Thomas Rowlandson (1756-1827) Etching w/ Aquatint

Artist: Thomas Rowlandson (1756 - 1827) Title: Doctor Syntax Entertained at College Year: 1813 Medium: Handcolored Etching with Aquatint Image Size: 4.5 x 7.5 inches Size: in. (cm) Frame Size: 20 x 24

Thomas Rowlandson(1756-1827). Etching of 2 gentlemen with title and writing. Title: A Theatrical Candidate. Framed. Medium: Etching. Size: 21 X 16. Signature: Unsigned. Artist: Thomas Rowlandson

Thomas and Pugin Rowlandson (English 1756-1827)- ''Royal Cock Pit''- etching with hand-coloring, mat burned and some staining; along with 3 Cruikshank prints- ''The Shop and The Shay''; ''Blood Heat a

THOMAS ROWLANDSON (1756-1827) HAND COLORED ENGRAVING , TITLED "THE DULL HUSBAND" , 1789 - IMAGE IS 9 1/2" x 7 1/2" ; 141/2" x 12 1/2" OVERALL

Four O'Clock in the Country Etching with Aquatint after English caricaturist Thomas Rowlandson. Thomas Rowlandson, the originals, part of a "Country" series, was printed in 1788. This is a high qualit

Three British prints, including: hand-colored etching by Thomas Rowlandson (English, 1756-1827), titled Cart Race, signed and dated 1788; together with two lithographs by Thomas Shotter Boys &

Thomas Rowlandson (British 1756-1827)- 1). ''A Milling March'' 2). ''Joint Stock Street'' 3). ''Summer Amusement at Margate'' 4). ''Distributers of Domestic Happiness'' 5). ''Sports of a Country Fair'

ATTR. THOMAS ROWLANDSON (BRITISH, 1756-1827) WATERCOLOR ON WOVE PAPER, H 13.75", W 18", UNTITLED An untitled watercolor on wove paper attributed to Thomas Rowlandson. Depicting a woodland path with a

Framed watercolor on paper, The Posting Inn, paper watermarked 1802, signed lower left Rowlandson (Thomas Rowlandson, England 1756-1827), M.A. McDonald NY label verso, sight: 7.25"h, 10.25"w, overall:

Two Antique Napoleon Bonaparte-Related PrintsThe first: Thomas Rowlandson (English, 1756-1827), A Hard Passage, or, Boney Playing Bass on the Continent, hand-colored etching, 1808, published in London

Attributed to Thomas Rowlandson (British, 1756 - 1827), Noble Man, watercolor on paper, bears pencil signature, overall (sheet/unframed): 7.25"h x 5.25"w

ROWLANDSON, Thomas (1756-1827), illustrator. -- William COMBE (1742-1823). Doctor Syntax in Paris, or a Tour in Search of the Grotesque. London: For W. Wright, 1820. 8vo (231 x 138 mm). Hand-colored a

Thomas Rowlandson (English, 1757-1827) "A Theatrical Candidate", 1797, hand-colored etching, framed under glass75. [Plate: 13 3/4" H x 9 3/4" W; Frame: 19 1/4" H x 14 3/4" W]. Toning; creases.

Thomas Rowlandson (1756 - 1827) was active/lived in United Kingdom. They measure 6-in. x 10-in. sheet size. Unframed, loose and not glued or mounted. If lot is absent of a condition report one may be

THOMAS ROWLANDSON (1756-1827), BRITISHMAN SAMPLING GOODS IN A GENERAL STOREWatercolour and ink on paper; signed "Rowlandson" lower left.Sheet 7.75 ins x 8 ins; 19.7 cms x 20.3 cmsProvenance:Private Co

THOMAS ROWLANDSON (1756-1827), BRITISHMAN IN A BOAT ATTACKED BY A CROCODILEWatercolour and ink on laid paper; signed "Rowlandson" lower right.Sheet 7.25 ins x 9.25 ins; 18.4 cms x 23.5 cmsProvenance:P

Thomas Rowlandson (1756 - 1827 ), title "Irish Jaunting Carr.", 1814, lithograph with coloring , art work size 13 inch by 10 inch ,

"The Paris Diligence" by Thomas Rowlandson - 1756–1827, British

THOMAS ROWLANDSON (1756-1827) *MR BARNES IVORY TANKARD BY BENVENUTO CELLINI. SMALL TEAR BOTTOM LEFT. 10 1/4 IN X 14 3/4 IN

Four assorted 19th century and later works comprising, A pen and ink illustration by Faith Jaques (1923-1997) for Leon Garfield's book The Fool; A watercolour after Thomas Rowlandson (1756-1827) depic

Thomas Rowlandson (1756-1827). With Gordon gallery label verso.

Thomas Rowlandson (London 1756-1827) 'Human nature is fond of Novelty. Pliny' inscribed with title (lower centre) pen, grey and brown ink and watercolour on wove paper 29.3 x 22.5cm (11 9/16 x 8 7/8in

Thomas Rowlandson (London 1756-1827) Batchelor's fare, bread, cheese and kisses signed 'Rowlandson del' (lower right) and further inscribed along the trimmed lower edge pen, brown ink and watercolour

Thomas Rowlandson (London 1756-1827) Grand Place, Brussels signed and dated 'Rowlandson 1802' (lower right) and inscribed 'Grande Place à Brussells [sic]' (lower left) pencil, pen and watercolour