James Abbott McNeill Whistler, The Smith's Yard

James Abbott McNeill Whistler (American, 1834-1903) The Smith's Yard, 1895 lithograph blindstamp lower right 10 1/8" x 7 3/4"

Lithograph, The Smith's Yard", James Abbott McNeill Whistler, 7.75" by 6.5"

Original 1895 stone lithograph by James McNeill Whistler "The Smith's Yard"..Full sheet Size is 8 1/8” x 11 3/8”

(Massachusetts/England, 1834-1903) San Biago, 1879/80, state IX/IX (K. 197), from [Twenty-six Etchings], Messrs. Dowdswell and Dowdswell, Publisher, London, 1886, signed in pencil on tab with butterfl

(Massachusetts/England, 1834-1903)  The Barber's (K. 271), 1886-1888, signed in pencil on tab with butterfly cypher, etching and drypoint on laid paper, 6-1/2 x 9-3/8 in. (plate) 6-1/8 x 9-1/2 in

James Whistler, American (1834-1903). Black and white etching of his mother sleeping titled 'Whistler's Mother' mounted in chrome frame and signed 'W 56' lower right corner. Measures 15 3/8"H x 17.75"

Title: Annie Seated. James Abbott McNeill Whistler (1834-1903) was an American artist active during the American Gilded Age, and based primarily in the United Kingdom. He eschewed sentimentality and m

(Lowell, 1834 - Londra, 1903) Quindici disegni raffiguranti personaggi e paesaggi diversi Tecnica mista su carta, cm 22X34 (il maggiore) FIFTEEN DRAWINGS ATTRIBUTED TO JAMES ABBOTT MCNEILL WHISTLER (1

James Abbott McNeill Whistler (American, 1884-1903) "Long Lagoon". Etching and drypoint, printed in brown ink on paper. From the "Second Venice Set" published in 1886. With Whistler's emblematic butte

James Abbott McNeill Whistler (1834-1903) The Riva, No.1, from The First Venice Set (Kennedy 192; Glasgow 229) Etching and drypoint, 1879-1880, on laid paper, Glasgow's final fourth state, signed with

William Mark Fisher American, 1841-1923 Portrait of James Abbott McNeill Whistler Oil on board 12 1/2 x 7 1/2 inches Provenance: M. A. McDonald, New York C Property from the Collection of Helen Sonnen

-1903). Etching and drypoint on laid paper. "Bead-Stringers". 1879-1880. Signed in pencil with butterfly on tab. Charles Dowdeswell collector's monogram verso. Pace Prints label affixed to v

James Abbott McNeill Whistler (American, 1834-1903) The Little Pool (a group of four states), 1861 etchings with drypoint on laid paper including, from left to right, states 2, 4, 3, and 9 of 9 states

James Abbott McNeill Whistler (1834-1903) Doorway and Vine, from Second Venice Set (Kennedy 196, Glasgow 191), c. 1879-80 Etching on laid paper with 'IV Countermark' watermark (Stratis 197), Glasgow's

James Abbott McNeill WHISTLER (1834-1903): "The Little Hat". Etching with touches of drypoint printed in brownish ink on laid paper, 1887. Refs: Kennedy 335; Glasgow 366. Eight or nine impressions are

"The Unsafe Tenement", 1858, etching on japan paper, signed in the plate lower right, with graphite butterfly mark lower left. In plate lower left "imp DELATRE, Rue St. Jacques". References: Kennedy 1

James Abbott McNeill Whistler (American, 1834-1903) Rotherhithe (Kennedy 66; Glasgow 70) Etching and drypoint, 1860, on cream laid, Glasgow's final sixth state, with narrow margins, 295 x 218mm (11 5/

James Abbott McNeill Whistler (1834-1903): The Winged Hat Lithograph in black on laid paper, 1890, signed with the artist's monogram in pencil, inscribed '22' in another hand upper left and on the rev

Request condition report! “The Pantheon, from the Terrace of the Luxembourg Gardens,” 1893, lithograph, signed with a monogram, lower center left. 10 1/4 by 7 1/2 inches, sight; 18 5/8 by 15 inche

FUMETTE; RAG PICKERS, QUARTIER MOUFFETARD, PARIS; BATTERSEA DAWN (CADOGAN PIER); OLD HUNGERFORD BRIDGE; HURLINGHAM (KENNEDY 13, 23, 75, 76, 181; GLASGOW 12, 29, 95, 76, 184) Five etchings (four with d

James Abbott McNeill Whistler (American, 1834-1903) The Music Room, 1859 etching and drypoint 5 3/4 x 8 1/2 inches. Literature: Glasgow 39 Provenance: Arthur Ackermann & Son, Inc., Chicago, 1928

etching, 1859, on laid paper, with margins, 143 x 215mm (5 5/8 x 8 1/2 in)

(Massachusetts/England, 1834-1903) Whistler with the White Lock (K.172), state I/I, 1876-1879, unsigned, one of an edition issued in 1889 by H. Wunderlich, etching on thin Japan paper, 4-5/8 x 3-1/8 i

AFTER JAMES ABBOTT MCNEILL WHISTLERAmerica,, 20th CenturyPortrait of a woman in a coat and hat. Signed with butterfly monogram lower left.Oil on board, 19" x 11.5". Framed 24" x 16.5&qu