Achille Peretti (1853-1923, New Orleans), "Study of Two

AMERICAN CURRENCY Lot of American coins and bills, includes: A pair of two-dollar bills, series 1928 and 1853; a pair of New Orleans-minted "Morgan" silver dollars, dated 1887 and 1889; a pair of 1923

Edna Hibel Plotkin (American, 1917-2014) "Study of Two Young Women" and "Breton Girl" two lithographs on paper the first pencil-signed and numbered lower margin "I 24/25, ed. 89"; the second-pencil si

Andree Ruellan (American, 1905-2006) "Four Men at a Charleston Dock" and "Study for 'River Men' Painting" two graphites on paper each signed lower right, latter localized "Savannah" lower right. Both

Robert Gordy (American/Louisiana, 1933-1986), study for a "Mountain Landscape with Two Lakes", 1979, marker ink and colored pencil on paper, verso with "Seeman-Robinson, Inc., Houston, Texas" label, 1

Two 19th-Century British School Graphite Sketches on Paper including "Study of Horse's Head" by John Frederick Herring, Sr. (1795-1865), signed and dated "1852", together with "Study of Elk and Deer"

French School (Fourth Quarter 18th/First Quarter 19th Century) Two Memento Miniatures including "Portrait of Napoleon", after Jacques-Louis David's 1798 study, watercolor, monogrammed "MM" lower right

ANDREW LAMAR HOPKINS (1977 - ) The New Orleans Home of two Confirmed Bachelors #2. Acrylic on canvas board, 2014. 347x457 mm; 13x18 inches. Signed and dated in ink, lower left. Signed, titled and date

Enrique Alferez (Mexican/New Orleans, 1901-1999) , "Study for Miami Indian", c. 1950, cast concrete, unsigned, h. 19 1/2 in., original wood base, overall h. 31 1/2 in Exh.: The Helis Foundation Enriqu

Arthur Kern (American/New Orleans, b. 1931), "Study for Silent Myth", 1981, fiberglass resin, signed on underside, exhibition label with artist, title and date on base, h. 10 1/2 in., w. 13 1/2 in., d

Achille Perelli (Italian/New Orleans, 1822-1891), "Nature Morte: Pompano", watercolor on paper, signed and inscribed "N.O." center left, inscribed with artist on backing board, 27 3/4 in. x 20 5/8 in.

Achille Perelli (Italian/New Orleans, 1822-1891) , "Nature Morte: Snipe", pastel and gouache on paper, signed and inscribed "N.O." lower right, 27 3/8 in. x 21 1/2 in., framed Provenance: Neal Auction

American Gothic Carved Oak Hall Suite , mid-19th c., by the "Stanton Hall Maker", possibly New Orleans, incl. settee and two armchairs, the triple back sette with crocketed spires, pierce carved crest

Angela Gregory (American/New Orleans, 1903-1990), "Bienville Study", 1952, bronze, signed, dated and foundry mark on self-base, h. 10 in., w. 7 in., d. 6 in

Caroline Wogan Durieux (American/Louisiana, 1896-1989) "Receptions (New Orleans)", 1938 "Los Diplomaticos (Conferencia)", 1942 two lithographs on paper each pencil-signed, titled, edition of 10 or 12,

William Aiken Walker (American/South Carolina, 1839-1921) "Miss Kiley, Fruit Vendor, Port of New Orleans" "Smoking a Pipe, Bales of Cotton" two oils on board signed lower left and lower right, respect

Monumental Patinated Bronze Garden Fountain in the Beaux-Arts neoclassical taste, signed "S. Keliam", of two-tier form, the upper bowl on a lion-masque pedestal over a tazza-form bowl, the sides adorn

Dutch School (First Quarter 20th Century) "Two Street Scenes" pair of oils on canvas each illegibly signed. Framed alike. each 17-1/2" x 14", framed 21" x 17-1/2"

Maison Jansen Ebonized, Parcel-Gilt and Marble-Top Cabinet early 20th century, the rounded rectangular marble top above a conforming case fitted with two cupboard doors, faced as four long tri-paneled

Pair of Imposing Empire-Style Gilt-Bronze and Malachite Twenty-One-Light Torcheres, each standard surmounted with two tiers of ten arms, and a single central nozzle, each raised on a triangular concav

William Curtis (1746-1799) and John Sims (1749-1831) The Botanical Magazine, or Flower-Garden Displayed London: W. Curtis et al., 1787-1815, demy quarto, forty-two volumes (in 34) plus index, containi

Leo Kenny (American, 1925-2001) "Study for Vertical Transformation", 1967 gouache on paper signed and dated lower right, verso with "Willard Gallery, New York, N.Y." label. sight 34-1/2" x 11-1/2" Pro

Piero Fornasetti, Milan, "Architettura" Trumeau designed 1951, manufactured 1975, in two pieces, screen-printed wood with pseudo-illusionist, trompe l'oeil decoration, the top opening to seven small g

Rare American Rococo Revival Laminated Rosewood Bedstead, Bearing the Patent Stamp of J. H. Belter, New York mid-19th century, in two-part form with a serpentine headboard, footboard and sides, the ce

Suite of Eight George III-Style Mahogany Dining Chairs 19th century, attributed to W. & J. Sloane, New York, possibly Irish, consisting of two armchairs and six side chairs, each with a foliate-carved