New Orleans August 5th, 1865 1st of Exchange Payable in

This colorful cardboard poster was created for Dr. John's appearance at Tipitina's in New Orleans on August 28th, 1999. --CRITICAL DETAILS-- --TITLE: Dr. John Tipitina's New Orleans

This cardboard poster was created for The Rascals performing at Tipitina's in New Orleans on August 10th, 1988. This was a stop on their reunion tour, the Good Lovin tour. The Young Rascals were a

Italian Patinated Bronze of "Discobolus" first half 20th century, after the 1st century AD Roman sculpture (itself a copy of a lost 5th century BCE Greek work by Myron) now conserved by the Museo Nazi

Continental Patinated Bronze of "Discobolus"20th century, after the 1st century AD Roman sculpture (itself a copy of a lost 5th century BCE Greek work by Myron) now conserved at the Museo Na

John Neagle (American/Philadelphia, 1796-1865, active New Orleans early 1820s) "Portrait of Mrs. Negus (1789-1879) with Her Granddaughter Sarah Negus (1840-1915)", 1851 oil on fine linen signed, dated

John Neagle (American/Philadelphia, 1796-1865, active New Orleans early 1820s) "Portrait of John Wandell (ca. 1790-1868)", 1833 oil on canvas signed and dated mid-right, "Kennedy Galleries, Inc., N.Y.

Amesty Oath taken by an Ex-Cofederate in New Orlean dated August 14, 1865

Oil on masonite 16 x 24 in. New Orleans artist. James McConnell "Mac" Anderson (August 9, 1907[1] in New Orleans – April 3, 1998 in Jackson County, Mississippi) was an American painter, muralist, an

Two New Orleans Jazz and Heritage Festival Posters Maria Laredo (American/New Orleans, b. 1948), 1976, pencil-signed, inscribed "1st Edition" and numbered "275/1000" lower margin; and James Michalopou

American Renaissance Revival Rosewood and Bronze-Mounted Etagere ca. 1865, attributed to Pottier & Stymus, New York, the arched crest with ebonized and parcel-gilt details and a central, oval inlaid p

Antique Oushak Carpet 11’ 4” x 15’ 3” Provenance: The Collection of Adam Lippes. Literature: Mitchell Owens, "In the Heights", Architectural Digest, July/August 2019, illustr

"A New Map of Texas, Oregon and California with the Regions Adjoining" by S. Augustus Mitchell, engraving with hand-coloring, 1st edition, published Philadelphia, 1846; framed together with original b

Charles van Sluys (Dutch, First Half 19th Century) "Still Life with Oysters, Lemons and Cruet", 1846 oil on wood panel signed "Ch. van Sluys" and dated "1846" lower right and en verso. Framed. 16" x 1

Important Victorian Diamond Crescent Brooch ca. 1865, silver top, 15k gold back, set with three tapering rows of graduated old mine-cut diamonds, weighing approximately 3.98 carats in total. dia. 1-3/

Semi-Antique Oushak Carpet 9’ x 12’ Provenance: The Collection of Adam Lippes. Literature: Mitchell Owens, "In the Heights", Architectural Digest, July/August 2019, illustrated p. 103; B

"Bradford's Map of Texas, 1st Separate Map of Texas to Appear in an Atlas" by Thomas G. Bradford, copper engraving with hand-colored outlines, published Boston, 1835/1836, together with accompanying a

Japanese Moriage Cloisonne Vase, late Meiji period (1868-1912)/Taisho period (1912-1926), attributed to Gonda Hirosuke (1865-1937), the vase decorated with two carp, one pink and one blue-gray, swimmi

Italian Patinated Bronze of "Antinous-Osiris" 20th century, the young favorite of the Emperor Hadrian in the guise of the Egyptian god of the afterlife, after the 1st century CE Roman sculpture in the

After Francisque Joseph Duret (French, 1804-1865) "Neapolitan Dancer with Tambourine" "Neapolitan Dancer with Castanets" pair of pendant patinated bronzes third or fourth quarter 19th century, cast by

August Jacobsen (Norwegian, 1868-1955) "Autumn Woods" oil on canvas signed lower right. Presented in a handsome giltwood and gesso exhibition frame affixed with artist plaque. 40-1/2" x 30", framed 50

Charles Euphrasie Kuwasseg (French, 1833-1904) "Fishermen on the Beach" oil on wood panel signed and dated "1865" lower right. Framed. 9" x 16", framed 16" x 23"

Italian Patinated Bronze of the Dancing Faun 20th century, after the Roman sculpture (itself a copy of a 1st century BCE Greek work) excavated at Pompeii in 1830 at the House of the Faun and now conse

Belgian School, in the Manner of Emile Claus (1st Quarter 20th Century) , "Morning Promenade Near the Village", oil on canvas, spuriously signed "Emile Claus" lower right , verso with a period label "

Franco-American School (First Quarter 19th Century) "Portrait of a Young Gentleman at an Empire Console with a Vase of Flowers" oil on canvas unsigned. Presented in a period giltwood frame. 32" x 26",