Attributed to Bartolomeo Pinelli - Italian costume

Bartolomeo Pinelli (Italian, 1781-1835) Litany in Tivoli, 1822 ink with wash over pencil on paper signed Pinelli, dated and inscribed Roma in pencil (lower right) Paper: 5 3/4 x 8 1/8 inches. Property

Bartolomeo Pinelli (Italian, 1771-1835) Views of Rome Six book engravings, 1820s-1830s. Published by W. B. Cooke; each framed and double matted. (6). H: 13 7/8, W: 12 1/2 in. H: 35.24, W: 31.75 cm. (e

Italian gold lustre majolica wall charger, Gubbio, depicting Roman soldiers discovering Marcus Calpurnius Flamma gravely wounded, after Bartolomeo Pinelli (Italian, 1771-1835), inscribed ver

(2) BARTOLOMEO PINELLI DANTE INSPIRED ENGRAVINGS Bartolomeo Pinelli (Italian, 1771-1835) engravings inspired by Dante Alighieri's Divine Comedy. The first is numbered 19 and reads "I saw that one who

(2) BARTOLOMEO PINELLI DANTE INSPIRED ENGRAVINGS Bartolomeo Pinelli (Italian, 1771-1835) engravings inspired by Dante Alighieri's Divine Comedy. The first is numbered 7 and reads "They stopped, and ba

(2) BARTOLOMEO PINELLI DANTE INSPIRED ENGRAVINGS Bartolomeo Pinelli (Italian, 1771-1835) engravings inspired by Dante Alighieri's Divine Comedy. The first is numbered 26 and reads "Her mouth was not y

(2) BARTOLOMEO PINELLI DANTE INSPIRED ENGRAVINGS Bartolomeo Pinelli (Italian, 1771-1835) engravings inspired by Dante Alighieri's Divine Comedy. The first is numbered 33 and reads "And spirits saw I w

(2) BARTOLOMEO PINELLI DANTE INSPIRED ENGRAVINGS Bartolomeo Pinelli (Italian, 1771-1835) engravings inspired by Dante Alighieri's Divine Comedy. The first is numbered 14 and reads "Then wheeling somew

Bartolomeo Pinelli (Italian, 1771-1835). Seven black and white engravings depicting Roman mythology. Each marked "Pinelli" lower left and "Roma 1827" lower right. Image size: 10-1/2in x 13-1/2in. Pape

Attributed to Bartolommeo Pinelli Italian Scenes: Ten Color prints on paper Sight of each 9 x 13 inches (22.9 x 33 cm) C

"Costumes of Rome". Bartolomeo Pinelli (1781-1835, Rome). Two colored engravings. One "Disputes Between Roman Women" (Lite de Femmine in Roma) and the other "The Troublemaker Repented in Front of the

Antique Hand Colored Print by Bartolomeo Pinelli c.1810s. Titled "Donna Del Paese Di Pettorano Pescatore Del Lago Fucino - Provincia del Aquila Abruzzo Ultra". Sheet size: 15 7/8" H x 10 5/8" W. Plate

Rome, Lorenzo Lazzari alle Convertite, 1809. In 2nd oblong. With 50 etching plates numbered and signed in the plate by the artist, blooms, some marginal burnishing, coeval long-grained blue Moroccan b

Rome, Nicola de Antoni and Ignazio Pavon, 1815. In the 2nd oblong. With 49 (of 50) plates engraved in copper and numbered, missing the plate. 36, scattered light blooms, contemporary half leather bind

Alessandro d'Anna(attributed) (Italian, 1746-1810) (Donna) di Zaccaria, circa 1790s Gouache on laid paper 9 1/2" x 7 1/4" A small work on paper featuring Italian costume of th

Depicting a man and a woman dressed in the traditional costumes of Naples, Italy, early 19th c., copied from etchings from the book Regno di Napoli by Bartolomeo Pinelli published in 1816, hairlines.

the first: Carlo Maratta (1625-1713), The Virgin and Child with the Young St. John the Baptist, on cream laid paper; the second: a nativity scene attributed to Bartolomeo Biscaino (1629-1657), sheet t

This stunning piece was worn by the cast of AIDA at a La Scala, Milan, Italy Opera production, probably between the 1930s and 1960s. Attributed to A. CORBELLA, the foremost Italian maker of opera and

This stunning piece was worn by the cast of AIDA at a La Scala, Milan, Italy Opera production, probably between the 1930s and 1960s. Attributed to A. CORBELLA, the foremost Italian maker of opera and

This stunning piece was worn by the cast of AIDA at a La Scala, Milan, Italy Opera production, probably between the 1930s and 1960s. Attributed to A. CORBELLA, the foremost Italian maker of opera and

This stunning piece was worn by the cast of AIDA at a La Scala, Milan, Italy Opera production, probably between the 1930s and 1960s. Attributed to A. CORBELLA, the foremost Italian maker of opera and

This stunning piece was worn by the cast of AIDA at a La Scala, Milan, Italy Opera production, probably between the 1930s and 1960s. Attributed to A. CORBELLA, the foremost Italian maker of opera and

This stunning piece was worn by the cast of AIDA at a La Scala, Milan, Italy Opera production, probably between the 1930s and 1960s. Attributed to A. CORBELLA, the foremost Italian maker of opera and

These stunning pieces were worn by the cast of AIDA at a La Scala, Milan, Italy Opera production, probably between the 1930s and 1960s. Attributed to A. CORBELLA, the foremost Italian maker of opera a