Maillol reclining nude, lithograph, 6 3/4" x 9 1/2

Title: Advertising Sign Dimension: 6 ¾” x 9 ½” Provenance:Chromo lithograph picture of a jolly baker holding a box of National Biscuit Company Sugar Wafers. The back of the card is printed with

6 Maori Lithographs after Gottfried Lindauer, 9 3/4" x 8 1/2".

BLISS LITHOGRAPHED PAPER-OVER-WOOD DOLL HOUSE. 12 ¾” H. x 9 ¾” W. x 6” deep. Two-story house with steeple roof, two floors, two rooms, elaborate architectural designs on applied lithograph pap

From "Dialogues de Courtisanes". Dimensions: (Frame) H 12.75" x W 29.5", (Each sight) H 6.5" x W 11" Condition: Few minor nicks and dings to frame. SL206

2 pieces of art; a lithograph "still life" by Randall Lake (Utah, 1945- ), a birthday gift to his aunt, ed 34/90 (9.3"x9.7"), and a print of still life (12.6"x11"), provenance: estate of Randall Lake'

Woodcut signed S.Nozaki (6 x 8 1/4") with Watercolour signed J.M. Wispinski (6 3/4 x 9 1/2")

Pair of Watercolours signed J. Baber (Walter James), larger 6 3/4" x 9 1/2", "Near Exmouth.."

VARIOUS, 1975-76, a collection of eight gelatin silver prints, images 6 ¾ x 9 ½”, artist’s mounted to card, each signed and dated in pencil lower right on card, frames 13 x 17” with glass. Exh

Pair of Oils on Paper Signed L.Fischer & Krichuben 850, 9 1/2" x 6 3/4".

Watercolour signed E. (Emily) Sartain, 9 1/2" x 6 3/4", "Arabis, Leucojum & Chionodoxa".

OVAL WALNUT FRAMED 19TH C.SILHOUETTE OF A CLERGYMAN 9 1/2" X 6 3/4"

MARY (with gorilla head), oil painting on board, sight 9 ½ x 6 ¾”, frame 18 ¼ x 15 ¼”. From the collection of Chevalier Tony Clark.

FAMILY READING, ink drawing on card, initialed lower right, 9 ½ x 6 ¾", framed with glass.

Zap #0 4th Printing Measures: 9 ½ X 6 ¾ Zap #1 3rd Printing Measures: 9 ½ X 6 ¾ Zap #2 2nd Printing Measures: 9 ¾ X 6 ¾ Zap #3 2nd Printing

Arthur Bowen Davies (1862 - 1928) Clouds 1920 (Prince 82) Lithograph, 9 3/4 x 12 1/2 inches, edition of 25. Provenance: Matthew S. Marks Co, Ltd., New York Acquired from the above by the present owner

THE LAST LAUGH, 1916, cast bronze sculpture with dark patina, signed and dated, with B. Zoppo Foundry New York stamp, 4 1/8 x 7 3/8 x 4 5/8”, overall 5 ¾ x 9 ½ x 6 ½”

Nest of Boxes. Japan: Tricks Co., ca. 1980. Set of four nesting wooden boxes with clasp closures. A vanished object appears inside the smallest box while the set is nested. Largest 9 ½ x 6 ¾ x 6 ½"

Angelo Pinto STAGE SET, woodcut, signed and titled and inscribed 50 (edition size) in pencil, image 6 ¾ x 8 ½”, sheet 9 ¾ x 12”. Provenance: Bethesda Art Gallery, MD;

PALAIS DE GLACE, CHAMPS ELYSEES from Les Maitres de L’Affiche, 1896, color lithograph, signature in design, sight 12 ¾ x 9 ½”, printed by Chaix at Atelier Cheret, blind stam

With cover sleeve, Box, CD-ROM, 1995. 9 ½ x 6 ¾ x 2 1/8 in. Condition: Good, a few, light rubs along edges of cover sleeve.

BEAR, circa 1960, painted and glazed ceramic, initialed and hallmarked underneath, 7 ½ x 9 ¾ x 6 ½”. From the collection of Richard N. Freedman, Santa Monica.

THE BRIDE, gouache on paper, signed upper right, 3 ½ x 6 ¾”, frame 9 x 12” with glass. From the collection of a Beverly Hills art maven and museum donator.

Artist: Joan Miro (Spanish, 1893-1983) Title: untitled composition for the catalog raisonne I: XI Year: 1972 Medium: lithograph Image Size: 12.6 X 9.7 inches Sheet Size: 12.6 X 9.7 inches

CAMELLIA, 1977, color screenprint, signed in pencil, from the edition of 10 artist’s proofs, image 9 x 6 ½”, sheet 12 ¾ x 9 ¼”, some stray printer’s ink in left margin, otherwise in good co