The American Review 1846-1848

A MEXICAN AMERICAN WAR(1846-1848) PERIOD HANDWRITTEN DOCUMENT, OCTOBER 7, 1847, A LETTER, FROM AMANUENSE MARIANO HERMOSILLO, PREFECTURA DEL DEPARTAMENTO DEL VENADO, PROBABLY ESTADO DE SAN LUIS POTOSI,

Parrish, Stephen (1846-1938), November, 1880, (Schneider 12), etching, This impression on laid paper was published in 1880 by The American Art Review. Size: 6 x 11 inches (plate). Stephen Parrish was

1848 BEST ed Doniphan’s Expedition Mexican American Missouri Cavalry California Alexander Doniphan was a 19th-century American politician and soldier who, in 1846, led troops in the Mexican-American

A very nice small oil on canvas painting of fishing scene masterfully executed by Louis Comfort Tiffany (1848 - 1933). Signed by Tiffany in lower-right corner. Painting is housed in a gold tone wood f

Hugh Bolton Jones (American 1848 - 1927) River Landscape, oil on canvas, 15 x 21

[Literature] [Poe, Edgar Allan] The American Review: A Whig Journal of Politics, Literature, Art and Science The First Appearance of Edgar Allan Poe's The Raven New-York: Wiley and Putnam

Charles Linford (American 1846 - 1897) oil on canvas, EARLY OCTOBER, 18 X 13 inchesprov. Aldefer 2008

Oil On Canvas ,cows in pasture . Signed lr left and from an Irvington NY estate . - Dimensions: 11.5" x 17"

* J. Carelton Wiggins (American, 1848 - 1932) Moonlight - Lake George, NY oil on canvas signed JC Wiggins (lower left) 16 x 27 1/2 inches. Estimate $1,000-2,000 Property from the Collection of Ms.

STEPHEN MAXFIELD PARRISH COLORED ETCHING, VENICE, 1883 Stephen Maxfield Parrish American, 1846 - 1938 Venice: Circa 1883 Signed: Stephen Parrish ag. Ft After Walter F. Brown (ll) in plate. COPYRIGHT

STEPHEN MAXFIELD PARRISH COLORED ETCHING, VENICE, 1883 Stephen Maxfield Parrish American, 1846 - 1938 Venice: Circa 1883 Signed: Stephen Parrish ag. Ft After Walter F. Brown (ll) in plate. COPYRIGHT

STEPHEN MAXFIELD PARRISH COLORED ETCHING, VENICE, 1883 Stephen Maxfield Parrish American, 1846 - 1938 Venice: Circa 1883 Signed: Stephen Parrish ag. Ft After Walter F. Brown (ll) in plate. COPYRIGHT

Edgar Allan Poe, "The Raven." [appearing in] The American Review: A Whig Journal. New York: Wiley and Putnam, 1845. First edition of the first published appearance. Two volumes, consisting of the enti

Landscape with Ducks. Watercolor signed lower left. From a Baldwin, Long Island, NY estate. - Dimensions: 9.5" h x 13.5" w.

"Chrysanthemums." 1898. Providence, Oil on canvas. Signature, bottom left. H 36" x W 24"; H 39 1/2" x W 27 1/2" (overall). Provenance: The descendants of Jean Paul Selinger (Rhode Island).

George Riecke (American 1848 - 1930) oil on canvas, OUT TO PASTURE, Signed Lower Right, 18.00" x 14.00" (45.72cm x 35.56cm)

'Floral Still life.' Oil on canvas. Signed lower left. H 20" x W 24"; H 24 1/4" x W 28 1/4" (overall framed). Provenance: The descendants of Jean Paul & Emily Selinger (Rhode Island).

Oil on canvas. Signed upper right. 51 1/4" x 18 1/4"; 53 5/8" x 20 5/8" (overall). Provenance: The descendants of Emily Selinger (Rhode Island).

Tobias Rosenthal (American 1848 - 1917) oil on board, Coastal Landscape, 11-3/4 x 15-1/2 inches overall framed 18-1/2 x 22-1/2 inches

'Pink and White Flowers with Watering Pot.' Watercolor. Signed bottom left. H 14" x W 20 3/4; H 17" x W 23 5/8" (overall). Provenance: The descendants of Jean Paul & Emily Selinger (Rhode Island).

"Gloucester Harbor." Etching. After a painting by: W.M. Hunt. Circa 1880. 20 3/4 x 27 1/2 inches (overall); 13 x 19 3/8 plate. Signed in plate. A very rich inked impression. State unknown, however, gi

This is a lot of 12 issues of The American Review: A Whig Journal magazines from 1850. The magazines included in this lot are January, February, March, April, May (missing back cover), June (detached

CIRC LOT

MIXED DATES/GRADES