Arte Indiana A bulb shaped bidri huqqa base engraved

Indian Art A bulb shaped bidri huqqa base engraved with flowers India, Deccan, 18th century . . Cm 14,00 x 16,00.

Indian Art A stone huqqa base painted and gilded with flowers Mughal India, 19th century . . Cm 15,00. Damages at the mouth.

Islamic Art Silver inlaid bell shaped huqqa base and dish India, Deccan, 19th century . . Cm 18,00 x 19,00.

Indian Art A brass and silver inlaid double bell shaped bidri spittoon India, Deccan, 18th-19th century . . Cm 16,70 x 11,30. Crack at the upper edge.

Islamic Art An enamelled bell shaped metal huqqa base Japan for the Islamic market, 19th century . . Cm 19,00 x 22,00.

Good Shreve & Co. Sterling Silver and Engraved Glass Center Bowl, first quarter 20th century, San Francisco, California, the shaped navette base decorated with acanthus scrolls and mounted at the side

Good Shreve & Co. Sterling Silver and Engraved Glass Center Bowl first quarter 20th century, San Francisco, California, the shaped navette base decorated with acanthus scrolls and mounted at the sides

Indian incised brass candlesticks, with hexagonal drop-plate mounted bell shaped candle holders, above a shaft comprised of 13 graduated spheres, above a turned socle and round base with engraved deco

(Lot of Two) Chinese Lavender Glazed Jun Bulb Bowl and Stand. The planter of a quatre-foil section with deep lobed sides and a foliate rim, supported on four ruyi-shaped feet, the base with drain hole

DE CHIRICO GIORGIO (1888 - 1978) Oreste. 1985. . Cm 10,00 x 28,00 x 5,50. 72/100. Edition, signature and title engraved at the base. Casting carried out at the Venturi Arte Foundry, Bologna.

A LARGE SILVER KIDDUSH GOBLET. Vilna, c. 1865. On a stylized circular base with baluster shaped stem a skirted support. Upper portion is engraved with flowing floral bright cut designs. Marked. 6.6" t

Chinese Art A mallet (Yaolin Zun) shaped peachbloom glazed bottle incised with clouds and bearing a Kangxi six character mark at the base China, 19th century or earlier . . Cm 10,50 x 20,50. The upper

Chinese Art A celadon glazed pottery meiping shaped vase China, possibly Song dynasty . . Cm 11,50 x 19,50. Two labels from old collections on the base.

PIETRO CHIESA 1892-1948 MIRROR FOR FONTANA ARTE 1938 CIRCA Wheel engraved, sandblasted and silvered crystal, wooden base. 40.16 x 25.59 in. - TAGS: DESIGN

English Early 19th c. Pagoda Form Bowfront Caddy, with shaped sides, pewter stringing, silver lid cartouche engraved "CH", and silver escutcheon, skirted base edge and wooden bun feet, velvet lined li

A Minton Majolica ‘Spring’ Vase c.1875 The baluster turquoise flared vase with a shaped top edge decorated with pale yellow primroses, the leaves around the base terminating in three bulb feet. Pg

TWO GOLD VINAGRETTES AND A FIGURAL WATCH KEY, EARLY 19TH CENTURY comprising: a) an amphora-shaped vinagrette engraved in classical style with a female holding a wreath and another with a fan, base wit

A Minton Majolica ‘Spring’ Vase c.1875 The baluster turquoise flared vase with a shaped top edge decorated with white crocuses, the leaves around the base terminating in three bulb feet. Pg.5 Dawe

Indian Art A gold or gold plated jewelry parrot incrusted with rubies India, 19th century . . Cm 14,00 x 6,00. Provenance: private collection Milan.

Indian Art A pair of wiooden doors India, early 20th century . . Cm 151,00 x 140,00. Pair of panels depicting guardians (dvarapala) with auspicious symbolism and apotropaic function. Both characters a

Indian Art A stone sculpture depicting ParshvanathaIndia, Rajasthan, 12th-13th century . . Cm 28,00 x 56,50.

Philip and Kelvin LaVerne Eternal Forest Coffee Table, cast with an allover tree pattern patinated in silver, brass and green patina, raised on shaped base. Signed. Dimensions: 17 in.h. x 47.5 in dia

19th C. CHINESE EXPORT SILVER DRAGON REPOUSSE Goblet Trophy. Having globular body with short waisted neck to flared rim, raised on an elongated tall foot further to the bell shaped base. The center bo

(2) Painted Cast Bronze Standing Figures, late Ming Period, depicting Daoist Immortals, both attired in court hats, robes, and ruyi-toed shoes, standing atop footed and shaped base pedestals; the tall