Thomas Moross (20th 21st Century) American

Thomas Gathman (American, 20th/21st Century)Untitled,Acrylic on paper,Signed upper right.Framed dimensions: H: 39 1/2 x W: 32 in.H: 29 7/8 W: 22 1/8 in.

Thomas Gathman (American, 20th/21st Century)Untitled,Acrylic on paper,Signed lower left.Framed dimensions: H: 39 5/8 x W: 32 in.H: 30 W: 22 1/4 in.

Thomas Arvid (American, 20th / 21st century), "In the Glow", giclée on canvas, from an edition of 375, edition noted and signed to lower margin "175/375 Arvid". Tablescape print depicting a half-dr

Thomas Swanston (American/Georgia, 20th/21st century). "Swans" -2009, metallic acrylic on four silver leafed panels. Each signed and dated verso, unframed as intended. Approx. 12" x 12" each

Thomas M. Barnett, American, 20th and 21st centuries, oil on canvas painting in the modernist style. Circa the early 2000s. Contemporary Abstract Paintings For Collectors. Dimensions: 50 1/4 x 60 1/4

Side table, 20th century, American, hand-painted by Thomas L. Rose (20th/ 21st C. Connecticut artist), top painted black with orange fern motif, reeded apron and cabriole legs, signed "T. Rose", wear

Northbrook Ribbon Vessel, Large wavy vessel, dark exterior with ribbons and multi colored interior. , Blown Glass 16 x 16 x 14 in. Unsigned. Condition: No apparent flaws. Property of Anth

Halima - Strength of Family, 2001, From the Soul Journeys Maasai Collection, 3263/9000Weighted ResinSigned, editioned and titled on plate on bottomImage: x in.; Frame: x in. 20 x 6 x 4 in.Condition: N

Sandy Ostrau (American, 20th/21st Century) Sea Beyond Spring Meadow, 2008 Oil on canvas 24 x 24 (in) 25.5 x 25.5 x 2 (in) Framed Signed Ostrau, lower left Thomas Reynolds Gallery tag and Modernism tag

Thomas O'Brien Collection for The Hickory Chair Co. (American, est 1911), late 20th / early 21st century. A pair of mahogany end tables with single drawer and contemporary pull. Maker's mark plaque to

Lawrence Earl (20th - 21st Century) American. "Palm Beach Polo & Country Club / Cartier v White Birch / Rolex Gold Cup Final / Won by White Birch", with Players; Carlos Gracida, Memo Gracida, Gonzalo

THE FISH IN THE RED SWEATER, 2012, acrylic painting on canvas, signed lower right, signed and titled and dated on verso, 36 x 36".

RED and ORANGE LIFESAVERS & RED M&M, three colored plastic sculptures, each signed, 9” and 8 ¾” and 9 ¼” tall including bases. (3)

A FAMILY AFFAIR: characters included: Hemlock; Curare; Lobelia; Oleandre; Foxglove; Arsenicoletta, six mixed media dolls with polymer clay and original fabric costumes with lace and bead-work, sizes 1

FLIGHT OF EXUBERANCE (Whales), 1990, patinated bronze sculpture, signed and dated at base, 47 x 17 x 23”

DANCE OF LIFE, cast bronze sculpture with dark brown patina, signed and numbered 10/155, overall 18 ½ x 15 x 8” including base.

VENETIAN SAILS, 1987, polychrome enameled metal sculpture, in three parts mounted to wood, signed and dated and titled in gold ink on side, numbered 1/12, overall 96 x 41 x 2".

DESCRIPTION: Farm and field skyscape. Michael M. Kraniski (20th/21st Century, American). Oil on board. Signed to lower left. In wood frame. Artist biography to back of frame. Michael M. Kraniski is an

JODI DEPEW MCLEANE (AMERICAN, 20TH/21ST CENTURY) (AMERICAN, 20TH/21ST CENTURY) PASTEL ON PAPER, H 13.5" W 17.5" RESTAURANT INTERIOR Signed in pencil upper right and dated 1994. In gilt wood frame H 20

ROMAN HOLIDAY, 2020, acrylic painting on canvas, signed and dated and titled on verso, 30 x 30”. Provenance: Kansas City Artists Coalition Annual Benefit Auction.

SARAH, oil painting on canvas, signed in secret Masonic text visible with black Light, 48 x 36”, in good studio condition.

KETCHUP BOTTLE & CURLY FRIES, 2009, hand-blow and frosted color glass sculptures, ketchup bottle 19 ¾”, fries average 7-8” each. Provenance: Russeek Gallery, NYC, with certificate.

LUST FOR LIFE, 1988, watercolor, ink, graphite and collage on paper, signed and dated lower left and center right and upper right, 60 x 48”, framed, in good studio condition.

SEASCAPE, oil painting on canvas, signed lower left, 24 x 36”, framed, some hairline cracking and minor surface soiling, otherwise in good studio condition.