/8"w Overall: 8-1/4"h x 7"w

Tiffany Studios, New York. Pen tray/ink tray in the 'Venetian' pattern.

GLEN HANSON (1965- ) and ALLAN NEUWIRTH (1956- ) Chelsea Boys #2: "It's a Grand Slam!" Original 14-panel comic strip, 1998. Pen and ink with some graphite, on paper. 310x324 mm; 12¼x12½ inch

Artist: He Haixia 何海霞 (1908 - 1998) Waterside Landscape Ink and color on paper, Yisebiao mount, Vertical Axis Hanging scroll Painting (Sight): Length: 93 cm, Width: 43.2 cm Signed

Artist: He Haixia 何海霞 (1908 - 1998) Snowy Landscape Ink and color on paper, Yisebiao matted, wooden framed, set behind glass Painting (Sight): Length: 65.8 cm, Width: 49.3 cm Date

20th Century American School Fish Drawing Pen and ink on paper, framed under glass 12 7/8" x 15 7/8" sight, 20" x 23" framed Provenance: Private Collection Rye Beach, New Hampshire<

Earl Biss (American, 1947-1998) Mounted Warriors pen and ink on paper signed Biss (upper right) 10 1/2 x 13 1/2 inches

Late 16th or Early 17th Century Italian School, Crucifixion Group, circa 1610, pen and bistre ink drawing on watermarked laid paper, 8 x 11.5 inches, Provenance: Rifkin-Young Fine Arts, Riverdale N.Y.

CONTINENTAL SCHOOLCirca 1769Spanish frigate La Ventura in the ice at Cape Horn. A drawing in two sections, side by side, each section within a square border of alternating filled and open lines. Left

English School (Late 19th Century) A portrait of the three-master 'Bessie' of Salcombe, Capt. Albert Carter, 1897, together with five others (6) Pen, ink, watercolour and gouache on paper 59 x 83cm (2

Netherlandish School, c. 1600. 5-7/8"h x 7-5/8"w Provenance: Paul Sandby (1725-1809), London, (L. 2112) Schaeffer Galleries, New York

Large Chinese ink and colors on paper scroll, attributed to He Haixia &#40;1908-1998&#41;; depicting a classic landscape scene of mountains rendered in blue and green, with dwellings tucked within, an

SUZANNE EISENDIECK (1908-1998), FRENCHMISS TOTO KOOPMAN, 1936Oil on canvas; signed lower right, numbered "No.162" in black ink to the canvas verso.29 ins x 24 ins; 73.7 cms x 61 cmsProvenance:Gift of

English School, late 18th century English School, late 18th century 'The Letter Board' - a trompe l'oeil pen and ink and watercolour 35 x 48cm Provenance: Acquired by the present owner from Bonhams' A

German School, 17th/18th C. Sight size: 7-1/2"h x 9-1/4"w Overall: 14-1/2"h x 13-3/8"w Provenance: Mathias Komor (Lugt 1882a)

Italian School (18th Century) Three Old Master Drawings each pen and ink/ink wash on laid paper including a spolvero of "Minerva" (drawing pricked for tracing) attributed to Gennaro Landi, with name i

French School, drawing, c. 1800, ex-Christie's, French School (18th/19th c.), "Rinaldo and Armidia", pen and brown ink and wash, with graphite or black chalk and white gouache on thin board, collector

Italian School, circa 1600 Design for a vase, after Polidoro da Caravaggio pen and brown ink and brown wash on laid paper 32.3 x 17.1cm (12 11/16 x 6 3/4in). unframed together with two additional unfr

Venetian School, late 16th Century A portrait of a nobleman and his three children oil on canvas 61 1/2 x 46 3/4in (156.3 x 118.7cm) Footnotes: Literature Fiocco, G. Venetian Painting of the Seicento

Followers of Abraham Bloemaert (1566-1651) pen and brown ink, brown wash, heightened with white. Sight size: 11"h x 7-7/8"w Overall: 21-5/8"h x 16-1/8"w Provenance: Collection Joseph van Haechen (Lugt

Venetian School, 19th Century The Grand Canal, Venice, with the Rialto Bridge, the Fondaco dei Tedeschi and the Palazzo dei Camerlenghi; and San Geremia and the Entrance to the Cannaregio, Venice a pa

Pen and brown ink drawing on laid paper, study for The Starry Night, attributed* to/in the manner of Vincent van Gogh (1853-1890). Signed. Very good condition, having no apparent damage or repairs. 10

Rodolphe Bresdin (French, 1822-1885) framed pen and ink drawing, cropped to image and glued down to paper, of a landscape with bathing nudes, initialed "RB" lower right. [Image: 5" H x 6" W; Frame: 14