Louisville & New Orleans by Colton

Title/Content of Map: Louisville & New Orleans by Colton Date Printed: 1859 Cartographer: Colton Material/Medium: Paper Size: 14" x 17" Provenance: New York Please note that this lot has a confidentia

Title/Content of Map: Cities of Louisville & New Orleans Date Printed: 1861 Cartographer: J.H. Colton Material/Medium: Paper Size: 13" x 17" Hand colored, steel engraved. From 'Colton's General Atlas.

Title: 1855 Colton Map of New Orleans and Louisville -- The City of Louisville Kentucky [with] The City of New Orleans Louisiana Date: 1855, New York Cartographer: J Colton Size: 15 X 12.8 in. Additio

1856 Colton Map Of New Orleans And Louisville -- The City Of Louisville Kentucky [on Sheet With] The City Of New Orleans Louisiana J Colton, 1856, New York, 15 x 13 in. This is a very nice map of two

Title/Content of Map: 1846 Bradford Maps of Key US Cities -- Washington, Louisville and Jeffersonville, New Orleans, Cincinnati Date: 1846 Boston Cartographer: T. Bradford Size: 11 x 13.5 in Well engr

Johnson & Browning, "Plan of Louisville" and "Plan of New Orleans," 1855, H.- 17 3/8 in., W.- 14 1/8 in.

J. H.Colton ," Plan of New Orleans," 1867, hand colored, H.- 12 1/2 in., W.- 15 1/4 in.

J. H.Colton, "Plan of New Orleans," 1884, hand colored, H.- 11 3/4 in., W.- 15 1/4 in.

Title/Content of Map: Early American Cities: New York, Portland (MI), Boston, Providence, Baltimore, Albany, Philadelphia, Charleston, Savanna, New Orleans, St. Louis, Louisville, Nashville, Cincinnat

Pair of Wallace and Lithgow, Louisville, Kentucky, Iron Garden Urns on Stands third quarter 19th century, in the "Woodbury" pattern, the ribbed urns of campana form and mounted with ringed lion's-head

PROPOSED RICHMOND AND LOUISVILLE RAILROAD MAP,laid to linen,engraved, printed, and manufactured by "G.W. & C.B. COLTON & CO. / No. 182 William St. New York".1882.55" L (rolled). Provenance: From the e

Circle of Tiziano Vecelli, "Titian" (ca. 1535-1545) "Portrait of Girolamo della Torre, Count of Valdessina, Baron of Vercelli, and of Leibnitz (ca. 1510-1590)" oil on canvas name and title inscribed i

Charles Hermans (Belgian, 1839-1924) "At Dawn" oil on canvas signed lower left. Framed. 60-1/2" x 68", framed 70-1/2" x 78-1/4" Provenance: Sotheby's, London, November 21, 1989, lot 67; Kurt E. Schon,

Chinese Painting of a Hunt Scene, Qing Dynasty (1644-1911), ink and color on silk laid down on board, depicting a hunter on horseback with bow in one hand and quiver of arrows slung across his back, a

George Rodrigue (American/Louisiana, 1944-2013) "Paradise Island (Three Blue Dogs)", ca. 2007 silkscreen on metal signed lower right. Framed. framed 57-1/2" x 113-1/2" Literature: Rodrigue, George

Francoise Gilot (French, b. 1921) "Untitled", 1977 oil on canvas signed and dated lower right, Paris canvas stamp en verso. Framed. 36-1/4" x 23-3/4" Provenance: Hooks-Epstein Galleries, Inc., Houston

Rubens Santoro (Italian, 1859-1942) "Venezia" oil on canvas signed lower right, verso with "Richard Green Gallery, London, UK" label. Framed. 19-3/4" x 14-1/2", framed 26" x 21" Provenance: RIchard Gr

Randy Leo "Frenchy" Frechette (American/New Orleans, b. 1970) "Dreams Come True: Big Chief Bo Dollis", 2015 acrylic on canvas signed lower right, and signed, titled, dated and inscribed "Official Jaz

Chinese Blue and White Porcelain "Fish" Vase possibly Ming Dynasty, Jiajing period (1521-1567), of baluster form and heavily potted, having a short neck with slightly flared lip, decorated to the exte

Beautiful Diamond Ring platinum, the ring mounted with a central oval-cut diamond weighing 4.03 carats, color D and clarity SI2, GIA report #2125116063, set on a band mounted with baguette-cut diamond

Beautiful Convertible Natural Sapphire and Diamond Ring/Pendant 18k yellow gold, the ring mounted with an oval-cut natural sapphire weighing approximately 19.80 carats, surrounded by round brilliant-c

Monumental Patinated Bronze Garden Fountain in the Beaux-Arts neoclassical taste, signed "S. Keliam", of two-tier form, the upper bowl on a lion-masque pedestal over a tazza-form bowl, the sides adorn

Follower of Antonio David (Italian, 1698-1750) "Prince Charles Edward Stuart, 'Bonnie Prince Charlie' (1720-1788)", ca. 1730-1745 oil on canvas unsigned, painted after the original commissioned in Rom

George Rodrigue (American/Louisiana, 1944-2013) "Blue Dog, Untitled" acrylic on canvas signed lower right. Framed. 30" x 24"