ANDREAS BACH 1886 Nuremberg - 1963 Ibid. View of

BACH, Andreas (1886-1963). Hinter der Nürnberger. Nuremberg: E. Nister, ca. 1920. Lithograph poster depicting the historic Nürnberger Sparkasse bank building with the city coat of arms. 37 x

Grotto fountain. George Andreas Bockler, Architecturea Curiosa Nova Pars Tertia, Nuremberg, 1664. Architecture design view. Hand-colored engraving. Sight 12 1/2" x 8 1/2", overall 19" x 14 1/4".

Adam Batycki (Polish, 1886-1970) - River View, Watercolor on Paper, 1963. Signed. 48x67cm. Some foxing.

Washington Friend (British/American, 1820 - 1886), View of Niagara Falls, Summer 1850, watercolor on paper, signed lower left W.F. Friend, old labels on back, 23" x 48".

Sam Vokey (American, born 1963) View of Boston from BU Bridge Likely early 21st century, in a high quality contemporary cherry molded frame. Signed 'Vokey' lower right. Oil on canvas. cm {(20 x 30in).

Frank Dobson: Study for the Fount bronze; unsigned (no edition or foundry mark) 2 1/2 x 5 1/2 x 2 1/2 in. (6.4 x 14 x 6.4 cm.) Provenance: Property from the Collection of Bruce Belland of The Four Pre

(British, 1886-1963) signed "Dobson" on base. Per Gillian Jason, "this bronze is one of four casts from the original plaster [made] in 2004 with the permission of the artist's estate, bringing the tot

Mary Louise Simard, sculpture, Mary Louise Simard (French, 1886-1963), Dancing Satyr, patinated metal, marble base, signed "M.L. Simard" on base, 24"h x 14"w x 7.5"d

Peter Burnitz (1824 Frankfurt on the Main - 1886 ibid.): Wide landscape with meadows and a single large tree, c. 1870, Pencil Technique: White heightened Pencil on Paper (brown) Stamp: Verso Estate st

T. M. NICHOLAS (American, b. 1963)Autumn Viewoil on canvassigned T. M. Nicholas lower right20 x 30 in., housed in a Paul Goodnow frame: 28 1/2 x 38 1/2 in. Provenance: Property of a Mas

oil on board; signed lower right; 12 x16 inches

Allen Gilbert Cram (American, 1886-1947), 'View of Good Harbor Beach, Gloucester ', oil on canvas, signed L/R, 16" x 20" in custom giltwood carved frame 23 3/4" x 28". Purchased from Mystic Fine Arts,

William S. Rice (American 1873-1963)- ''Distant View, Ransom's Quarry, Oakland CA''- watercolor on paper, c. 1915, signed ''W. S. Rice'' lower right, rough along bottom edge. 10 7/8 x 17''

LACHMAN, Harry, (American, 1886-1975): View of Notre Dame Through the Trees, Oil/Canvas, 29'' x 23.75'', signed lower right, carved frame, 35.5'' x 30.25''.

Robert Rafaelovich Falk (attrib.) (1886 Moscow - 1958 ibid). Southern landscape with homestead. Oil on canvas. Inscribed in Cyrillic lower right. 60 x 50 cm. Framed.

ARTIST: Harry B Lachman (Illinois, California, 1886 - 1975) NAME: View of Notre Dame Through the Trees MEDIUM: oil on canvas CONDITION: One tear 2" long. Few minor paint losses. No visible inpaint und

ARTIST: Harry B Lachman (Illinois, California, 1886 - 1975) NAME: View of Notre Dame Through the Trees MEDIUM: oil on canvas CONDITION: One tear 2" long. Few minor paint losses. No visible inpaint und

HERMANN CAPELLMANN 1886 Duesseldorf - 1967 ibid. Cat with playing kittens (1917) Oil on canvas. 38 x 51 cm (F. 53 x 66 cm). Signed, probably place-named and dated lower right 'H. Capellmann D(usseldor

John Graham (American, 1886-1961) Untitled (City View), 1926 gouache and watercolor on paper laid to board signed Graham and dated (lower right); signed (lower left) 9 1/4 x 12 inches. Property belong

Vestie E. Davis (Baltimore / New York, 1903-1978). Naive urban outsider oil painting signed and dated by the artist, Vestie Davis 1963. New York City view from the East River. Oil on canvas. Dimension

Lyman Byxbe (1886-1980) Mummy Range View from Cheley Camp 1930 The etching signed by the artist in pencil below the image lower right and titled lower left and recorded as Crump number 89. Image measu

LYON & HEALY STYLE 17 GOLD CONCERTINO HARP, C. 1935, SERIAL NO. 3384, THE SEVEN DOUBLE-ACTION PEDALS, WITH ORIGINAL SHIPPING TRUNK. HAS THE BILL SALE LYON & HEALY, 1963. HAS 46 STRINGS. PLEASE VIEW AL

After Georges Braque (French, 1882-1963) Hommage à J.S. Bach (Maeght 1019), 1950-1959 etching and aquatint signed and numbered in pencil published by Maeght, Paris, France edition of 300 17 1/4"

Japan.- Two photograph albums of views and peoples of Japan, c.120 albumen prints on 81pp., some tinted by hand, some with light marginal fading, occasional foxing to leaves, original morocco, lettere