Tad Lauritzen Wright (b. 1972) Texas

ODALISQUE #10, 2002, mixed media on woven linen and canvas, signed and titled on verso, 14 ½ x 20 ¾â€, framed. Provenance: David Lusk Gallery, Memphis, Tennessee.

SARAH GREENE REED (American/Texas b. 1972) A PRINT, "Lanterns," 2003, archival pigment print, 4/5; 43 1/2'' x 31'', framed 46 1/2'' x 34''. Note: Sarah Greene Reed is a multimedia artist who lives and

Rene Alvarado (Texas / Mexico, b. 1972), "Lady and the Horse", 2008, oil on canvas, not framed size: 72 x 60 in. Shipping available for this lot through our partner 4CL; please request a shi

Rene Alvarado (b. 1972), interpretative Mary Magdalene, oil on canvas, framed frame: 33 x 52"; Provenance: A Fredericksburg, TX Estate Born in a small village in Mexico, Rene Alvarado, a painter of

Rene Alvarado (b. 1972), interpretative angel, oil on canvas, framed frame: 33 x 52"; Provenance: A Fredericksburg, TX Estate Born in a small village in Mexico, Rene Alvarado, a painter of large-sc

Rene Alvarado (b. 1972), portrait of Picasso, oil on canvas, framed frame: 40 x 30"; Provenance: A Fredericksburg, TX Estate Born in a small village in Mexico, Rene Alvarado, a painter of large-sc

Adrian Jesus Falcon (b. 1972, TX), titled "Sun Rats", oil on canvas, unframed 45"h x 62.5"w Provenance: A San Antonio, Texas, collection We happily provide seamless shipping services on everything

Rene Alvarado (b. 1972), inanicion (Spanish: starvation), oil on canvas, framed frame: 16 x 12"; Provenance: A Fredericksburg, TX Estate Born in a small village in Mexico, Rene Alvarado, a painter

Marc Dalessio (Amer., b. 1972), path lined with irises, oil on panel sight: 12 x 16 in., frame: 16.5 x 24.5 in. Provenance: from the artist, thence a private collection in Austin, Texas We happily

Manuel Garza (Texas, b. 1940), ranch gate, 1972, oil on canvas sight: 24 x 36 in., frame: 31.5 x 43.5 in. Provenance: A Fort Mill, South Carolina collection Celebrated for his vivid and finely deta

(lot of 2) Framed artwork group, comprising: (1) black and white photograph, "A Texas Dozen (Houston State Fair 1972)", by Geoff Winningham (Texas b. 1943), retaining ARCO collection label verso, sigh

Rabby, J. Howard (American/Texas, b. 1947), Green Hooter, 1972, oil on canvas (thick impasto), 24 x 18 inches, signed upper left, stamped with registration #990475, framed in a carved rustic gold pain

Rabby, J. Howard (American/Texas, b. 1947), Sunset Sailors, 1972, oil on canvas (thick impasto), 18 x 24 inches, signed lower left, stamped with registration #990102, framed in a carved rustic red pai

Gilbert Duran (b. 1936), Quail, 1972, watercolor, sight: 12 x 9", frame: 18 x 15" Provenance: Inventory from the now-closed Cristina's Jewelry (San Antonio, Texas) Duran has been painting for over f

Richard Pettibone (Amer., b. 1938), "Portrait of Jack Benny", 1972, acrylic and screenprint on canvas, signed to verso, unframed size: 48 x 36 in. Provenance: A San Antonio, Texas collection We hap

ANTHONY MARTIN (American/Texas b. 1941) A PAINTING, "Winter Rye," 1972, acrylic on board, signed and dated L/R, "Anthony V. Martin 72," verso a paper gallery label. 17 1/2" x 24" Provenance: DuBose Ga

Gilbert Duran (b. 1936), quail on a fence post, 1972, watercolor sight: 12 x 9 in., frame: 18 x 15 in. Provenance: Inventory from the now-closed Cristina's Jewelry (San Antonio, Texas) Duran ha

Carl Rice Embrey (b. 1938), "Storm Cellar"; inscribed on reverse with Hamilton--My Storm Cellar, 1972. acrylic tempera emulsion on board. sight: 33 x 48", frame: 34 x 50". Provenance: A Dallas, Texas

Framed oil painting panel, "Apache, Yellow Headband", signed, dated 1972, lower right Joe Grandee (Joe Ruiz Grandee, Texas, b. 1929, initialed, numbered 417, titled on verso, ,sight: overall: 11.5"h,

SIBYL EDWARDS (Canadian b. 1944) AN OP ART COLOR THEORY PAINTING, 1972, watercolor on wood, verso signed and dated. 9 1/4" x 9 1/4" Provenance: Personal Collection of Roy H. Van Horn, Houston, Texas.

David Borgerding (American/Louisiana, b. 1972) "Untitled", 2013 bronze incised signature and dated along lower edge, on an integral black metal rectangular base. overall h. 21", w. 48", d. 8"

A PIGMENTED’ PURPOSE, 2015, acrylic and metal leaf on linen, signed and dated on verso, 84 x 60”. Provenance: Kohn Gallery, Los Angeles. From the collection of Kaley Cuoco.

Beth Cavener Stichter (American, b. 1972), Remember Me, 2006, ceramic and mixed media, 12"h x 11"w x 6"d Provenance: Garth Clark Gallery, New York, New York

DAVID MECHANICA, polychrome eco wood and silver composite mechanized sculpture with motorized gears, Swarovski crystals, and LED lighting, signed on verso, from the edition of 100, overall 51 x 41 x 1