Victorian Reverse Painted Tilt Table

Victorian Reverse Painted Table Lamp, reverse painted with landscape scene, painted flower frame, with matching ceramic base, attributed to Bradley & Hubbard, height 24 inches.

Reverse painted table lamp. Decorated with birds against a floral background. Ornate bronze metal base. Floral decoration; 22in.H. x 15in.D.(shade) x 8in.W.(base) #170006

Victorian painted tilt top table on tri-ped pedestal base. Early 20th century. 29"h x 20"

Victorian Reverse Painted Panel Table Lamp with Windmill, Flowers and Stream.

Victorian Reverse Painted Panel Table Lamp with Windmill.

19th century tilt top table in black lacquered papier mache with painted floral and inlaid mother of pearl decoration. 26" x 22" x 28" tall. Shipping: Local pick-up or 3rd party shipping only for this

Victorian Papier Mache Painted Tilt-Top Table, 19th C., mother of pearl inlaid Dimensions:28.75" H x 23.25" W x 28" D Property from the collection of Dr. William and Mary Smith Liebesman, Deal, NJ.

Victorian era hand painted tilt top tea table. Round design with floral still life center. Nice mother of pearl shell inlay. SHIPPINGHill Auction Gallery will not ship. Gallery will refer a local ship

A VICTORIAN FLORAL PAINTED BLACK LACQUER PAPIER MACHÉ TILT TOP TABLE, POSSIBLY ENGLISH, SECOND HALF 19TH CENTURY, with a circular hinged top centering a hand painted bouquet of various species of

LARGE SCHWEPPES TABLE WATERS CORDIALS AND CIDER ENGLISH VICTORIAN REVERSE PAINTED GLASS MIRROR. 49" W x 42" H. THIS ITEM EXCEEDS SIZE LIMITATIONS FOR IN HOUSE SHIPPING.

B&H Victorian table lamp, with reverse painted glass shade and bronze base. Marked B&H 187 on base. 22”H overall, 17” diameter. 

Japanned 19th Victorian Tilt Top Table: Painted veneer, original hardware. Measures 44" tall, top 29" x 29.5". Paint wear in spots, otherwise in excellent condition.

English, late 19th century. Tilt-top table with elaborate painted and gilt decoration (including a stag hunt on the top) on a black ground. 27.5" high.

American Victorian parcel gilt ebonized occasional table, in the manner of Herter Brothers or R.J. Horner, the top inset with eglomise reverse painted glass games board surrounded by painted scenes of

Six table lamps to include panel shade lamp, reverse painted lamp, bronze lamp base, pair of alabaster lamps, and a Victorian iron lamp. ht. 21in., to 30in. Provenance: Estate of Arthur C. Pinto, MD

French Victorian era gilded black papier mache and wooden tilt top table, having mother of pearl inlay and a painted scene of two dogs after Sir Edwin Landseer (British 1802-1873), 'Dignity and Impude

Papier-mache Victorian tilt-top table, with allover gold and silver painted decoration, having a shaped top. [Top: 30 1/2 x 23 1/2 inches; Base: 22 1/2 x 21 1/2 x 12 1/2 inches]. Minor paint wear.

Beautiful19thC Victorian papier mache tilt top tea table featuring hand painted flowers & abalone shell inlay - 26 1/2" diam

American Victorian Ebonized Tilt Top Table, 19th C. Top with painted floral still life under glass. Size: 39.5'' x 19'' x 19'' (100 x 48 x 48 cm).

VICTORIAN TILT TOP TABLEAmerican, late 19th century. Circular top on the turned pedestal support and tripod base, the black lacquered finish with gilt and floral painted highlights. 29" height, 24.25"

Victorian Polychromed Ebonized Tilt Top Tea Table, early 20th c., the floral wreath painted circular top over a ring turned baluster support issuing three serpentine splayed legs with scroll feet, H.-

Handel table lamp has reverse painted scenic shade depicting tall trees on each side of a small country road with more forest in the background and meadows and trees on the backside of the shade, all

Rare Handel Molded 6 Panel Reverse Painted Table Lamp: on great copper bronzed bulbous base, all signed. 6 heavy molded panels w/ ribs and ice chip texture, hardware inside shade holding panels in pla

18 in. Handel Reverse Painted Table Lamp. 18 in. dia. domical shade is reverse painted with a moon lit evergreen forest scene; signed Handel 6482 and artist signed “PB” (attr: Peter Broggi). On a