Harold Sterner (American, 1895-1976) nude surrealist

Harold Sterner (American 1895 - 1976) Surrealist Artist Painting with Cat Oil on board Initialed lower right H.S. 15" x 11"

Harold Sterner (American, 1895-1976) The Colorist oil on panel signed with initials H.S. (lower right) 23 1/4 x 30 inches. Exhibited: Pittsburgh, Pennsylvania, Carnegie Institute, Painting in the Unit

Emil Bisttram (American, 1895-1976) Sublimation , together with book Turquoise Door: Finding Mabel Dodge Luhan in New Mexico , 1963 oil on canvas signed Bisttram (lower right) 40 x 26 inches Illustrat

Emil Bisttram (American, 1895-1976) Voices of Silence , 1959 oil on masonite signed Bisttram and dated (lower right) 39 1/2 x 26 1/2 inches Provenance: Aaron Payne Fine Art, Santa Fe, New Mexico

Emil Bisttram (American, 1895-1976) Abstraction, 1941 encaustic on paper signed Bisttram and dated (lower left) 11 3/4 x 9 3/4 inches. Provenance: Cline Fine Art, Santa Fe, New Mexico Owings-Dewey Fin

Emil Bisttram (American, 1895-1976) Abstraction, 1941 encaustic on paper signed Bisttram and dated (lower left) 11 3/4 x 9 3/4 inches. Provenance: Cline Fine Art, Santa Fe, New Mexico Owings-Dewey Fin

Alexander Calder (American, 1895-1976) "Black, Red and Blue Circles", lithograph in colours, signed lower right, Edition 116/130. Kenmore Galleries tag en verso. Image size: 29" x 21.5" Ht: 30.5" Wd:

Emil Bisttram (American, 1895-1976) Untitled, 1947 mixed media on papersigned Bisttram and dated (lower right)10 x 8 inches.

Emil BistramAmerican, (1895-1976)Indian Mother and Child, Taos, 1934lithograph, ed. of 50signed, titled, and notated in pencil lower margin, framed.15 1/2 x 11 3/4 inches

Emil Bisttram (American, 1895-1976) Abstraction,Emil Bisttram(American, 1895-1976)Abstraction, Mixed Media on papersigned Bisttram (lower Right)24 3/4 x 27 3/4 inches.Provenance:Spanierman Gallery Lab

Emil James Bisttram (Hungarian/American, 1895-1976) , "Atonement" and "Creation", 2 lithographs, each signed in plate, each pencil-signed, titled and numbered "18" and "17" respectively lower margin,

Emil Bisttram (American, 1895-1976) Untitled, 1943 Gouache on paper 7 x 5.5 (in) Signed and dated Bisttram 43, lower left Mat board measures 10 x 8 (in).

Emil Bistram (American 1895-1976)- ''Head''- lithograph, 1930, signed, dated and titled in pencil, minor handling creases. 9 x 6 3/4''

Emil Bisttram (American, 1895-1976) Church pastel on paper signed Emil Bisttram (lower center) 12 x 16 inches

Emil Bisttram (American, 1895-1976) 1950s abstract composition by leading southwest modernist and co-founder of the renown Transcendentalist group Emil Bisttram. Bears a gallery label from Wiggins Fin

Emil Bisttram (American, 1895-1976) Taos Woman pencil on paper signed Emil Bisttram (lower right) 11 1/2 x 9 1/2 inches

Lot 172 Henry Pitz American (1895-1976) The White Bird Passes, ten (10) etchings etching each signed, each from an edition of 25 each plate: 12 x 15 1/4 inches Provenance: Jules Perel Collection

Henry Clarence Pitz (American, 1895-1976) ink and charcoal painting on paper depicting a man sitting in costume and holding a cigarette after a circus performance. Signed lower right. Framed. Henry Cl

Emil Bisttram (American, 1895-1976) "Taos Pueblo Landscape," pencil drawing on paper. Framed. Size: 3.25'' x 4.25'', 8 x 11 cm (sight); 7.75'' x 8.5'', 20 x 22 cm (frame). Provenance: Thomas French Fi

Emil J. BISTTRAM (Romanian American, 1895-1976): "Descent". Lithograph on wove paper, 1960. Edition of 50. Signed and editioned in drystamps. Image size: 12 1/8 x 9 1/8 inches.

Lot 173 Henry Pitz American (1895-1976) Pilgrim End, ten (10) etchings etching each signed, each from an edition of 25 each plate: 11 x 13 1/2 inches Provenance: Jules Perel Collection

Henry Clarence Pitz (American, 1895-1976). A watercolor of a cowgirl being chased by mythical creatures, titled "East to the Sun - West to the Moon". Mat opening: 15-1/2 in x 23-1/2 in. Frame: 21 in x

Three Henry C. Pitz (American, 1895-1976) unframed watercolors Each approximately 22"H x 29"W

Henry Clarence Pitz (American, 1895-1976). A grouping of two illustrations: a pen and ink drawing of a verdant forest, and a large graphite drawing of football players, initialed "H.C.P." and dedicate