Rembrandt Harmenzoon van Rijn BUSTO DI UOMO CON ALTO

Rembrandt Harmenzoon van Rijn (Leida 1606 - Amsterdam 1669) Portrait of Jan Uytenbogaert Etching applied on cardboard 225x180 mm the etching Inscribed at bottom centre IT Ritratto di Jan Uytenbogaert

Beautiful Rembrandt Harmenszoon Van Rijn etching. "Autoritratto con la piuma nel berretto". Frame: 18 x 14 inches, 5.5 x 4.5 inches. Provenance: private owner. Biography: 1606 - 1669. Rembrandt was bo

REMBRANDT, Harmenszoon van Rijn. Clement de Jonghe, mercante di stampe.1606 - 1669Acquaforte, puntasecca e bulino. Mis. mm 207 x 161. Piccolo margine. Stato: VI. Firmata e datata: Rembrandt f. 1651. F

Three old and antique etchings and engravings: antique engraving, titled Arco di Gallieno by Domenico Amici (Italian, b. 1808); together with two etchings after Rembrandt van Rijn (Dutch,

Harmenszoon van Rijn REMBRANDT. 1606 - 1669Rembrandt bareheaded, with high curly hair.Acquaforte di mm. 72x70. Rifilato all’interno del rame e nella parte bassa. Buon’esemplare su carta ve

Harmenszoon van Rijn REMBRANDT. 1606 - 1669Self-portrait with a broad nose.Acquaforte di mm. 69x56. Rifilato all’interno del rame. Stato unico. Traccia di filigrana. Bell’esemplare.Bell&#8

Harmenszoon van Rijn REMBRANDT. 1606 – 1669Rembrandt bareheaded, with thick curling hair and small white collar. Acquaforte di 54x47 mm. Rifilato al margine del rame e in basso. Stato: II/II. Fi

Harmenszoon van Rijn REMBRANDT.1606-1669Cornelis Claesz Anslo, preacher.1641Acquaforte e puntasecca, 190x156 mm. Firma sull’inciso a dx: Rembrandt 1664. Piccoli margini. Buono stato di conservaz

Harmenszoon van Rijn REMBRANDT1606-1669Jan Antonides van der Linden.Acquaforte di 123x104 mm. Incollata su cartoncino agli angoli. Bell’esemplare.Tiratura di fine Settecento. Bella impressione d

(Leida, 1625 - 1672) Sant'Antonio Olio su tela, cm 58X48,5 Karel van der Pluym era il pronipote di Rembrandt e, sebbene non esistano prove documentali, probabilmente studiò con lui ad Amsterdam intor

REMBRANDT VAN RIJN Self Portrait in a Cap and Scarf with the Face Dark: Bust. Etching, 1633. 135x105 mm; 5x4 inches, wide margins. Biörklund's third state (of 3); Usticke's third state (of 5); Ne

** Rembrandt van Rijn (1606-1669)The Descent from the Cross: Second PlateEtching and engraving, 1633, but a later impression of New Hollstein's eighth state (of eight) on chine collé, sturdy wove

Rembrandt van Rijn (Netherlands, 1606–1669) . Ephraim Bonus, Jewish Physician, Etching. B 278; Three margins have been trimmed, Verso, adhesive on corners; staining . 8 5/8" x 6 7/8".

Rembrandt van Rijn (1606-1669)The Raising of Lazarus: The Larger PlateEtching, circa 1632, a slightly worn impression of New Hollstein's fifth state (of nine), before any rework by later hands, on lai

Rembrandt van Rijn (1606-1669)Death Appearing to a Wedded Couple from an Open GraveEtching and drypoint, 1639, a delicate and excellent impression of the only state of this rare print, with wiping mar

reca timbro di collezione in basso a destra, matita nera su carta, W. 60 - H. 90 mm

Rembrandt van Rijn (1606-1669)The Raising of Lazarus: Small PlateEtching and drypoint, circa 1642, a good clear impression of New Hollstein's first state (of two) before any re-working to the plate an

Artist: Rembrandt Van Rijn Title: Self Portrait with Saskia Dimensions: 3.5in. by 4in. Edition: From the rare limited edition Medium: Etching Condition: Excell

Rembrandt van Rijn (1606-1669)Peter and John Healing the Cripple at the Gate of the TempleEtching and drypoint, 1652, an excellent impression of New Hollstein's third state (of six), still printing wi

Title:Follower of Rembrandt van Rijn Huge Family Portrait Interior Oil Painting Dutch Old Master from Estate of Olympian Description: Massive oil-on-canvas interior family portrait, signed Rembrandt,

Rembrandt van Rijn (Dutch, 1606-1669), St. Jerome in a Dark Chamberetching, 1642, on laid paper, possibly a Basan edition, with additional window pane bars, signed and dated in the plate lower center,

Rembrandt van Rijn (1606-1669) etching, portrait of a gentleman. Triple matte, in painted and gilt wood frame. [Art: 3 1/4 x 2 1/2 inches; Frame: 10 x 9 1/4 inches].

A rare etching with margins on paper titled "Bald Headed Man in Profile Right; Small Bust (the artist's father?)" (B. 294, H. 24, BB. 30-11) by Rembrandt Van Rijn, c. 1630. Signed and dated, R L 1630,

REMBRANDT VAN RIJN The Agony in the Garden. Etching and drypoint, circa 1652. 112x85 mm; 4½x3 inches, narrow margins. Usticke's first state (of 2); New Hollstein's first state (of 3), before the