MUENSTER, SEBASTIAN. Cosmographei.

SEBASTIAN MUENSTER 1488 Nieder-Ingelheim - 1552 Basel 'MEERWUNDER UND SELTSAME THIER (...)' Holzschnitt, koloriert, auf Papier, mit Mittelfalz, verso Text. BM 35,5 x 43,5 cm. Gebraeunt, part. besch.,

A Modern Facsimile Map of the Americas after Sebastian Muenster (1489-1552) 20th Century Tavola dell'isole noue engraving with hand-coloring, framed 12 x 16 inches (sheet). Property from the Estate of

Istria Peninsula, Croatia. Sebastian Munster, [Title on Verso] Hysterreich, from Cosmographei oder Beschreibung aller Länder, 1556 (published). Hand Color. Woodblock map of Istria, in present-day Cro

Title/Content of Map: Vienna Date Printed: 1598 Cartographer: Sebastian Muenster Material/Medium: Wood Engraving Size: 12 7/8" x 31 1/8" "Cosmographia" Munster's Cosmographia (1544) by Sebastian Munst

Title/Content of Map: Heidleburg Date Printed: 1598 Cartographer: Sebastian Muenster Material/Medium: Wood Engraving Size: 13 3/4" x 29 5/8" "Cosmographia" Munster's Cosmographia (1544) by Sebastian M

wood, dark brown patina, kaolin (darkened), of oval vaulted form, carved with the representation of a small "kifwebe" mask in the centre, surrounded by flat incised band ornaments, massive handle back

wood, feathers, rattan, plant fibre cord, blackish mass, anthropomorphic head on stylized body (legs recognizable in back view), plume of twenty-six trimmed frigate bird feathers, old collection numbe

wood ("Alstonia scholaris"), shell inlay ("Turbo Phetolatus opercula"), lime, red ochre, black pigment, hairdo from short cut brush-like plantfibre tufts, which were pressed in blackish mass, thin ver

wood, pigments, glass, metal, rest. (base), plinth This figure captivates with a particularly beautiful face, which is dominated by large glazed eyes with painted pupils. The hairstyle, which is strik

lime wood (Alstonia Scholaris), coconut husk, rattan, bark cloth, plant fibre, fabric, lime, pigments (red, black), opercula, inventory no. "87L162", rest., baseEarlier ethnologists believed that "tat

wood, greyish brown patina, with chin plug, resp. beard, strongly encrusted sacrificial patina in some places (various liquids were used for sacrifices, including the blood of chickens, sheep, and goa

wood, blackish brown shiny patina, encrusted in some areas, characterized by a strong body with big head and bulky coiffure, nevertheless fine worked, regarding even facial features, well-formed body

wood, brown patina, in squatting posture, with both hands clasping a libation bowl, separately carved long tapering crown in the shape of an openwork carved palmbranch with notched ornaments, remains

black stone, H: 17 cm, H: 6,7 inch Provenance: Edith Hafter (1911-2001), Solothurn, Switzerland Continent: America This object is subject to the UNESCO Cultural Heritage Protection Act. Export documen

ceramic, H: 25,5 cm, H: 10,0 inch Provenance: Zemanek-Münster, Würzburg, 15 June 2002, Lot 771 Michael Beckmann, Marburg, Germany Expertise: Thermoluminescence Expertise, Nr. 011705002, 27.05.20

wood, heavily sweating sacrificial patina in places, handwritten inventory no. "H.1797", old label with heavily faded writing: "This idol represents "Shango", God of Thunder. Ogun, God of War. Lent by

cow or buffalo hide, polychrome paint, min. dam., traces of usage and abrasion; these "heraldic shields" can certainly be compared with those of Europe's medieval knights. Based on the way a shield wa

wood, red patina, remains of black painting, coiffure from animal hair, eyes with metal inlay (missing on the left), standing figure, rising from peg-like projection, small opening in the breast close

wood, matt shiny blackish brown patina, carrying a child on the back, beautiful modelled body with round forms, raised trefoil neck pendant, the bowl carved as a standing fowl (cover missing), slightl

wood, post-like neck with remains of red pigment, accurately carved neck with rich dark brown, slightly shiny patina, min. dam., small missing parts, slight traces of abrasion, base; such head stakes

wood, thickly encrusted sacrificial patina, blackened by smoke and soot, collection no. Afrika Museum Berg en Dal "222-4", labeled "Nachtmasker Bamum" The "troh" covenant is also called the "night" or

wood, blackish brown patina, original repairs The stool shows two female and one male, respectively hermaphrodite caryatid figure with beard. The Songye share with the neighbouring Luba the same mythi

wood, rich blackish-brown patina, ten metal earrings, elongated trunk with broad angular shoulders, breasts and navel particularly emphasized, slightly dam., ear holes broken out in parts, insect caus

light wood, metal, animal skin, These busts were used in rituals of the "bwiti" initiation society as part of the ancestor cult "mombe". They were placed in baskets containing human bones and magical